A cultured and unfussy weepie. Strong leads from Leslie Howard and Ingrid Bergman front a strong cast - right down to the excellent Ann Todd as Howard's young daughter.The story is of a concert violinist who leaves his wife for another woman. Naturally there is quite a bit of music in the film. Great care has been taken to equate the miming with the soundtrack. All the musicians look as if they are really performing, detail typically neglected nowadays. The score itself, despite being the fruit of many hands, is exemplary in its integration with the film: Heinz Provost's titular melody uses the opening phrase of the act 2 love duet of Wagner's Tristan and Isolde, showing the long reach of Wagner's fully-integrated musico-dramatic ideas in romantic American film scores more than 50 years after his death.The final sequences are slightly out of kilter. However mitigating against this lumpen denouement are some wonderful location shots and two outstandingly executed leave-taking sequences as Bergman literally dissolves into the chiaroscuro of the shot. A thoroughly affecting and well-made film. 7/10

The picture deals with a young pianist (Ingrid Bergman) who acts as piano teacher of a child (Ann Todd) whose father( Leslie Howard) , happily married (Edna Best) , is a violinist . They fall in love and is originated the standard and eternal loving triangle . The movie has romance , tearjerker , drama, tragedy, a love story and is very entertaining .The film is a remake in Hollywood style of a Swedish film directed by Gustaf Molander in 1936 and equally interpreted by Ingrid Bergman ; here plays his first US role , in fact , is best known as Bergman's American debut and became her in world star . Bergman is splendid and enticing , stunningly photographed by the maestro Gregg Toland (Citizen Kane) and she obtained extraordinary reviews . Leslie Howard is agreeable and sensible as the lover who bears a guilty feeling . Fine support cast is formed by Ann Todd as the daughter who strongly loves her daddy , Cecil Kellaway in one his usual roles as likable and comical friend and John Halliday . Excellent black and white cinematography and magnificent musical score by the master Max Steiner , nominated for Academy Award and being added classic music composed by Provost , Rachmaninov and Tchaykowsky . The motion picture will appeal to romantic films buffs and vintage cinema enthusiasts . Rating : Above average . Outstanding and enjoyable.

Spoilers HereinI loved this movie, although it was sad. The only problem I had with it was that Stenborg, I thought, tried to break the couple up. He convinced her to go to Paris to accept the award, and then tries to persuade him to go home and start over. Isn't he supposed to be a good friend? When someone falls in love when they're married, it ruins the marriage and cannot be started over, IMHO. Anyways, if he didn't come back Ann Marie would have never had the run in with the car, and the whole family still doesn't like him as much after Anita. Me, being old-fashioned, would like a happy ending but oh well. Very good, dramatic movie anyways.

At 70 minutes, the movie doesn't even seem forced at all, it goes by pretty quickly. My main problem with the movie is that there is no chemistry between Leslie Howard and Ingrid Bergman. Since their relationship is the entire movie, it shouldn't work, but somehow i actually liked it in spite of that. At the start, Bergman is giving piano lessons to Leslie's daughter and when he finds out she's really talented herself, they begin to have an affair. Leslie is separated from his wife and he goes on tour with Bergman. His wife wants a divorce and when she is accepted into some music school, she doesn't want to leave him. Leslie Howard does a good job and Ingrid Bergman is gorgeous.