Help!
Help!
G | 25 August 1965 (USA)
Help! Trailers

An obscure Eastern cult that practices human sacrifice pursues Ringo after he unknowingly puts on a ceremonial ring (that, of course, won't come off). On top of that, a pair of mad scientists, members of Scotland Yard, and a beautiful but dead-eyed assassin all have their own plans for the Fab Four.

Reviews
VivianDarkbIoom

The film was directed by Richard Lester in 1965. It is a comedy starring all the Beatles group. Richard Lester gave them personality traits and they totally match and embody them nicely. The plot is absolutely surprising, at the beginning we think the story will be about the career of the Beatles, a biopic of them but in fact it is a story totally apart from what we imagine. Yest they are the Beatles and famous as in real life but it is not a biopic.The main character seems to be Ringo, because he is the one who has the ring, the fact that his name is Ringo and that sounds similar to "ring" seems to be a pun but apparently it is not the reason why is Ringo who has the ring.In the movie, musics has a major place. It gives rhythm to actions and makes them more funny or exciting. In a way, just like a cartoon for kids, where music is based on actions and changes with them.So, not surprisingly, music is very good, as it is the Beatles, so almost everyone will like it. The style of the movie, like the Beatles' house, the places where they go, the clothes of the Eastern cult, all that gives the movie a unique and really interesting style, that I personally really appreciate.

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carlamariedelfau

Even if you're not a fan of this emblematic rock group – The Beatles – I'm pretty sure you will agree with the fact that this movie is a must see. The fact is that it's not the plot that makes this movie a must, but rather the amazing acting of those four strong personalities. The truth is that you will want to see this incredible masterpiece – in my opinion – because of the soundtrack, but you will soon realize that you will not only appreciate what you will hear but also what you will see. Even if this musical comedy is not the best movie you will ever see, it's a lovely way to enjoy a couple of hours. A good film doesn't need to make you burst into tears to be worth seeing. Finally, I will end up by saying that this is an enjoyable zany musical comedy, that everybody should see once in their lives.

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eve-63311

Please leave your brain at home before you go to the movies if you're planning to watch "Help!". The plot, if it's worth saying there's one, is downright nonsense. It looks like the scriptwriter wrote random actions and places on a few pieces of paper and wrote the whole story according to the order he picked them out. Thereby, you'll enjoy watching the Beatles being chased from England to the Bahamas, passing by the Alps, by the fanatic members of a mysterious and ridiculous sect, trying to rob Ringo's sacrificial ring. And yet, if until here the storyline doesn't seem to overwhelm logic, the end helps. Because even though logic was somehow maintained through the Fab Four's adventures, even if it swayed a lot, it collapses with the final scene, when every single character, probably guided by a drunk scriptwriter, meets at the beach and tries to obtain what one wants by stabbing whoever one sees. And whatever you may think after you read this, I liked it! Because it was really relaxing to see it. I had a good laugh, thanks to its fantastic British sense of humor. I see it as a feel-good movie.About the film itself, I'd say the image looks quite modern because its very colorful, that's another good thing, and the music is, of course, the work of talented artists, though I don't like the Beatles style of music (please don't murder me).As a conclusion, on a scale of 0 to 10, I give this movie a seven, because it's funny and relaxing, but it can't be considered a masterpiece. Go watch it with friends or with your family, have fun! But please don't watch it on a date, it'll be awkward.

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stevequaltrough

A Hard Day's Night and Yellow Submarine often appear in lists of the best rock films of all time, Help less so despite it including 3 of John Lennon's best songs. This may be because the plot resembles not Monty Python but a Goon Show episode. This breakthrough show of the 50s and very early 60s often featured a nemesis called the Red Bladder played by Ray Ellington as well as other Indian characters voiced famously by Peter Sellers in Spike Milligan's surreal story lines in which Milligan also acted. They were often set in far flung corners of the British Empire and mercilessly lampooned the British, It was a fore runner of Monty Python and its spin off Ripping Yarns. Readers may be interested in the Goon Show episode called the Last British Banana Tree where our "heros" are sent to protect the last bananas. Not only do the bananas get blown up, so do the Goons to the catchphrase "You've deaded me". Richard Lester was heavily involved with this comedy partnership and it is my contention he has referred to this "default position" when organising Beatles film two. The Goons had 20 minutes comedy interrupted by two musical interludes per half hour. Then it stopped. Help! goes on its manic way for an entire feature pausing only to have musical interludes featuring the Beatles. But the problem is this. When we tuned into the Goons we expected the show to be dominated by comedy, when I went to the Gaumont, Liverpool in 1965 we expected to hear Beatles music and so came out of the cinema theatre feeling unsettled and shortchanged. Maybe this intention to slightly unsettle was deliberate on Lester's part. It seemed asif it could be that in Britain that the writing was on the wall for the Beatles as Merseybeat and the Cavern were on the wane in the popularity stakesat this point in time. Could this be that this is why there is no victorious ending to the film. It ends with a dust up on a beach (or should that be sand up)to the title song. The Beatles survive but that is about it. As Lester has just played "Help" as the film descends into Goon like fiasco, he can hardly repeat the same song for the end credits so he resorts to a shot of the ring with the Beatles imitating the Goons (I kid you not) before THE END title shows. .We could have had another Lennon and McCartney song or John singing "Dizzy Miss Lizzy" that is o the flip side of the UK "Help" album. But instead we have something not Beatles related.We get a snatch of classical music. At no time do we see anyone enjoying the Beatles music. Leo McKearn says it is "shocking" and throws darts at a cinema screen with the Beatles tearing through the opening song "Help!". This is despite the music being fabulous. Later the Beatles perform in a recording studio or in a series of remote locations such as Salisbury Plain, icy Scandanavia or on a deserted Caribbean beach. Never to an audience.The Beatles were still a performing band at this stage and only a short while later played Shea Stadium so why not play out with a shot of the Beatles in concert? Granting that the public would have been in danger from the Eastern Cult (according to the plot line)before this we could at least have had a "live" performance as a climax as in Hard Day's Night, Let It Be or even Magical Mystery Tour, even if it was with the titles superimposed across it. Maybe the symbolism of the end with its camera perspective being viewed through the faces of the red ring-jewel is to hint to us that we have been watching the Beatles through "a prism". Rather than the intimacy of "A Hard Day's Night" we have been kept at a distance from the Fab Four. The first feature felt as if we were "with the Beatles". This keeps us at an arm's length from them. Nevertheless what we are left with is a fun,melodic feature, its colourful sheen and frantic plot lines stopping us from realising that. Beatles music apart, there is nothing of much substance going on here. Best viewed by Beatles fans as "the one in colour". It has some great innovations that would be used in music videos such as "Ticket to ride etc" and as a Beatles fan I wouldn't be without it,but... Magical Mystery Tour (or should it be "a Day Out in the Life of the Beatles") is more authentically Beatles and has about the same ratio of music in a much shorter film. It continues the great video experiment pioneered by Lester.

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