So dumb. Too violent, too gross, terrible story and ridiculous premise.Hard to believe people actually watch and enjoy this. I am a huge horror movie guy but can't stomach this trash.People claim that the violence and grotesqueness of the effects, plot and ideas presented in this movie are subversive or ironic. But in fact they are just stupid and this movie presents too much crap that the filmmakers can't justify the crassness.As Charles Barkley would say TURRIBLE.

To make it clear, I think that this is one of most violent movies I have ever seen. It exceeds even gore classics like original "I spit on your grave". This film is actually made as an "lost" slasher from 1978, when this kind of films was popular. This picture's main "component" is its remarkable brutality. Even it is made for the low budget the effect are acceptable. This picture shows 2 different eras, masked serial killer's slaughtering now and also when he was young and was tortured by the family, specifically from his mother.If you have seen the flick Found (2012), those 2 movies are very similar. This film is absolutely everything that a slasher sub-genre fan wants: gore, nudity, blood, and heads being chopped off. Just one word, GORE!

What did I just watch? I stumbled across a What Culture article about this film...dang...films just Yuck. Absolutely sick. I was just really curious about the film and damn its absolutely disgusting. Films just trash...can't believe this film man. I hope people aren't really like this in real life. Its just pure indie trash. If you like violence, asshole characters and other trash your gonna love this film. Watch it at your own pleasure. Its sick, vile, disgusting, trashy and just plain revolting film. Gosh, films just yuck...Ewwwww gosh damn this film man. Dang. Go watch Toy Story 3 again...its a much nicer films. A lot more fun and entertaining.

Headless is Found's perfect sister film, a much anticipated tie-in that has so much to live up to. Scott Schirmer's Found (2012) took the horror world by storm, sweeping up dozens of awards at film festivals and gaining an instant cult following. Headless is Found's "film within a film", a no- holds barred, '80s nasty that pushes the envelope of good taste and has a lasting impression on at least one of its viewers.To produce a stand-alone, full-length movie of Headless is no easy feat. Headless needed to shock on a visceral level whilst maintaining the original film's dark psychological edge and taboo themes. With expectations high, the potential for failure and disappointment was very real. The good news is that Headless delivers the goods. Scott Schirmer passes the directorial reins this time around to Found's special effects director, Arthur Cullipher, whilst maintaining co- producing responsibilities with Kara Erdel. The Found army can breath a collective sigh of a relief. The combination of talent here is a winning formula.Headless is fast-moving, bloody beyond belief, boundary-pushing (there's one particular act of carnage that I've never on screen in such candid and unflinching detail before), psychological, hallucinatory, surreal and unpredictable. It manages to honour the themes of its predecessor whilst adding something new to boot.The entire cast is excellent but special mention must go to young Kaden Miller for his chilling performance as the Skull Boy. The character's physical presence takes the movie to another level. It's a jaw-dropping pièce de résistance. With the presence of this character, we witness the killer's (played by a truly believable Shane Beasley) ride into a hellish insanity.As an aside, I hadn't expected to see this movie so soon. At around 1.00am on a cold February morning, I realised I'd received an invitation to catch a preview screener of the film. Sleep was put on hold until the film had been devoured. In a way, this is how Headless should be viewed. It is a midnight movie, through and through. Perfect entertainment for a gathering of gore- hounds or the genre enthusiast who needs something new to rekindle his love of the modern horror movie. Whilst being released in 2015, the '70's (and early '80's) atmosphere is soaked into every frame. With faux print damage, big hair, cheesy dialogue and zero political correctness, this is like uncovering a hidden gem in a filmmaker's cupboard. If The Texas Chainsaw Massacre and The Last House on the Left married and had a child, its name would be Headless. 9.5 out of 10. Close to indie perfection, this is unmissable. From the moment the credits start, your senses are reeling from the physical insults delivered to the characters from the original Headless footage. Nasty but nice.