Doctor Who got tired of England and platonic relationships with English girls, so he flies to America and marries L.A. actress wannabe. :D7/10

Richard (David Tennant) is a Scottish undertaker who dreams of being a screenwriter. To his amazement, the woman of his casting dreams, aspiring actress Barbara (Vinessa Shaw) meets him unexpectedly as a tourist in his native land. She is flattered by Richard's immediate attentions and the two spark up a friendship until its time for Barbara to go home. End of story? Not quite. Richard decides to take an extended vacation and travel to Los Angeles in search of his true love. After all, maybe his yearning to make it as a screenwriter will be better realized in Hollywood, too. His initial landing in the city is humorous as he goes to the bad part of town and is the target of scorn by the tough guys. Yet, a man rescues him, takes him to a vacant apartment and gets him a job as a pool boy. Now, Rich must make an entrance at the fancy restaurant where Barb works and see if she missed him. It's a surprise and surreal reunion. There are also complications as Barbara has a boyfriend with many connections in the movie business. How can she dump her current beau for Richard, when she is just about to "make it" in Tinseltown? Can she get good advice from Julie (Julie Delpy) , a zany co-worker at the eatery? This sweet film is definitely enhanced by Tennant's winning ways and handsome face. He is a charmer and quite funny. Shaw is beautiful indeed but somewhat of a cold fish. Delpy has her moments while, most importantly, Johnny Depp makes a cameo that is side-splitting. The scenery, costumes, script and direction are all above average. For romcom fans, like me, there is always an endless pursuit to find hidden gems like this movie of 25 years ago.

Aki Karusmaki or his equally brilliant brother Mika directed and wrote this stunning piece of Europeana. Or Finneana. I love it when these European amateurs poke fun at Hollywood while they themselves aren't capable of making one good movie per decade. Besides, Hollywood is such an obvious and all-too-easy target, and this sort of thing has been done a zillion times before, and mostly much better. The gags are primitive, unfunny, badly directed or written, and the movie has to be endured instead of enjoyed. So trite, the way they yet again use the unfunny, stone-faced Leningrad Cowboys as some kind of sorry comic relief. Many familiar faces in small roles (Saskia Reeves - with about three seconds of screen time, Delpy - as a ridiculously overplayed dumb blonde, Gallo - ridiculously overplaying an L.A. "dude", Depp - "re-doing" his "Dead Man" character as an obvious tribute to Karusmaki's infinitely more talented pal Jarmusch, etc.); these actors probably appeared for nothing, thereby pretentiously supporting Le Europeanne Cinematique Arte-te-te that way. If the Karusmakis are one of the current leaders in Europe's Filmlandschaft then Continental Europe must be in the worst shape than it's ever been. Politically and morally anyway.

I realize that I should not comment on other peoples comments, but sometimes it just p***es me of how low the rating is.L.A. Without a Map is not really a "romantic comedy" a la Meg Ryan/Sandra Bullock, but it IS very romantic and sometimes funny and sad. The main character is a pretty strange man, and the female character is far from being "a good girl". I would catalogize it as Tragic comedy/Drama. This movie is probably an example of how "non-standard" films are unpopular with many people. DO NOT watch this movie if you like Jennifer Love Hewitt.The lighting here is dark and realistic almost like a documentary at times. The characters are real characters with depth. Tennant and Shaw are great. Unlike a "romantic comedy" the ending is not retarded and predictable. Tennant is the last person you would expect as the "hero" of a "romantic comedy". He gives the movie depth and realism. All characters of the move are actually anti-heroes. The movie is still funny and positive and deeply human.