Madame Sousatska is a story of the collision of worlds: British vs. Indian, art vs. business, artist vs. non-artist, and most importantly, adult vs. child.Manek Sen (Navin Chowdhry) is the bright, gifted child of a poor Indian immigrant, Shushita (Shabana Azmi). Shushita, a rich and powerful woman until her divorce, gets by providing Indian food to department stores in London. Realizing that Manek has real talent, and may be able to have a career as a concert pianist, she pushes him to work on his music. Ultimately, Manek comes to the attention of Irina Sousatska (Shirley MacLaine), one of the best teachers in London. She agrees to take Manek on as a student, and vows to teach him about life while she's at it, which puts her at odds with Shushita. Coming to her flat in a crumbling house in London, Manek enters her world, and meets the people who share the house with her. He develops a particular fondness for Jenny (Twiggy), a model dating Ronnie Blum (Leigh Lawson), a concert promoter who takes an interest in booking Manek for a concert appearance with a symphony orchestra. Madame Sousatska is dead set against this since her own concert career was derailed when she was pushed to perform in public before she was ready. When Manek decides to go ahead with the concert, she refuses to teach him anymore, but when Manek triumphs, she wants to help guide him. Will he continue to work with her, or go on to work with Leo Milev (Robert Rietty)? It's an interesting premise, handled deftly. Madame Sousatska claims that life and art are all wound up together and can't be separated, and the movie does a good job of showing this. Particularly well handled is Madame Sousatska's back story, which is told through a series of short flashbacks, presenting only the information pertinent to the plot, rather than her whole life story. Manek is shown having a hard time reconciling being a teenager with being an artist in training. And Shushita is shown as not quite accepting that she is not the most important thing in Manek's life.The acting was first rate. Chowdhry does an excellent job in creating the character of Manek, showing all of the facets to the youth. Twiggy gives a sweet performance as a likable woman longing for a man who treats her badly, and not realizing just how deep Manek's emotions for her run. Lawson is perfect as the smarmy concert promoter. Azmi's Shushita is annoyingly self-absorbed, and clearly more interested in exploiting her son than in raising him. MacLaine sparkles as Sousatska, although she can't seem to decide which accent she is going to use for her character, and her continual switching between them is distracting. Still, it's a solid performance that more than carries the movie.This a lovely movie, a treat for the ears as well as the eyes. And it shows that devotion to one's art, while it does have its rewards, also has its costs.

John Schlesinger became famous as a polemic and very socially oriented director, but this is his Masterpiece of all times. It is not a monumental movie and it is not a box-office smashing hit.No. This is a far superior work of artistry, worked and reworked from the guts and above all, from the heart.The story is very skillfully developed and has plot twists and turns as the classical masterpieces interpreted in this movie.Yes, because it is a tale of two cultures: the Western and the Eastern. The western side is taken by a (Russian?) piano teacher, living in London (masterfully played by a magnificent Shirley MacLaine) and the Eastern is represented by a would-be and reticent Hindi piano student.Not only does Schlesinger tell us the story of the two and their passions and strives in life, but also gives us a whole palette of undertones in quite different social worlds.Despite its length (slightly over two hours) the movie has never a dull moment or a static conversation. Emotions are fully and honestly expressed by all involved and never for a moment, one can feel he is watching a movie here.Quite the contrary. All the characters play their parts so much to the hilt, that it "sucks" us in and doesn't let loose until the end credits roll.I am not an emotional person generally, and many "tearjerkers" only make me crack up, so academic they are, but when I watched this movie for the first time in New York City at the Carnegie Odeon Movie Theater, I must admit I came out in tears and had to make an effort not to be noticed for that.Not that it is particularly sad, quite the contrary. Despite some very dramatic moments, it is truly a wonderful comedy. No the sadness comes out from the realism contained in the lives of the characters, in which we all could find similarities.The dreams, the passions, the disappointments, the crime and punishment and finally, the absolute redemption are all very important factors in this excellent movie.The music world is only a mask to show us a much deeper view on society as such. But the film is conducted by Schlesinger (the old fox) as an orchestra conductor, directing a symphony by Beethoven.His baton is light but never loses out on a note. His conducting is comparable to the mastery of Herbert von Karajan. The only difference is that he waltzes with a camera.If you want to discover a different movie from the same-o, same-o, then this is an absolute must see.I personally laughed, cried, got concerned and was worried, was uncomfortable, then immediately relieved by pleasant surprises throughout the entire movie, but above all, it made me think about the similarities with my own world and this is probably why I learned to love this tiny masterpiece.I just own the VHS version, but would like to plea the producers of the movie (Universal was the distributor, but the movie was a Cineplex/Odeon production) and all those who are involved in DVD production to finally decide to release a pristine copy, with a decent digital sound and a crisp image.Of all the movies around, this one surely would merit an extra effort to digitalize it and therefore preserve it for posterity.I can only recommend it. This movie is for all, although some scenes may be a bit difficult to understand by younger audiences, without an adult presence. But in reality, this is a naive suggestion, since it has to be watched by the entire family on a quiet movie evening around the living room.You need some concentration though, to watch it. It is not a popcorn and beer movie. This is a movie for those who love to think.

This movie was an extremely enjoyable experience. I loved every minute of it, even though the story itself is not much to talk about. Its really a slice of life, centering on a piano teacher and her star pupil. The pupil gets involved in the lives of the teachers' neighbors and that's the movie. It might sound boring but it is not. The characters are all sweet and kind to one another, for the most part, and have a real affection for each other too. A birthday party for Madame is a standout scene. Shirley MacLaine does not rely on her usual mannerisms and delivers a powerful performance as Madame Sousatzka. The rest of the cast is great, too, especially Twiggy as the beautiful Jenny and Peggy Ashcroft as the landlord Lady Emily. This is the ideal movie for a Sunday morning or when you want to be entertained by some good music surrounded by a good story.

I can see how this movie would not be for everyone. However, it worked beautifully for me. It was a wonderful contrast of a renowned piano teacher who becomes too attached to her young prodigy. The story was a wonderful juxtaposition of classical performances, along with a study of the people involved. The story develops simultaneously with the evolution of the main charactors, and the acting was first rate. You don't have to love classical piano to enjoy this, but it probably helps. It is a fine story with many layers and I give it a thumbs up.