Where to begin, where to begin? Well, let me preface this by saying I tried watching this once before and couldn't get through it. Recently, however, I was visiting my buddy who lives in Alexandria, VA and I happened to remember that Kalamity was filmed in Fairfax, VA. My buddy grew up around there and lived there for a number of years. I thought, hey, if nothing else, maybe he'll see some familiar sites or, perhaps, someone he knows. Also, I was thinking that maybe I just needed to give this movie another shot. Perhaps I wasn't in the right headspace when I watched this the first time. Well, it was 60 minutes of pure tedium that would have been better served watching paint dry. Wait, you're saying, it's a 90 minute movie, not 60. Quite true, but we watched for about 50 minutes and then had to start fast forwarding to see if there was anything to sustain our interest. No such luck. We were teased early on by a great scene where Stanley popped Christian in the face with a hockey puck. We would soon learn that this would be the highlight of the entire movie. The acting was stilted in some scenes and OTT (over the top) in others. The university in Ohio looked suspiciously like George Mason University. And, come on, you end the movie on a traffic signal changing from red to green? What does that even mean?! Sounds like art for art's sake to me. Lastly one of the characters made a crack about a "slut from Manassas." My grandmother lives in Manassas! I need to stop here and calm down before I can finish this review...Okay, If this movie could be saved (and that's a big "if"), I'd reedit it so there are only these scenes: 1) Billy comes home from college, 2) Stanley decks Christian with the hockey puck, 3) Billy has one of his girlfriend hallucinations in his Volvo, 4) Christian gets gunshot by Stanley, 5) Billy confronts Stanley, 6) The traffic light changes from red to green. That's it. Roll credits.

Written and directed by James Hausler, Kalamity claims its spot as an intriguing psychological thriller. Ripped to the bone by heartbreaking loss, Kalamity grasps Billy and Stan as its true victims. This film takes a different perspective since, for once, we hear from the men, witness their emotional bleed, and follow the horror of the 'subconscious rip'. The movie starts out with a haunting, compelling, and strikingly wise voice-over, which pulls the audience into the film.Grounded by Hollywood professionals Robert Forster and Nick Stahl who portrays the story's hero, Billy, Hausler's brilliant choice of Jonathan Jackson as the aggressive, uber-disturbed best friend, Stan, carries the suspenseful tone. Although Billy has problems of his own, he recognizes almost immediately that his good friend has some profound mental imbalance. The dialogue is real; it reflects the way real people feel and talk. Billy's reflection on his own lost love, Alice, speaks to that part in all of us who yearn for that lost love of our own – reliving snippets of moments in our own memories as Billy randomly does with Alice throughout the film. I saw this in the theater, and watched on demand repeatedly, each time unpeeling another layer of Hausler's tightly scripted, haunting film.

Kalamity, directed by James Hausler, is a psychological thriller for everyone - male or female. This is a movie for people who enjoy getting into the mind of a killer. Starring Nick Stahl, Jonathan Jackson, Christopher Clark as the leads, Kalamity tells the story of college friends - in their post college years - when life becomes real. Back from a bad breakup, Billy (Stahl) is wounded and confused. Figuring he can count on a buddy to help him through the mess, he turns to Stan (Jackson), but he quickly realizes that Jackson is a bigger mess than he is and for far more serious reasons. The plot builds steadily as Billy (Stahl) and Christian (Clark) work through the maze of madness they find themselves in. This is a good movie, well-written with a key performance by Stahl. Get your popcorn before it starts; you do not want to have to leave the theater.

Kalamity is a believable psychological thriller directed by James Hausler. Hausler anchors his cast with Nick Stahl in a lead role as well as veteran actors Robert Forster and Patricia Kalember. Stahl returns to his hometown after a broken romance in pretty bad emotional shape. Hoping to turn to his best friend, Stan, Billy (Stahl) soon learns that something is very wrong with Stan. As the plot unfolds, Hausler builds suspense keeping the audience completely engaged as the mystery unfolds.Jonathan Jackson, a relative newcomer in comparison to Stahl, believably portrays a disturbed young man, whose life changes in an instant.Christopher Clark has some difficulty in his off-beat role but does not detract from the overall quality.