Very strong but imperfect film about the struggles of homeless gay teens, focusing on Jack (Conor Donnaly), who is battling mental illness and drug abuse and keeping his head above water as a sex worker. He's in a very nicely done loving relationship with another homeless kid (Sean Ormond, who's maybe written as a bit too perfect). One of Jack's clients is a married man (Terrance Mann) who hires Jack to comes to terms with his "urges" but treats him with respect Jack doesn't find with other clients. They have quite an adventure. I'll leave plot points at that. Go watch the movie.Pretty strong debut by Max Emerson, who wrote and directed. Compared to much of indie gay cinema, the film is very well-made. Cinematography and production values are more than competent. The three primary actors are excellent, and Conor Donnaly is remarkable. I hope and expect to see more of him in the future. The supporting cast is by and large good, though there are a few cringe-worthy performances more typical of a lot of LGBT films.The main stories -- Jack's relationships with his BF and his benefactor -- are pretty compelling and held my interest. The secondary story line of the older client's coming to terms with his sexuality and his marriage is poorly written and weakly executed. The older man's "journey" is unrealistic and forced and both his and his wife''s reactions to his "dealing with his urges"/addressing his sexuality are simply not believable. His relationship with Jack isn't even dealt with after the movie's climax and is disturbingly unresolved given promises he's made. That's really the only major flaw in the flick. Overall, though, definitely an impressive first effort by the writer/director and his lead actor.

The idea of the movie, the aim and cause it's dedicated to are so beautiful which saved the movie from its flaws & made it enjoyable. It could've been much better if they developed it in a better way.

Just saw Hooked on iTunes and will keep this brief. It looks good, nicely shot but that's easier to achieve these days. The subject matter is honourable, LGBTI youth homelessness is an important issue. The central relationship is sweet and unique. The film's biggest flaw is some awkward acting, occasionally from the main couple but particularly from Terrance Murphy who plays the conflicted Ken - so wooden! Katie McClellan who plays his wife probably gives the most naturalistic performance in the film. There's certainly far worse queer cinema out there but there is better too.

A great idea and positive message that lacked direction and intelligent dialogue.