Curious piece of Zhang Yimou who is far from his common work here. This is paranoia, comedy in modern ambient, new China. Eccentric characters, absurd situations, hand held camera, 90's urbanism, western music, documentary-experimental look, that kind of crazy Asian friendship relation so strange here in Europe. These are "Keep Cool" characteristics. It starts very gut, entertaining us and keeping us curious in the couch while Jiang Wen chase Qu Ying (più bella donna), this beginning is perfect and I was hooked on it: rhythm and curiosity. But it is only for a moment, after a little piece of time I started to get bored because mostly of the lacks of rhythm, lack of empathy with character, the disappearance of Qu Jing, there is no script (besides there are a few localizations which is the worst thing to avoid the boredom and emptiness). The thing is that Yimou doesn't pay attention to himself and doesn't keep his head cool to make a good story. Good start and nothing else

Shuai is a burly and uncouth young Beijinger with a punkish haircut, who ekes out a living selling cheap books from a stall in an indoor market. He wouldn't appear to have anything in common with the wiry, middle-aged, would-be intellectual, Zhang - and yet the two of them wind up in a restaurant together discussing the pro's and con's of murder (the Chinese title would perhaps be better translated as 'Talk It Over'). If that makes it sound kind of pedestrian, don't be misled: this film is profusely inventive in its plot, and mostly races along at breakneck speed (although the pace does flag quite badly towards the end).If you only know Zhang Yimou's worthy historical dramas like Raise The Red Lantern and Shanghai Triad, or his more recent martial arts epics, Hero and House Of Flying Daggers, you'll be amazed; in fact, whichever of his other films you've seen, you'll be surprised, pleasantly surprised - this is far and away his most original, most quirky, most experimental work. It was shot within a couple of weeks on a minimal budget, almost entirely on location in Beijing (and making use of many ordinary Beijingers in the smaller supporting roles - there's even a fleeting cameo by the director himself), and mostly with a hand-held camera, in a jerky, hyper-kinetic style which is a million miles from the elegant formalism of his best-known films.OK, I live in Beijing, so I find an additional delight in all the bizarre little details of everyday life that I am coming to recognise and relish (even though it was shot in '97, and things are changing so rapidly here), but I really think this film can be appreciated by anyone. I saw it, as I have so many other Chinese 'comedies', at a movie club that screens sub-titled versions of recent Chinese films for an almost exclusively expat audience; and it is the only one I can recall where the audience was laughing out loud. Some non-Chinese audiences might find it a little too strange, a little uncomfortable at times, in that it does include some violence, and, after opening as a breezy, offbeat romantic comedy, mutates into something much darker in its second half. It is, however, very, VERY funny.It's also superbly acted by the two leads, especially long-time Zhang Yimou collaborator Jiang Wen, who is probably mainland China's foremost film star, and has a brooding screen presence reminiscent of a young Depardieu or De Niro.Watch this film - for proof that the Chinese have a sense of humour that CAN translate to other cultures, for proof that Zhang Yimou is far, far more than a one-trick pony...... and for a thoroughly good time.

I was born in Beijing, China and moved to the United States at the age of 9. Been home to Beijing several times since and loved it each time. One of the many things I love about Beijing is the people and the ambiance they bring to the city. "You hau hao hao shuo" (which translate more accurately to "if you have something to say, say it nicely") delightfully and truthfully captures that feeling of Beijing. I suppose you would have to have lived in and kinda understood Beijing and its people to get the most out of this movie, though you might enjoy it regardless.> The story is not complicated, intentionally kinda quirky, and captivating. I will leave it to unfold by itself and not tell you too much except some comments. Each detail, from the pictures on the wall, to the decorations, the streets, and restaurants feels like home. (Zhang Yimou most likely shot everything "on location") But more importantly, the characters - our "hero", the girl, the kind-hearted but unfortunate "laptop man", and the night club owner are each native to Beijing and lovable in their distinct ways. Their conversations really capture the essence of each character. The story, mostly driven by situations and conversation (save the brilliant bafoonery near the end) is intriguing and always interesting.> I am 21 now. My parents and I love this movie. We are always so amazed by Zhang Yimou's ability to transform ordinary people into believable screen characters, and everyday life into extraordinary situations."keep cool" - different. hilarious. meaningful.

A modern Chinese black comedy about some Beijingers trying to cope with new Chinese politics and the opportunities they bring. With photo obviously inspired by Danish director Lars von Trier and cuts pumping like a disco-beat, this film has a very European touch, but with a story deep rooted in Chinese modern society it is perhaps best appreciated by Chinese or people who´ve spent some time in China. It is very different from director Zhang Yimou´s other features.