"Jefferson Bolt" (Fred Williamson) is a courier of special merchandise who has been hired to take a briefcase containing $1 million in cash from Hong Kong to Mexico City with a stop in Los Angeles along the way. However, when he gets to Los Angeles he encounters some hit men waiting for him and tracks these thugs to Las Vegas. Once in Las Vegas he meets up with some friends in order to get some information on those out to get him. Soon one thing leads to another and he discovers that the people behind everything are much more influential and powerful than he thought. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this started out to be a pretty good film. Unfortunately, rather than staying committed to the international intrigue angle which was working quite well the movie began focusing more on Fred Williamson which caused the film to suffer in comparison. Not only was his character much too cocky and reckless but the martial arts scenes involving him were rather second-rate as well. Even so it wasn't a bad movie overall and I give it an average rating.

Ace martial artist, international professional courier, and all-around cool dude Jefferson Bolt (smoothly played by the always dependable Fred Williamson) is assigned to transport a suitcase full of a million bucks from Hong Kong to Mexico City via Los Angeles. However, Bolt gets set up by a vicious crime syndicate that grossly underestimates him and incurs his formidable wrath. Directors Henry Levin and David Lowell Rich, working from a lively and eventful, if overly convoluted script by Quentin Werty and Charles Johnson, relate the entertaining story at a brisk pace, stage the thrilling action set pieces with aplomb (a lengthy car chase rates as a definite exciting highlight), and further spruce things up with nice touches of amusing wry humor. Of course, Fred's trademark cool, assured, and charismatic persona holds everything together as he braves perils aplenty, seduces a few ladies, busts out loads of fancy chopsocky moves, suffers a little acupuncture torture, and breaks into a remote island fortress. While Williamson clearly dominates the proceedings, he nonetheless receives sound support from Bryan Webster as pompous and slippery British agent Griffiths, Teresa Graves as foxy lounge singer Samantha Nightingale, Jack Ging as amiable casino owner Connie Mellis, Miko Mayama as seductive socialite Dominique Kuan, John Orchard as slimy limey lackey Carter, Paul Mantee as glowering thug Mickey, and Ken Kazama as lethal karate fighter Spider. The ubiquitous Patrick Wright has a quick bit as a security guard who gets knocked out by Fred. Gerald Perry Finnerman's slick cinematography and the exotic globe-trotting locations provide an impressive sense of scope. Charles Bernstein's funky and spirited score hits the get-down funky spot. Worth a watch for fans of the Hammer.

This is a film that can best be appreciated if you've seen a few blacksploitation (also called 'blaxsploitation') films first. That's because compared to the average film in the genre, it's terrific--perhaps not a great one, but well above average. The only thing you need to remember is that you don't think through a film of this type too much--just sit back and enjoy the ride.Bolt (Fred Williamson) is an international man of action--and adventurer, tough-guy and beacon for trouble. His job, like that of many blacksploitation heroes, is a bit vague. What we do know is that he's rich, powerful and quite the stud...and NOBODY better mess with him! The film begins with Bolt in jail in Hong Kong. He hasn't really done anything, but some government official (WHICH government and WHICH branch is never clear) has arranged for his arrest. He'll stay in jail unless he agrees to help them with a secret mission. What that mission is, who the baddies are and what happens really isn't particularly important--and the plot is clearly secondary. From the minute he accepts the job until the final frame of the movie, it's Bolt versus EVERYONE! And, like any good action hero of the genre, there's also plenty of hot women, action, killing and martial arts 'fun'.Among the various blacksploitation stars, Williamson was one of the better ones. The physicality of the role was a natural for the ex-NFL star, he was very handsome and he could act. In many ways, he played a freelance version of James Bond with a slightly less well-defined sense of morality.Very good stunts, nice international locales and decent acting, this one is cool 'turn off your brain' fun.This film is rated R for tons of violence and a bit of nudity--and it's probably not a great film for kids or mother-in-law.

In the age of the 1970's,Fred Williamson was the undisputed king of the black cimema,and one of the top action stars of his day,right beside icons as Burt Reynolds,Clint Eastwood,Charles Bronson,James Coburn,Richard Roundtree,Jim Brown,Jim Kelly,Telly Savalas and Steve McQueen. In the 1970's,per se you had the typical action picture that featured a smooth,tough talking,good-looking African-American male who can hold his own against all odds and still gets the girl or a bunch of them at the same time.Even if the plot was offkey,WE as brothers and sisters would line up around the theatre to see it and we knew the if it was a black feature with a black actor in the leading role,it was a good one and it brought in the business too...and this was back in the day!!!!In the film "That Man Bolt"(Universal,1973),Fred Williamson displays such a character that suppose to be among the ranks of James Bond,Derek Flint,and not mention John Shaft. Williamson plays secret agent Jefferson Bolt who goes to Hong Kong to stop an international ring of thugs bent on destruction and when things go dismal,Bolt handles things his way and saves the world,with soulpower!!! The picture is good with great photography locational shoots in Hong Kong,but the picture does get a little weak and between the lines with some of the lamest dialogue ever conceived. As far as the fight scenes,and the action part of it as well,it does look like a similiar detail to the Jackie Chan-Chris Tucker fare "Rush Hour",but it is not one of Fred Williamson's best,but it is passable. However,Williamson would go on to make several more action flicks in the 1970's and some of them are very good including "Black Caesar","Hell Up In Harlem", "Bucktown","Three The Hard Way","Black Cobra","The Soul Of Charley","The Revenge of Charley",and the one action flick that started it all..."Hammer". He also had a good looking female lead too,who also made a name for herself as one of the top female action hero of her day,Miss Foxy Brown herself,the legendary Pam Grier,who was not in "Bolt",but starred in several films with Fred Williamson."That Man Bolt" is available on DVD and Video.