It is remarkable how few reviews this big-budget war movie has received over the years on the IMDb. It seems almost forgotten but this is totally undeserved."Lost Command" has all the makings of a big-budget epic of the sixties : a war theme, large battles and some big stars of the day : Anthony Quinn, Alain Delon and (a very sultry) Claudia Cardinale, including the director Mark Robson, fresh from his success "Von Ryan's Express". But this warmovie is a bit more difficult to categorize.Based on a novel by former French army officer and war correspondent Jean Larteguy it was made only a few years after the actual events (set in 1958 in French colonial Algeria) this somehow is Hollywood's answer to the better-known and much acclaimed European "The battle of Algiers" (1963)from director Gillo Pontecorvo which was shot in black and white, on a shoestring budget with no major stars and very left-wing."Lost Command" is almost the complete opposite : a massive budget, shot in Technicolor, big stars and a rather right-wing attitude. But here's the twist : the movie doesn't ignore the brutality on both sides including those by the French paratroopers towards the Algerian civil population, with scenes depicting the use of torture and a massacre of a peasant village (in reprisal of the brutal murder of several of their comrades). Also the terrorists aren't portrayed as all-out baddies, as their leader, an ex-para himself, is played by, wait for it, George Segal (!) in heavy brown make-up. You hardly recognize him. The restof the cast is excellent, with Anthony Quinn leading the way as the para commander and French actors Alain Delon and Maurice Ronet as his assistants. It is also historically very accurate : the Dien Bien Phu prologue, the uniforms and weapons, etc... They also face roadside bombs, suicide attacks, booby-traps in the inner city, all rather reminiscent of things to come with the US occupation of Bagdad. No wonder then that former commander of the US troops in Iraq, David Petraeus(a paratrooper himself), is an avid fan of the book (and film) from which he took ideas to support his new counter-insurgency strategy. Come to think of it, this would be a much more interesting training film to show to the US troops in Bagdad as they did indeed with "the Battle of Algiers" ! As it was made only a few years after actual events this was a bit too close for comfort for the French government so "Lost Command" was banned in France for over 10 years. Subsequent French releases vary rather in length, editing out sometimes more then 30 minutes of the original version. The French only got to see the complete version with the release of the DVD in 2003.So highly recommended viewing, as it treats its audience as adults and not mere as teenage public just looking for cheap thrills with lots of shootings and explosions.

This may likely be the best Mark Robson war movie of the 60's; certainly much better in my opinion than the more highly regarded Von Ryan's Express. Due a better fate than rental (Spoiler) due to its intelligent exposition of the brutalization of war and the erosion of human honor and self-respect as( Spoiler) Respiguy seeks the patronage of the widow of the aid who he had suspected of betraying him at Dien Ben Phu and with whom he and she become lovers. (Spoiler)Once in Algeria the unit formed initially responds with repulsion to the atrocities until they participate at Rahlem;s(Spoiler) from this point on Respiguy's moral decline increases till he wins the final battle with treacherous tactics.(Spoiler): The film title may best be explained in the context of Respiguy's erosion of moral compass for personal glory and socio- political security in The Fourth Republic. (Spoiler) Deftly edited and photographed with excellent use of the Panavision camera; a remarkable Hollywood assessment of the first modern Guerilla War.

Having seen Pontecorvo's "La Battaglia di Algeri" (The Battle of Algiers) which is an excellent French docudrama my attention was drawn to this. I have to say that it is a good movie which not only serves as an entertaining drama (unlike the previously mentioned which was more documentary-like), but a reasonable record of some of the issues facing Algeria, France and society at the time. The choice of George Segal in the role of as Mahidi was particularly odd but reflects the era when it was made. Alain Dellon was in his prime at the time (and very good looking). Anthony Quinn as Raspeguy also surpasses many of his other roles in being highly engaging and convincing without the need, as was the case of some of his other roles, to resort to comedy. Two hours long but a lot packed in. The action sequences are well handled.

Perhaps because it came out so soon after Pontecorvo's classic "La Battaglia di Algeri" (The Battle of Algiers), "The Lost Command" got, well, lost. That's too bad, because I saw this movie only once about 20 years ago, but still recall it vividly as a surprisingly well-done action film spiced with social commentary that doesn't overwhelm the whole.Anthony Quinn is especially believable as a hard-bitten professional soldier who manages to rise to high command in spite of his peasant birth. Alain Delon is his pretty boy right-hand and George Segal has a particularly interesting turn as an Arab serving with Quinn and Delon in Indochina at the film's beginning who is radicalized upon returning to his native Algeria and takes up arms against his former comrades.The highlight of the film is its retelling of the Battle of Algiers, with Quinn in the role of the real-life para colonel Jacques Massieu.The battle scenes are well-done and realistic, especially the opening sequence, which is set in the final, desperate hours at Dien Bien Phu in 1954. Despite being well-made and underrated, this film is not often shown on television, so you'll probably have to rent it.