a strange , simple story . about solitude. and about relationships.a retreat soap opera actor, his sister, his best friend, a neighbor. a sort of Chekhov. or Ionesco. not real comfortable for a large part of public. but splendid occasion to discover James Franco and Catherine Keener as masters of great roles.in essence, a seductive story who has the real chance to have the perfect cast. because each gesture, each word, each meet becomes very important. and this is the detail who transforms Maladies in a sort of theater play, artistic experiment,mirror. because it is a touching pledge for see the other and the meet between James and the blind lady has the virtue to be pure poetry. short, one of the films who must see twice. for discover its beauty, admirable coherence, splendid acting.

This film tells the story of a household of three people, and a neighbour who all have some issues, or even psychiatric problems."Maladies" is a film that concentrates on the lives and interactions of four characters. James is the one that stands out, as he is a psychotic young man who seeks solace in listening to phone tones. Catherine is also interesting, as she perseveres through the hardship of living with James and Patricia. I like the fact that she stands up for herself and is assertive in the diner.Though "Maladies" offer an interesting look at four different individuals who are tortured in some ways, I did not feel satisfied in the sense that I got something out of the film. It's like - now what, after the film?

"Maladies" was slow but I never felt bored. (I reveal some parts of the story but it's not like the movie is based on the surprise of these things happening such that knowing them would really "spoil" the movie, it's not a mystery or anything, but be forewarned.)One thing that people say about this movie is it is about mental illness and although it is mentioned a few times and the portrayal of the characters is unusual I didn't see them necessarily as "mentally ill" in any way--they might have been, but also, maybe not. It just focused on people who themselves are focused on doing "work" which they found meaningful, living in a house together.It did have a lot of expression of what the James character was thinking, but what's mentally ill about that? Don't most people walk around thinking about things?Just because the movie is focused on the psychology of its characters doesn't mean there is anything psychologically "wrong" with them.I myself was very interested in this being mostly about what people think about things. Near the beginning they show James musing about the "tall" water glass Catherine requests. I think that it is very human to show how people really have momentary thoughts about almost everything around them. Some say the conclusion didn't work but I thought it was a fascinatingly surreal approach, where one character becomes emotionally unsettled and that manifests in something being "wrong" in the story which attracts the police, because we all know that the police are in the world to intervene and try to "solve" problems. I thought the fact that Carter refused to make this literal, maybe showing cuts where James really WAS doing something dangerous, like wavering a knife around, was brave and interesting.In the end James is so damaged by his disturbance he dies...don't we all sometimes feel like something bothering us could lead to some kind of "end"? "When she left me I thought my life was over." Showing this as ACTUAL death just made it more poignant.I thought that sound was used brilliantly to complement the action.There is one scene that shows Delmar, played by David Straithairn, as he realizes that there is no way for him to join in and experience the joy and pleasure others are experiencing just from dancing to a song, that I thought was emotionally devastating.I found it to be a unique and worthwhile "experimental" type movie, and I got a lot out of it. If you demand action or an explicit narrative from movies you may not like it as much, but if you aren't obsessed with such things this movie has a lot to offer in ways rarely seen in film.

Just came from the premiere at Cubix / Alexanderplatz (Berlinale film festival).I still have no idea what hit me. I really like James Franco, Catherine Keener, and the other actors are also quite good performers, as they usually act absolutely authentic to me. but the script was as if stolen from some over-enthusiast in a middle school writing class. Not even one piece of dialog struck me. No dramaturgy. Just NOTHING catchy. I like different layers of meanings, I tried so hard yet couldn't find it here. The picture is good. That's it. I fell asleep for some minutes, maybe I've missed something important, which would make me reconsider the movie, but it's unlikely.It started quite interesting, overall, very promising set of characters and their situation, but it just gets nowhere, for the whole movie. It is like you can actually feel how uncomfortable the actors must have felt with the script that has been handed to them.Save your time. This is my first movie review since years, and I don't claim to be a good critic. But this is just worth warning people.Just for a brief orientation, just to name a few (mostly popular) directors & writers of movies I enjoyed: Jim Jarmusch, Gaspar Noé, Werner Herzog, Wes Anderson, the Coen brothers, Alejandro González Iñárritu, David Fincher, David lynch, Quentin Tarantino