Though produced by Warner Bros. at the dawn of the 1930s, this women's prison picture is not much of a social issue drama. Ladies They Talk About (1933) often feels more like a dark comedy than anything else. Barbara Stanwyck plays a tough-talking bank robber who falls for a crusading religious man. He falls for her too, but her past doesn't stop him from having her tossed into the slammer for five years.The plot and love story are mostly bunk. The highlights of the film are the examination of life inside the prison, the way all of these women interact. Unfortunately, the film is marred by unpleasant racial stereotyping and an ending which does not ring true. Stankwyck fans and lovers of pre-code will dig this though.

This is a hard film to review. There is a lot to like and a few things to dislike in it. So lets break them down: The bad: 1: The parrot scene with the ugly black woman. The entire scene made me cringe. There was no benefit or reasoning behind this scene even being in the film. 2: The length of the film. It was only 69 minutes. There was a lot of story to tell and there simply was not enough time to tell it in. Stuff like the parrot scene, and not getting into depth David Slade's (Preston Foster) opposition to politicians and the newspapers was a major mistake. If you don't think the politicians and papers would have had a field day with him being involved with and spoilers ahead: Marrying a convicted felon like Nan Taylor (Barbara Stanwyck), and then you believe in Santa Claus. In addition, Stanwyck is almost always worth watching (Except "Walk On The Wild Side", a film without a single redeeming factor). So show us more about her (Like why she went from a preacher's daughter to being so rotten (Which is what they did in her next film "Baby Face")). The good: 1: Linda (Lillian Roth: She was really my favorite character, a person who was probably a lifer (Based on the fact she was in San Quentin before Nan got there and after she left), yet she never became a hater, and all she wanted was friendship from Nan. I usually detest singing in a film, but the scene (Spoilers ahead) of her singing to a photo of Dick Powell was well done. 2: Stanwyck: As usual I like her in this film, and in particular (Spoilers) when she punches out "Sister Susie" (Dorothy Burgess), for framing her over a letter. This is what you could have expected from Cagney. Also when Susie calls the cops for shooting Slade, and she makes her look pathetic by putting a "Do Not Disturb" sign over the keyhole where she was peeking, and this little exchange with Susie: Susie: Say, there isn't any punishment bad enough for you! Nan Taylor: Yeah? Well, being penned up here with a daffodil like you comes awful close. It is a strange film, because Roth & Stanwyck were so good, it could have been a classic, but the parts I disliked (Particularly the parrot scene) really were that bad, I had to deduct stars from it. 7/10.

This is a very gritty pre-coder made special by Stanwyck. She could take an ordinary programmer and with a couple of emotional scenes make it very memorable. The "Ladies They Talk About" are the women prisoners in San Quentin, where a lot of the action takes place.After putting the police on a false trail ("Police, hurry please - there's a man running wild with a butcher's knife stabbing people") Nan Taylor (Barbara Stanwyck) gets busy with the real business - helping to rob a bank with her gang!!! It goes wrong and Nan is caught. "Fighting" Dave Slade (Preston Foster), a reform revivalist, takes an interest in her - he remembers her from his home town, she was the deacon's daughter!!! She convinces Dave that she is innocent, so he has her paroled - hoping she will go straight. She confesses that she was in on that bank robbery, thinking that her honestly will impress him but it doesn't and she is sent to jail.Life on the inside looks rough but Linda (Lillian Roth) takes her under her wing. Lillian Roth looks absolutely beautiful and even sings a song - "If I Could Be With You". This was one of her last films before her alcoholic oblivion. Someone Nan needs to be careful of is "Sister" Susie (Dorothy Burgess) a religious zealot, who is secretly in love with Dave Slade and will not hear anything against him. Meanwhile Don (Lyle Talbot) and some of his gang, have been imprisoned but they have plans to break out with Nan's help. She provides a plan of the women's section and also an impression of the master key to all the cells. She sends the details in a letter, but because "Lefty" (her "outside" contact) is now in jail her letter is intercepted by the warden and the guards swoop. The gang members are killed in an ambush and Nan wrongly believes Dave Slade was responsible. When she is released she goes "gunning" for him.The ending is pretty improbable - somehow I don't think Nan and Dave are going to live "happily ever after"!!! She is completely hard boiled and only starts to feel sympathy for him when she almost kills him. Even when she is asked if it is true that she and Slade are to be married, Nan replies "well, he said so, didn't he!!"Among the cast is John Hyams, Leila's father, as an uncredited bank manager. Ruth Donnelly is the Matron with the cockatoo and Madame Sul- Te-Wan is Mustard - she had appeared in "Hoodoo Ann" as Black Cindy.Recommended.

Barbara Stanwyck as a beautiful gun moll who helps her gang commit an armed bank robbery, then gets herself arrested. A young reformer who speaks in front of an "old-fashioned revival" believes in her innocence and tries to help her as they both are from the same hometown and, well, she's not past using her looks to get what she wants. But when, for some reason that I couldn't quite figure out, she actually admits to him she was part of the hold-up, he then assists in sending her to San Quentin. Soon our gal is the "new fish" in prison, and this is a women's prison like no other - if it weren't for the appearance of some older women prisoners in the mix, this would almost look a private girl's school rather than the state Penn! Lounge rocking chairs, newspapers, card games, a "greenhouse" area, a hair stylist, manicures, the "ladies bird club", phonograph record players, and outside - "the sun yard", a regular garden spot. These women can wear their own slinky negligees at night and play records in their room - and one older inmate actually is allowed to keep her own little "lap dog" - h'm.This film is pretty good - the portrayal of the prison so far-fetched it's actually kind of a hoot to watch. I notice the male prisoners (on the other side of the prison) don't seem to have the same conditions as the women as they are shown in regular jail cells with bars. Anyway, Barbara Stanwyck, one of my favorite actresses from that era, gives her usual star performance and acts up a storm - just great as she plays the world-wise gal who'll play hard ball to get what she wants. A really fun film.