Michael Sheen valiantly gives life to a British icon of the 20th Century. Kenneth Williams was the personification of a walking breathing work of art. Outrageous, painful, shattering at times. I wondered how Williams himself would have reacted to this artistic invasion of privacy. I could have done without the, seemingly endless, masturbation scene. The relationship with his mother is closer to Norman Bates and his than anything I've ever seen outside of a horror movie. At times I had a feeling that Kenneth Williams was an alien thrown in our mist who adopted a persona that had nothing to do with his parents. Thoroughly out of step. It left me with an irrepressible sadness but I'm glad I've seen it.

I had seen tiny bits of this programme a couple of times, and I recognised the actor who played Tony Blair in The Queen, so I thought I might as well give it a go. It is all about the life of Carry On actor Kenneth Williams (Michael Sheen), based on his diaries. It is interesting to see what interpretations have been made of him from just his diaries, but Sheen does quite an okay job of playing the "Ooh, Matron" gay attitude that many people recognise, but it is also interesting to see what he might have been like in his private life. Also starring Cheryl Campbell as Lou Williams, Peter Wight as Charlie Williams, Beatie Edney as Joan Sims, Kenny Doughty as Joe Orton, Ron Cook as Peter Eade, Martin Trenaman as Tony Hancock, David Charles as Charles Hawtrey, Ewan Bailey as Kenneth Halliwell, Rachel Clarke as Barbara Windsor, Ged McKenna as Sidney James and Nicholas Parsons. I personally preferred the performance of Williams by Charie and the Chocolate Factory's Adam Godley in Cor, Blimey!, but Sheen does alright, and I suppose it is worth a look. Worth watching, at least once!

Michael Sheen shines like the afternoon sun in this brilliant portrayal of a comic genius. If you are familiar with Kenneth Williams' mannerisms and Diaries then this drama captures the essence of them perfectly. When i read about Kenneth hoovering in his swimming trunks i laughed and then it was brought to life on the screen, but this time i didn't laugh as it was put into perspective as the actions of a repressed and tortured man. It must have been such a lonely existence being in Kenneth's skin, craving attention but shunning it when it TRULY mattered! The last 20 minutes are heart-breaking as you see Kenneth gradually sink to the depths of despair and consider suicide as the only alternative. I have seen it a dozen times and still cry uncontrollably at the point where he bids goodnight to LOUIE. I cannot recommend this drama enough. Sexually explicit but it drives home the fact that Kenneth couldn't let anyone invade his world and this is where the sadness of the man lies. For a genius who brought happiness to so many, it's such a shame that his private life was filled with such despair and sadness. Pauly.

A lot of my childhood was spent lying in front of the wireless listening to Round the Horne or Hancock's Half Hour or watching Carry On films. Probably the most famous line in comedy "Infamy! Infamy! They've all got it infamy!" still makes me laugh.This is a rare insight into the man behind the comic figure and the whole production is a brilliant mix of tragedy and comedy right down to the final quotation from the coroner's court read in four different voices by Michael Sheen. He was brilliant in the role. Most of the other members of the Carry On team were so-so and their Kenneth Horne was very good but Michael Sheen carried the show and there should be an award of some sort for him.It left me feeling "wow". To quote Kenneth Williams, to the cynic who says 'life is a joke' the only response can be 'Yes, well let's make it a good one.'