Have You Got Any Castles? (1938)*** (out of 4) Extremely entertaining Merrie Melodies short has a familiar plot but it's taken to the limit here. The animated film pretty much takes place on a book shelf as various forms of literature comes to life. We get various stories including Frankenstein, The Invisible Man, The House of Seven "Gables", So Big, Dracula, Dr. Jekyll and Mr. Hyde, Little Women, The Thin Man, The Good Earth and countless others. The animation is quite good throughout this short with a lot of great attention to various details. There are a few Hollywood celebs who make appearances here including W.C. Fields and a funny spoof with Clark Gable. Mel Blanc does fine work in the form of several of the characters but we'd come to expect nothing less. What really makes this film stand apart from countless others that tried the same story is the actual music, which is incredibly entertaining. Carl W. Stalling and Milt Franklyn hit all the right notes and really keep the action moving. Everything mixed together makes this one of the better ways to tell this familiar stories so fans of animation or any of the books mentioned should have a grand time.

If cartoon characters can interact with each other in "Who Framed Roger Rabbit", why not literary characters? Instead of producing another wacky cartoon about Bugs Bunny, Tweety or another silly character, Merry Melodies did a wise move in crafting a musical/short story about book characters.Opening with a dance number with Mr. Hyde, Fu Man Chu, the Phantom of the Opera and Frankenstein, it next moves to Green Pastures, Old King Cole, Louis Pasteur, Mutiny on the Bounty, Heidi etc. etc.But the interaction is also interesting. For example, Thin Man becomes fat after visiting a cook book, Rip Van Winkle tries to prevent himself from hearing Old King Cole...After that, a plot develops: the Three Musketeers steal the 7 keys to Baldpate in order to free the Prisoner of Zenda. They are instantly chased and they have to flee from the cannons of the Light Brigade, Robinson Crusoe and All Quiet on the Western Front. Ultimately, Rip Van Winkle blows everybody with a Hurricane and it's all Gone With the Wind...I can't stop myself from watching it, because it's simply a highly imaginative and entertaining musical story and it's funnier than some Disney and Looney Tunes cartoons. I (disappointingly) think that it's the kind of story that we won't find in today's children's videos and for a long time, if it's not for ever. It's desolating, because it's some great stuff.

Another of the 'books are alive' shorts, perhaps it's having just watched Robert Clampetts' superb "Book Revue" short, but I found this one to be still a bit amusing, but somewhat bland. The rapid fire gags were there in spades, but the whole thing just seemed to be missing the manic energy of a typical Looney Tunes short, and therefor felt a bit lifeless and just a tad stale to me. It still remains watchable, but lacks the spark that makes it stand out in any way, shape, or form. This animated short can be seen on Disc 4 of the Looney Tunes Golden Collection Volume 2.My Grade: C

As entertainment, this cartoon is really just a sequence of throwaway gags. Characters from literature and popular fiction participate in a series of mostly bad visual puns. That's the premise. The cartoon's interest actually lies elsewhere.While we're ostensibly seeing a parody of great books, nearly every book referred to had been a film a few years prior to the release of the cartoon.A few of the references unmistakably caricature the star of the earlier film: William Powell in "The Thin Man" series, Paul Muni in "The Story of Louis Pasteur", Charles Laughton as Captain Bligh, Edward Arnold as "Diamond Jim" Brady, Victor McLaglen as "The Informer".Some of the gags have no real connection to the book and film: Heidi sings like Cab Calloway (hey, "Hi-De-Ho"). (And a movie audience of smirking hepcats would rather hear zoot-suited Cab than precocious Shirley Temple, anyway.) The reference to Ferber's "So Big" makes fun of a vain actress. (I'm not positive about that caricature. Katharine Hepburn perhaps? She had been box office poison for some time.) "So Red the Rose" is retitled "Nose" for a "poke" at W.C. Fields. That's not irreverent; that's an obvious buttress for his profitable screen persona.It's plain to see that books as such are secondary. The jokes in effect are affirming a smug moviegoer's inexperience with actual literature by only showing what had been processed, and pasteurized, at the Hollywood film factory.So we are really given a glimpse at what had succeeded in making an impression on the popular culture by 1938. As far as I can see, the films honoured by inclusion are all recent products of the studio system, with only a few exceptions.One clearly British film is alluded to, "The 39 Steps" (1935). Does that imply that Hitchcock was making a real impact on the American mass market? Certainly Hitch came over to the States not long after 1938 (and he had made "Sabotage" in 1936 with an imported U.S. cast).There is also what I take as a direct reference to the banquet scene from Alexander Korda's "The Private Life of Henry VIII" (1933). Henry Tudor may have been corpulent but he was noted more for his wives than for his feasting, which is why I think the brief reference to Henry evokes this film. Was Korda's film well known in its own right? Or was it simply due to the presence of Laughton, the only person seemingly parodied twice in this cartoon, once allusively in this British film, and once explicitly in "Mutiny on the Bounty", an American film?Only one silent film unequivocally finds a place here. That's the Lon Chaney "Phantom of the Opera" from 1925, specifically its Masque of the Red Death episode with the Chaney character wearing his striking skull mask. Does that represent the fullest extent of the memories of 1938 picture show patrons?There are a couple of books whose cinematic incarnations are not all that impressive on their own, and which cannot reasonably account for the books' inclusion here in pastiche form. Therefore one can conclude that "Robinson Crusoe" and "Uncle Tom's Cabin" were books that people were aware of as books. But the list really is that short. Hawthorne's "House of the Seven Gables" is here too. It had not been a film within recent memory. One suspects strongly that the pun potential was too great to let that one get away, not that Hawthorne was cresting a wave of popular adulation at the time.Otherwise, practically the only book mentioned which had *never* been made into a movie was "Gone With The Wind". Hmm, is there any chance that that book became a popular film AFTER 1938?In fact, was the Margaret Mitchell book slated for production already by that year? Surely the rights had been sold by then. The book was published in 1936 and was a phenomenon from the outset, a veritable Wirtschaftswunder, a happenstance hapax legomenon. Yeah, it was a popular read alright. So including it here with the other books would represent a foregone conclusion; there would definitely have to be a film sooner or later, and probably sooner.John Ford's "Drums Along the Mohawk" (1939) may also fall into this category of publishing successes coming soon to a theatre near you. Cartoonists read the industry scuttlebutt in Variety too.(Try this on for size: "Ub drubs pubs' flubs". (Hey, you think it's easy thinking up bogus Variety headlines? Just try it!) Interpret that as, "Animator lampoons foolish books".)In conclusion then, I would characterize this unusual cartoon as a notable historical curiosity which should happen to have broad appeal for film buffs. It allows us to exercise our arcane movie knowledge. (Or should that be exorcise?)