Pasha (Paul Harris) runs the numbers racket in this unnamed Ohio city. The Italians want to take over the number racket and let the blacks have narcotics and prostitution. No dice. We see them run their business until near the end when the Italians pop up again. The film takes place in 1956 and it is a good film to play "spot the anachronism" and the microphone...1970's autos, LA Dodgers baseball cap, shirt, Afro. There also is Don Edmondson, a female impersonator and killer.Available on a 50 DVD pack.Guide: Sex and nudity. N-word song that shocks laughter.

"Pasha" (Paul Harris) is a black mobster who has a lucrative setup running the numbers racket in Harlem back in 1956. Additionally, an Italian mobster named "Big Tony" (Frank DeKova) also deals heroin in the same location which doesn't bother Pasha because their interests don't conflict with each other. Unfortunately, Big Tony gets a little greedy one day and decides that he wants to take over Pasha's gambling operation which will leave Pasha out in the cold. A turf war results with Big Tony using his influence with the local politicians to stake his claim while Pasha is forced to utilize his connections within the black community. Anyway, rather than detail the entire story and risk spoiling the movie for those who haven't seen it I will just say that this was a cheaply made low-budget "blaxploitation" movie which manages to entertain to a certain degree. Although the acting was somewhat adequate the biggest problem was that the film was clearly low-grade and the lack of quality clearly shows. Overall I rate it as slightly below average.

This is what a grind house fan likes most a movie of the era that is not the best but a treat for some. It has it's moments with classic and forgotten songs of the area, one is especially timely of that style's vibe. And Sweetman was a slick numbers runner in the urban mafia who had to help his boss fight the Italian mob who wanted to take over the urban mafia. Not the best film but fun for a watch. It turns out the writers and director didn't go on to do many films after this. Sometime the plot gets confusing and not many of the actors ever went on to do much else. Could be why they changed the title is that it didn't do to well when released. As a fan of African American cinema in the 70's it still is a must to see them all, and the best ones are the ones in the early seventies. I guess this was shot right around 1973. Thanks for reading.

In addition to all the modern cars on the street, everyone in the movie keeps making declarative statements that it is 1956, as in "You know, this is 1956!" Also, all the white men have 70s haircuts and sideburns. The mayor would have been considered a bum, a beatnik or a surfer in 1956. Perhaps a missing subplot about a time machine wasn't fully explored. I don't know why they just didn't make it take place in present day except that the film is supposed to be based on a true story--In 1956!If you are into blaxploitation, it's not a bad story--the main characters do their best considering the mangled plot, but Serene's secret wasn't much of a secret--if you can't figure it out right away you aren't paying attention even though it's 1956.The other odd thing (among many odd things) is how this movie ends. It's a real WTF moment. Saying there are loose ends would be an understatement--Especially for 1956.It's available on the "50 Drive-In Movie Classics" collection. At about 50 cents a movie, I can't complain. It's low budget but has some nudity and some cartoon-like violence. This also appears to be the only movie in this pack that takes place in 1956.