Mel Brooks writes, directs & stars in this 1977 comedy that co-stars Madeline Kahn, Harvey Korman and Cloris Leachman. This is a send-up of Alfred Hitchcock films, mainly "Vertigo," "Psycho" and "The Birds" and Brooks plays Richard Thorndyke, a psychiatrist who has a fear of heights, "High Anxiety." He helps woman, Victoria Brisbane (Kahn) search for her father, but in the process he's falsely accused of murder and tries to overcome his phobia. Korman (Blazing Saddles) plays Dr. Charles Montague and Leachman (Young Frankenstein) plays Nurse Diesel who set Richard up. This is a good spoof, Brooks is great as usual, the rest of the cast is good as well as John Morris' score. If you enjoys comedies, check this one out.

Mel Brooks takes on Hitchcock movies like "Vertigo" and "Spellbound "with a dash of "One Flew Over the Cuckoo's Nest" thrown in. This is an excuse to get the whole Brooks' gang dealing with mental institutions and mental illness. Of course, it is utter zaniness as Brooks as the hospital director is in a madhouse (no pun intended). The patients have nothing on the doctors when it comes to outrageous behavior. The problem here is that Brooks never knows when to quit. With really well done comedies like "Young Frankenstein" and "The Producers" we see his genius with good scripting and characters filling out the fabric of the film. Here it's almost anything for a joke, including a casual reference to Jack Benny and highly dramatic music in one scene which turns out to be a concert band going by in a bus. These are fun, but some of the stuff isn't and draws attention outward.

Alfred Hitchcock gets the Mel Brooks treatment here with rapid fire parodies of films like "Psycho", "The Birds", "North by Northwest" and "Vertigo", so if you're a Hitchcock fan there's some amusing stuff here. I thought the Mr. MacGuffin reference was clever but didn't see any other fans pick up on it in their reviews here. Charlie Callas must have been the MacGuffin in this picture, after we see him the first time he doesn't show up again. Harvey Korman makes for an interesting match as Dr. Montague for Cloris Leachman's Nurse Diesel character. Gosh, wasn't she hideous as the nurse from hell? I thought Louise Fletcher was pretty intense as Nurse Ratched in "One Flew Over the Cuckoo's Nest", but Diesel would have given her a run for the money. As others have noted, Mel Brooks himself might not have been the best choice for Thorndyke, and the parodies are mostly way over the top (The Bird droppings are particularly gross), but it's what you've come to expect from the comic director. It's not his best work, but you can tell the players are having fun. It would have been very cool if Hitch had made a cameo, why didn't anyone think of that?

There's more plot here than expected from a Brooks' movie. Can he kick his aversion to high places, overturn the hospital's bad reputation, and bring the baddies to justice. That's a lot to coordinate into 90-minutes of intended laughs. Overall, it's a movie of funny moments, but lacks the consistent absudity of, say, Young Frankenstein (1974). The only really wacky character is Cloris Leachman as a nurse from heck. And, oh yes, there's an outrageous bit by Charlie Callas as a guy you might find at the local dog shelter. Meanwhile, Barry Levinson has a funny bit as a bellboy with a screeching sound and homicidal urges. Surprisingly, however, Brooks' doctor is pretty restrained except for his anxiety shakes. But then his character has to carry the plot.The satirical parts are just okay, except for the clever take-off on Psycho's celebrated shower scene. It's a hoot and a half. The other Hitchcocks I could detect are Vertigo (1958), The Birds (1963), and North by Northwest (1959). But none come off in very humorous fashion. I suspect the writers had trouble blending the satirical elements into plot requirements. Thus, the two don't combine as well as they should. Too bad, Madeleine Kahn doesn't get more screen time. She was such a funny performer and without half trying. She should have done the musical number instead of Brooks who unfortunately does it fairly straight. Still, that scene in the convention hall is pretty funny. When the little kids come in, Brooks has to use evasive words like woo-woo instead of more adult language.I guess I was somewhat disappointed, not because the movie isn't generally funny, but because it doesn't reach the wacko heights of either Blazing Saddles (1974) or Young Frankenstein. All in all, the movie's a two-base hit instead of a homerun.