George Raft is "Johnny Allegro" in this 1949 B movie also starring Nina Foch, Will Geer, and George Macready. Raft plays a florist who is in actuality an escaped prisoner in hiding; he's approached by treasury agent Geer to clear his record by getting cozy with a woman he just met (Foch). Her husband (Macready) is distributing counterfeit (and ripping off his Soviet boss). They live on an island in the Caribbean. While she's trying to get out of town and away from the Feds, Raft kills a police officer to help her. Then he insists that she take him along or he'll be captured. This sets him up with her suspicious husband (McCready).Not bad; the ending is reminiscent of "The Most Dangerous Game." George Raft couldn't act, but for someone who played gangsters so much, he had a warmth and a smoothness. By 1949, some of his gravitas had gone, but he was still pleasant to watch. When I was growing up, Nina Foch was playing skinny socialites on TV. It's always nice to see her as a young leading woman. Will Geer as the treasury agent is delightful, very laid back.You might want to see this for the cast.

This is an interesting film for its supporting cast. If you see the film, look for Gloria Henry (Dennis' mom from the TV show "Dennis the Menace") and Will Geer. You don't see a young Will Geer in many films, as he was blacklisted not too long after he made this film due to his very liberal politics (even by Hollywood standards). As for Henry, it's tough to recognize her at first, as she is very fast-talking and a bit fresh--and quite cute. She just doesn't look or act much like Dennis' mom! The film stars George Raft during his 'wooden phase'. After he was no longer a tough-guy with Warner Brothers (in the 30s and early 40s), he settled into a long string of much more sedate roles--playing heroic types with very little energy in his performances. It was like the tough persona was in slow-motion in these later films--not exactly unpleasant but with very little of the bravura and intensity of his earlier roles...and a bit wooden. You may not have noticed this, but I've seen enough of his films to see there is a clear difference--and many of the films were made by second-tier studios such as Columbia as well as some UK productions. I noticed another reviewer said Raft is "a bit bland at times" and this is clearly the case in his post-war films--they just lack zip! This film finds the ex-con Johnny Allegro (Raft) getting tangled up in a killing, as he appears to kill a cop. However, after he makes his escape with the dame (Nina Foch), you learn that the shooting was a ruse--and Apollo's gun loaded with blanks as he's working with Federal agents! Why? Because they wanted someone to infiltrate the criminal empire run by a creepy and probably sexually impotent man (George Macready). Can Apollo get to in good with the gang? Will he be killed by the gang? Can he, somehow, still get the girl? Will the audience by a 54 year-old man as an action hero?Overall, this is a pleasant little noir film from Columbia. While it's not great film noir and Raft has definitely done better stuff, it's a good but rather slow-paced gangster film. With a bit more energy and an actor who didn't appear a bit old for the role, it might have been a bit better. But as for Macready, it's another excellent menacing performance--as no one could do BAD quite like him!

I know the '49 film "Johnny Allegro" was late in George Raft's career and he was at or near age 54 when he did this picture in Los Angeles, but since the film is in black and white it also hides a lot of aged looks on an actor's face, etc..... However, "Johnny Allegro" is still one of his better starring efforts.....Odd as it seems, George Raft is one of my top classic gangster figures from the golden age of Hollywood. However, I must admit, George Raft was usually better when he was the supporting actor and not so much as the lead.. I guess the reason is, as a supporter in a film, George Raft had the opportunity of working with guys like James Cagney, Pat O'Brien, Paul Muni and Humphrey Bogart... Even if the script was below par, with the aide of an all-star cast it often can lift a poor film up a bit because of the cast of actors appearing in the scenes together.... I noticed that when George Raft was the lead actor, he often was forced to carry the film alone and was working with good but "Lesser" actors who weren't as popular with film viewer's.... Thus, those type of films get reduced to "B" quality.....I guess that George Raft's peak years in Hollywood was more than likely between 1938 to 1945...... By '45 George Raft was age 50 and fully wearing some upper hair-piece to cover the horse shoe.... Cheers to George Raft....MR.BILL Raleigh

While Raft never does any role is any way but very straight forward, the image of the hero is just too starched. Raft ends up on a tropical island without a change of clothes yet in the succeeding days he always appears in the same suit and tie, often with a hat, always perfect. He runs through the steaming jungle and never appears sweaty - what a hero! It is these kinds of conceits that seemed so cool now make these B thrillers just silly. The mastermind, George MacCready, with his smooth evil voice was the real star; the unlikely use of a bow and arrow as his offensive weapon of choice, along with the ease with which this slightly built man drew back the nominally 70 lb bow, made everything fun. No this things don't have to make sense, but they were enjoyable and exciting when the world was simpler and young.