Although the movie is allegedly set during the Chinese civil war, the first phase of the war between the Nationalists and Communists did not start until 1927, and the movie appears to be set in a time before the first phase began.The underlying story is about a bandit (played by Wen Jiang) who disguises himself as a local "governor" (mayor of a town). His motive is acquiring wealth through fraud, or so one is lead to believe initially. Instead, the movie turns into a complex mind-game between the bandit, named Pocky Zhang, and a local war lord (Master Huang, played by Yun-Fat Chow). A struggle ensues, and the storyline turns on who will prevail. Prostitutes (with hearts of gold, of course -- something movies seem to love even though divorced from reality) also play a major role in the story.The joy of the movie is watching the two protagonists (each served by loyal and capable side-kicks) try to one-up each other. There are plots within plots within plots. The film is also laced with farce and a few guest appearances by an excellent traditional Chinese drum band. All characters have traits that are both admirable and foolish.Can you stay one step ahead of the protagonists as they scheme and counter-scheme? Good luck.My one criticism is that the English language subtitles are small and pass by on the screen so fast that it is often hard to read them completely.If you enjoy watching cleverness unfold, with the hero ultimately prevailing, and you do not mind struggling with the dialog, this is a cute movie. It is a much more sophisticated sojourn into Chinese culture and greed that the traditional kung-fu movie. It is likely that the script reflects more than a tad of Party influence since our hero, the bandit, ultimately turns out to have a heart of gold (no pun)and care only for "the people." Fortunately, this does not distract from the plot or the characters. Wen Jiang and Yun-Fat Chow are superb lead characters, as one would expect of actors of their quality.The movie is long at 132 minutes, but you will never be bored. Even the special effects are exceedingly well done.

I don't know what to make of this movie. The trailer promised lots of action and remembering some of Chow Yun Fats best movies, I had high hopes. But instead of tons of action, we get a movie about two men trying to outwit each other in a macabre duel of treachery:A robber becomes an impostor, assuming the role of a towns new governor. He soon begins to oppose the towns true ruler, a crime lord in a game of deadly schemes. This could be very entertaining, if most of the humor wasn't lost in translation. The non verbal humor is basically slapstick and seems kind of outdated. The acting was okay, the characters had some depth to them, especially the "robber". There were some CGI effects in the movie and they were terribly bad.It's an uneven mixture that'll probably prove to be boring or confusing to most watchers.

If William Shakespeare had written a western that takes place in China at the beginning of the 20th century, it would be thus. This intricate plot contains many of the hallmarks of Shakespearean storytelling, conveyed with clever and engaging dialogue and satisfying action: murder, revenge, hidden identities, nobility of purpose, greed, political machinations, romance, violence, greathearted heroes, petty tyrants, henchmen, and impostors. My only real complaint with this film is that the denouement is a little weak. But, overall, I loved it.If you buy/rent it on DVD, I would recommend viewing it in Mandarin with English subtitles —I found that the English overdub was enjoyable, but a little too "American"; the subtitles had more punch, and kept the flavour of the original Mandarin (fyi, watching it with English overdub *and* English subtitles is trippy).

In early 1920s, China was in civil war and it was an era when disorder became part of life. Bangde Ma ( GE, You) who just became the mayor of a remote town through bribery was robbed by a group of bandits led by Pock Zhang ( JIANG, Wen). However Ma could not afford any ransom because he had used up all his money for bribery and the only way to collect money was to use the ruling power of the mayor title. Zhang decided to take Ma's position as the new mayor while Ma posed as his private adviser under the name of Tang.Their destination, the Goose Town, was actually controlled by notorious mafia clan of the Huang family and the only way to collect money was to fully cooperate with the family and handed out most of their gains. However Zhang was only interested in rich families black money and believed in fair justice for each person, which made Huang the IV ( CHOW, Yun-Fat), the boss of the clan, very very unhappy. Almost immediately Zhang and Huang became enemies and the Goose Town would soon turn to be a battle field as well as a stage of hypocrisy, cheating, apathy and snobbery.The first impression of the movie is that it is no doubt of a typical Hollywood style action comedy composed by every piece of commercial element you can find in other Hollywood action movies such as gun firing, explosions, beauties, muscles, fast moving, slangs, and etc. The movie itself is of great fun and you will laugh from the beginning to the end. Also the story is told in a straightforward way and there would be no problem of understanding it even if you have no idea where China is located. The problem, however, is how to interpret Jiang Wen. Let the Bullets Fly is becoming one of the hottest and the most appraised movies in recent years in China neither because it is more dazzling than the Avatar nor because it is more surprising than the Inception. It is welcomed because many Chinese viewers regard the story as a mirror of present China and a movie with strong critical acclaim should have not been approved for public show by the authority such as Jiang Wen's previous movie the Devils on the Doorstep. Interestingly, different people can interpret the movie in a way they like and this may be the power of a comedy. Frankly speaking, if you are not a Chinese, chances are you will enjoy the movie for funny stuff while not the metaphor of the movie.