I saw this film on my VOD and I must say I was throughly disappointed. The director got good access to Maradona but it seemed more like than "Let's follow Maradona Around" rather than a documentary. The film kept playing the same darn clips over and over again, especially Maradona's "Goal of the Century," and I fell asleep halfway through.The director's English sucks yet he narrates it in yet another major weakness of the film. Nothing really is probed in-depth other than Maradona's ramblings over how he hates Bush and loves Castro and Chavez. I'm a fan of Maradona but definitely not a fan of this utterly boring piece of trash. Please save 90 minutes of your life by skipping on this turkey.

I hated this in every way. I'll be honest, I hadn't heard of Kusturica before seeing it but I've since learned he's regarded as a genius in filmmaking.Even though Maradona is a cheating, egotistical little fool, there's no escaping the fact that he's a colourful individual and was one hell of a footballer.However, I learned very little more than I already knew about him. Everything was done so obviously on Maradona's terms. It was nothing more than an arty Maradona love-in. He hates the USA, he hates Britain, he loves Castro, he loved cocaine, he played a good game of football. That much we did learn. However, I and anyone else who follows football, already knew that. But, let's not forget, he cheated time and time again. Whilst he comes across as remorseful for the effect him doing drugs had on his family, he clearly sees himself as a victim for the effect it had on his career. The man was a professional sportsman, an idol and role model for millions around the world, yet he's bitter and feels hard-done-by about the fact that he was one of those to get caught out.Any cheating on the pitch, namely the infamous 'Hand of God' against England, was portrayed as no more than a schoolboy prank he got away with. How did Maradona get away with it? According to Maradona it was because of God (further proof of Maradona's deluded mind)! Then, frequently during the film, Kusturica depicts the second goal in the same game (reputedly the best goal ever scored) as some sort of political comment on the Falklands War, with a cartoon Maradona slaying Prince Charles, the Queen and Margaret Thatcher to name a few. Sorry, but whilst the goal was a stroke of genius, it was no political comment; it's just convenient to suggest it was.A footballer surely doesn't justify such an arty piece of filmmaking. If a filmmaker's intention is to profile a footballer, then surely a chronological study from the start to present day is what's needed, not philosophical ramblings over what made him what he is/was. If these ramblings taught us anything, then fine, but they didn't. He wasn't a revolutionary (although he clearly believes he is), he wasn't the great ruler of a nation (I'm sure he believes he's this too). He was a footballer and a cheat. A brilliant footballer, yes, and arguably the best to have ever lived and his life off the pitch is thought to be equally as (if not more so) fascinating as his life on it. That's why I'm so frustrated to have learnt so little from this. I wanted to hear him discuss in greater detail his humble beginnings, his rise through the ranks in footballing terms, his experiences with drugs, more details around his time at Barcelona and Napoli etc. The lack of facts and the general sycophantic tone that shrouded the whole film left me none the wiser and even less enamoured by Maradona than I was to begin with.It's amazing (and again very odd) to see just how revered he is in Argentina but I wished the film would have stopped dwelling on the fact and get on with some steadfast facts on the man himself. I don't wish to see some weird looking Argentine couple supposedly getting married at the church of Maradona, nor do I want to see Maradona singing a song (presumably about himself) for what seemed like an eternity. This was just further evidence of his God complex. I found both these scenes to be really peculiar.Aside from it being mind-numbingly dull, I found the whole thing a bit sinister really. Kusturica especially so. His voice-over was horrible, his bedraggled appearance horrible and then you get him fawning all over the supposed great man.Maradona's autobiography, El Diego, whilst interesting at times, was like reading a true Rock 'N' Roller's autobiography without any mention of the sex, drugs and excesses that go with it. Whilst a different approach was taken here, it was by no means a more interesting one.Total garbage.

Emir Kusturica's films are often wild, inventive but ill-disciplined affairs; and his documentary about (the often wild and ill-disciplined) Diego Maradona is no exception. Maradona was of course famous as a brilliant footballer who has nearly killed himself through drug abuse and over-eating; Kusturica intersperses film of time he has spent with the star together with interviews with his fans, excerpts of his own films, comic animations, and ruminations one what Maradona represents. It's the latter which is the problem: Maradona may dislike George Bush, but that hardly makes him a revolutionary; indeed, he comes across more as a spoilt child who still can't take responsibility for his own actions. And the worship he inspires makes his physical condition seem tragic - not just old and fat, but genuinely not well (in fact, he looked far healthier recently managing his country at the recent world cup). Ultimately, the film seems determined to adore its subject, even when it's not so clear he deserves such adoration. But there are few footballers whose game or life has been nearly so interesting.

