You will get a wide and varying reaction as to the veracity of what Peter Maas wrote about the Romany culture in his non-fiction book, King Of The Gypsies. The information from that source yielded a screenplay with both Hamlet and Oedipal like qualities in it about the succession in leadership to a gypsy clan.The title role in King Of The Gypsies is played by Sterling Hayden and he and his Queen Shelley Winters have as much responsibility to their clan as the Corleones do. But they've got a son in Judd Hirsch who has the worst qualities of Fredo and Sonny Corleone in one package. This is not a guy you want running the clan.Hayden pins his hopes on his grandson Eric Roberts. But Roberts has walked away from gypsy life and now is even courting a nice all American girl in Annette O'Toole. He's a singing waiter at Mama Leone's which is no more. Hirsch of course has no desire to be John of Gaunt in his family, son of one king and father of another. This sets up the conflict within the clan that goes active when Hayden dies.Eric Roberts made his screen debut here and does fine, but the guy to really watch in this film is Judd Hirsch. You can hardly believe that the amiable Alex Reiger from Taxi is played by the same actor. Hirsch's part of Grozzo should be his career role. Had it been played by someone like Al Pacino and would have had King Of The Gypsies come to the screen some 15 to 20 years later it might have gotten an Oscar nomination. At this point Pacino would have been cast in the Roberts part. How Hirsch was overlooked is a mystery that only the gypsies know.For an insight into a part of human society overlooked, King Of The Gypsies is highly recommended.

This movie was panned by critics, but it seems to have gained cult status among those who like 70s films.I liked it simply for its fascinating subject--Gypsies in modern day urban America.This is certainly not a definitive study of the culture, but it is exciting and most of the acting is solid. Roberts and Shields are incredibly beautiful, and the cinematography has that ripe, but overcast look you see in so many films released during the era. Stephane Grapelli's violin in the background adds weight to the glorious score.The biggest downside is Sterling Hayden's performance. His voice tends to rupture and bark in its heaviness; it lacks nuance. Also, I sometimes felt embarrassed for Sarandon. Though she was perfectly cast, she seems embarrassed herself at times; there is a brief scene where she has to dance, and her body language suggests she's thinking "Do I still have time to reconsider?" Another problem is the continuity. Where was the script supervisor? Shield's character was supposedly born in the 1940s, but when we see her again as a young teenager, it is clearly the late 1970s. You hear Disco in the background, see the long leather coats, and wait for John Travolta to make a grand entrance.But enough of my nit-picking. Maybe this is not the finest film, but it is indeed a *fun* film. The subject is intriguing, and the plot itself is good. What it lacks in directorial perfection, it makes up for in soul.

King Zharko Stepanowicz? Not bad for what it is...a lightweight version of THE GODFATHER with Sterling Hayden as a gypsy King who names grandson Eric Roberts his heir, thereby overlooking his son Judd Hirsch. Mayhem ensues. The movie is all over the place and the sloppy direction by Frank Pierson is not helped by a lot of hammy acting. Hayden and Shelley Winters lead the pack, which is no surprise, but to see the usually low-key Hirsch and Susan Sarandon ACTING up a storm as gypsies is really disheartening. Roberts, in his debut, is pretty good...he clearly hadn't developed the weirdly affected style that would sustain him through the likes of RUNAWAY TRAIN and THE POPE OF GREENWICH VILLAGE. This movie was supposed to make him the next John Travolta. It didn't. The supporting cast is a mixed bag including Michael V. Gazzo, Brooke Shields and Annie Potts. There's a very funny scene involving Sarandon trying to retrieve some diamonds she stole with the help of her little son!

What a mess of a movie! If it wasnt for Eric Roberts and Susan Sarandon's performances ,this movie would be a total waste! A very muddled plot and phony dialogue.Eric Roberts debut....where did his career go from this movie on?Nowhere but down!