Great film. Magnificint acting by the two l ad characters..Kim basinger as Maria, and the character of Christian...both missing something in life,,both gatherd by fate and desperation, This thriller drama of European style... has many levels of meanings..not just the course of action on the surface...it has symbolism that's concluded at the very end of the film.... and the message is clear....i enjoyed it a lot...and i wonder why did it receive such a low rate...this film deserves 8 at least for the acting and the message behind it...artistic Well done..recommended

Well her character of course and not Ms. Basinger herself. There's also something very wrong about this movie. It's strange and kind of has a lot of flaws, but it's still mesmerizing and kind of takes the viewer on a journey if he/she embarks and embraces it. A very dark one that touches subject matters that are really mean and can be considered very bad indeed too.But if you let yourself in (not that the characters seem to have any redeeming values or merits apart from the struggle they apparently and obviously are in), you will have a suspenseful movie to watch and appreciate with a magnificent performance by Kim Basinger and her co-star. The pace might be slow, but the impact can be perceived as strong nevertheless. Tough subject, tough movie

This was an unimaginably awful movie. The plot was terrible and the dialog stilted as well as often difficult to hear. In fact, it was so bad I wasn't able to finish watching it. Kim Basinger plays Maria, a woman who becomes unhinged after years of unsuccessfully trying to have a child and multiple miscarriages. She decides to go to a town on the German-Czech border and buy a black market baby from a prostitute. For some crazy reason, she decides to enlist a complete stranger -a drug addicted dwarf she picks up on the side of the road- to help her. And instead of buying a baby, he "rents" a baby from a prostitute for an hour, then steals her. Now, all of that is hard enough to buy into, but it just goes down hill from there. Maria has gone to great lengths to get a baby, but has brought no supplies; no car seat, diapers, food, bottles...nothing. She ends up in a hotel with the baby, but there really isn't anywhere in Germany she couldn't have reached with a day's driving, so why wouldn't she have gone home? Now, here is the most implausible part to me...the Russian Mafia, and the baby's mother, come after Maria. The baby's mother is a 14-15 yr old prostitute, in a low class brothel. She has been a prostitute for long enough to have a 3-6 month old baby, so at least since she was 13 or 14. She keeps the baby hidden in a closet, with tape over her mouth to silence any crying. And, Mama prostitute, while reluctant, is willing to rent her infant daughter for an hour to a man she(Mama) believes is going to rape the baby. Which implies she either doesn't care all that much for her child, or indicates an extreme level of desperation. Maybe a little of both. This is not a young woman with resources; if she had any she wouldn't be living as she does. Therefore,I find it hard to believe that anyone in the Mafia would give a damn about her or the baby. In such an organization, Mama prostitute would be pretty much considered disposable, and her baby would have even less value. They might even be glad to have the baby gone - one less thing to distract Mama prostitute from her primary purpose. To track down and capture Maria would take time and money resources that the Mafia would not be likely to waste.

This is one seriously messed up movie: If you like films like 'Repulsion', 'La Pianiste' or even 'Black Swan' (which I didn't think all that much of) or just beautiful unhinged women going further off the rails generally, I recommend you give it a look.It's a European production from Danish director Morgenthaler, and feels miles away from anything made by Hollywood, yet it stars the bewilderingly youthful-looking Kim Basinger, who here is a revelation at her very best, with flawless support from Jordan Prentice and the always reliable Peter Stormare.'I Am Here' is a dark, still, tense and creepy place to go, but I'm glad I did.