6to Festival International de Cine Contemporaneo de la Ciudad de Mexico: Maradona by Kusturica (Emir Kusturica, 2008)* 23/02/09 *Two days ago was the first Saturday of FICCO and a free screening was programmed at the Zocalo of Mexico City: Maradona by Kusturica. I saw this film for the very first time on DVD exactly the same Saturday in which I saw Steven Soderbergh's The Argentine so that day I had a "revolutionary" Saturday, with two Argentineans and with Fidel Castro in both films. Last Saturday I went to the Zocalo, it was a really good number of people in the audience and for sure some persons wearing Maradona shirts. I love football and if you ask me who is the greatest football player of all time you will not hear Pele or any other name, either you hear Diego or Maradona or Pelusa or simply God. And that's a fact, and sure Pele is the king but Maradona is God and sure there are many people that are anti-Maradona but I doubt if those haters can stop looking at Diego playing. So I saw for the first time a film standing, in the Zocalo and of the FICCO, and I'm very very glad I came, I knew the film certainly and it was great to watch it on a big screen, it was great just to watch it again. When I first saw it back in January of course I knew pretty much everything about Maradona, certainly you don't have to know a lot about Diego to enjoy this film but for fans this is just a must-see. The God, the Bad and the Ugly, unforgettable and wonderful score, we hear part of the main theme, Emir Kusturica & The No Smoking Orchestra (I really liked Super 8 Stories, recommend also), played and there Emir was introduced as the Maradona of cinema, later on Kusturica will mention both Sergio Leone and Sam Peckinpah, for him at the time when he meet Maradona this looked like a character from a Sergio Leone or Sam Peckinpah film or like from the Mexican Revolution, almost impossible to think that he played football like God. Here we have a recovered Maradona, talking about his drug addiction, about his regrets, about those birthdays in which he was not with his daughters Dalma and Giannina, about the player that he could have been if only he had stayed out of the drugs, about the player that we all lose. Probably the most touching and memorable moment of this film is when Diego sings what for me is the very best of the songs composed to him, the song by Rodrigo, the song "La mano de Dios". Here Maradona sings it in first person and at one point during the performance he ask to his daughters to join him, that moment is really memorable, after the worst Diego was finally there to enjoy his family. We can hear other of those Maradona songs, we see here Manu Chao (another memorable part) and we can hear the song "Para Siempre Diego" at a bar, a bar that functions as sponsor or something like that for the Iglesia Maradoniana (the Maradonian Church). The stuff with the members of the Maradonian Church is simply fantastic (I knew about its existence yet this was the first time I actually saw stuff of the Maradonian Church), if you get married by that church you have to add the name Diego to your name and not only the husband but also the wife! And their Lord's Prayer! A lot of fun, and certainly just a proof of that, infinite, love to Diego. As I guess you know unlike Pele Maradona does played for European teams, he played for one of the greatest teams not only of Spain but of the world, FC Barcelona and for sure he had great games (here Maradona travels to Belgrade, he meet Kusturica's son (is really fantastic when Kusturica's son says something like "I never wear a shirt before but today I'm going to meet God") and more familiars of Emir, including his wife and his grandson who for Maradona has legs of a football player. Will be certainly unforgettable for Emir the fact that Maradona was the last person who spoke with his mother before she passed away. Also during this trip Emir takes Diego to the Stadion Crvena Zvezda, home of the football club Red Star Belgrade, certainly that football-related stuff can't missed but is very special since Kusturica suffered a really great goal of Maradona while he was playing for FC Barcelona and here Kusturica indicates to Diego to which goal he shoot that day, also Kusturica show us his abilities to dominate the ball, he is pretty good actually) but nothing like those from his times in Italy, in the South of Italy, in Napoles. The only way to defeat a great power, football and Argentina won that football war against England in 1986 and a team from the South of Italy came to not only defeat but to humiliate a Northern team when Maradona leaded Napoli but certainly not only that: 2 Scudettos, the first one was not only the first Scudetto for Napoli but also for any Southern team, 1 Coppa Italia, 1 Suppercoppa Italiana and the first major European title, the UEFA Cup. Here we can the return of Maradona to Napoles and you can imagine the people, there's only one thing to do when Maradona is present and here we can how even Hugo Chavez jumps and stuff. "Stop Bush" says a t-shirt of Diego, the Sex Pistol of football and yes Sex Pistols' music is here, only one song (God Save the Queen) and we hear it each time we are just mesmerized by the playing of Diego, all certainly lead us to the masterpiece of Diego, the goal of the century. I think even the British has to celebrate.