Ajay Devgn is a superb actor. He is one of the few actors who manage to speak a lot through their eyes. Having won 2 National-Awards, Devgn has proved his range time and again. And once again, in 'Halla Bol', he delivers a sincere performance.'Halla Bol' tells the story of how a small-time, timid wanna-be actor, becomes a superstar and then how he takes his stardom for granted. But after witnessing a brutal murder, he raises his voice to prevail justice.'Halla Bol' is an average fare. It lacks a solid/powerful script. Maverick filmmaker Rajkumar Santoshi directs this story with his usual touch, but the writing here lets him down.The first hour doesn't work. In fact, the back-story, where Ajay is shown as a timid wanna-be actor, is far from convincing. The film picks up dramatically in it's final 30-minutes. The climax is captivating & keeps you hooked. But the weak first hour, as well as the long running-time, leave you disappointed. Acting wise, It's only Ajay who stays with you, even after the film has ended. He delivers, as mentioned, a sincere performance. And like I also mentioned before, he is a performer who speaks a lot through his eyes. Easily, amongst the best actors of Hindi Cinema. Vidya Balan gets limited scope, yet she manages to leave a mark. Pankaj Kapur is average. Darshan Jariwala is merely passable as the calculative, conniving, heartless villain. Anjan Srivastava & Anupam Shyam are excellent in their respective parts.On the whole, 'Halla Bol' suffers from a erratic screenplay, yet I'd say to watch it for Ajay. He's worth giving this flick a shot!

Mr. Rajkumar Santoshi needs no introduction. In a true action hero style he made an entry with a "BANG!" (read that "Ghayal"). Then he went ahead and seized up movies like "Damini", "Ghatak" and highly under-rated "Andaz Apna Apna" (PS: the rest are not worthy mentioning anyway). If you look at "Halla Bol" it clearly gives away the fact that Mr. Santoshi has run out of steam. If "Family" was yet another "Ghayal" then "Halla Bol" is definitely "Damini". This time it is Ajay Devgan who witnesses a crime and decides to stand up against it. Coming to his rescue is not a drunkard lawyer with "Dhaai-kilo ka haath" but a reformed dacoit Pankaj Kapoor. The spouse in both versions lend a moral support to the proceedings. The plot has been tweaked to incorporate bits from A.) "Bollywood Calling"/ "Om Shanti Om", B.) Power of public and C.) Jessica Lal murder case.Ajay Devgan:: Passable considering the plagiarised plot he decided to be a party to. Vidya Balan:: Weak character which got compensated with a few fiery sentences like "My husband has got ****". Sorry but that cheesy line made me fall out of my chair. Pankaj Kapur:: Saving grace. Anybody else instead, there would be nothing more than a zilch in the movie.At least the Nadeem-Sharavan's music in "Damini" was melodious here there is hardly a number that stays with you when you walk out of cinema halls. Finally Mr. Santoshi, nobody can fill in the shoes when it comes to your pairing with Sunny Deol. Your newfound partnership with Ajay Devgan is fine but the whole thing is akin to catching a tiger in the jungle. Only that you have caught a bear and trained him to mouth "I am tiger, I am tiger!".

A complete waste of timeHalla Bol is a complete waste of time. The script and dialogues are poorly written, the direction is lacklustre and the acting borders on hammy.This movie was clearly aiming for the Rang De Basanti crowd but it falls far short of the mark because it does not have even one of the elements that made RDB connect with its audience_great script, terrific acting, good direction and a powerful social message that was never preached but shown.Compared to that near-masterpiece, Halla Bol takes a step backwards by resorting to scenes such as the hero taking a leak on the villain's Persian rug and the hero's mentor staring down bullets in a truck no less! All of this might have been acceptable in the 80s when there was a downturn in movie quality and bad movies like DivyaShakti and Phool Aur Kaante became big hits, but movie-making has become_should have become_more subtle and thoughtful of late.Rajkumar Santoshi is a capable director and I appreciate that he wants to give a social message in every movie he makes but maybe he simply does not know how to do it! He resorts to sermonizing without a care as to the audience's intelligence in understanding what he is trying to say. Maybe he should just concentrate on entertainment and leave the social messages to the Rakeysh Mehras and Aamir Khans.Even if you don't agree with everything I say, you will agree that throughout the screening you will be thinking that Rang De Basanti was much much better and Mr.Santoshi should have left the industry-bashing to Om Shanti Om. Industry-bashing? That's right!!Santoshi has depicted the industry as a place of back-biting, bitching and the casting couch which the hero happily indulges in with a starlet curiously named Sania. There are some people who will think that these portions show the real face of the industry. Don't believe everything you see!All in all, raise your voice against movies like this and don't spend your hard-earned money on this bomb.* out of ****.

It is encouraging to know that in the current scenario of rip offs, remakes and comedies, a filmmaker is there who has the courage to make films on social issues which need to be addressed. Halla Bol is Rajkumar Santoshi's hard hitting movie inspired from a well known real life incident. It has a slow and unimpressive start but gains after the intermission. In the second half you see the good old Rajkumar Santoshi back in form in some well directed scenes. In short some straight conclusions about the movie are : 1. It is inspired from the famous "Jessica Laal" Murder case which questioned our judicial & political system. 2. It can also be seen as a redefined version of Rajkumar Santoshi's own masterpiece "Damini". As here Ajay Devgan witnesses a murder and then fights for the justice. 3. There are few firsts in the movie. A hero using the main hall of a minister's home as his bathroom and Vidya Balan giving some bold statements as the wife of Ajay Devgan to the press reporters. 4. This time Santoshi's 'Sunny Deol' is the powerful "Pankaj Kapoor" who is equally power packed and punchy as Sunny was in "Damini". He is such a great actor that even when he has not got that physical appearance, still he makes you believe when he fights many men single handedly. He gets a author backed meaty role and does full justice with it. The film belongs to him completely.Ajay Devgan plays the role of Bollywood Star who was there in a party where a girl was shot dead. As he comes from a good social background he stands alone against all oppositions and becomes a witness. He is quite impressive but also seems similar to his act of "Aprahan" and "Gangajal" . Pankaj Kapoor is there for his support who was once a dacoit and had surrendered after a moral transformation. The movie is enjoyable in parts, specially the confrontation scenes between Ajay Devgan and the politician father of the murderer, with some powerful dialogues inviting cheers from the viewers. But its all the way "Pankaj Kapoor" which you remember coming out of the theater for his gem of a performance. Vidya Balan has nothing to do as Ajay's wife except one good scene with the press. Whereas music is satisfactory & could have been better, the background music on the other hand enhances the impact of the scenes. The movie is tense and lacks lighter moments of good humour. Rajkumar Santoshi only manages to impress in the second half. If only the first half had been more entertaining and engrossing, it could have resulted into a better movie. "Halla Bol" lacks the complete ingredients of a blockbuster, still it's a welcome change to have a movie on social issues after "Rang De Basanti" and the movie should be watched only for one person, that's Pankaj Kapoor.