I think that Bill Plympton is one of the most original and talented animators of all the history, and just like his other films and animated shows, "Hair High" is enough proof of his unique vision and talent. While it starts as a simplistic high school comedy (But without any of the stupid clichés and stereotypes of this kind of films) it quickly evolves into a bizarre, surreal tale of romance and horror, with great plot twists and lots of dark humor, just like all the other works made by Bill Plympton. If you are looking for a completely different kind of animated film, you should give a look to this film. It is one of the funniest and more artistic animated comedies ever made.10/10

One of the most easily recognisable auteurs working in animation, Bill Plympton has produced a succession of animated features and shorts which delight with their unique style and idiosyncratic world view. His is a bizarre world which, unusually for such hand drawn work, normally assumes the presence of an adult audience and where the exaggerations of sex can be sniggered over for all the right reasons. HAIR HIGH is no exception, and continues the animator's regular obsessions with the strained relationships between sexually optimistic men and women, detailed with black humour all the while laced with some side swipes at the ironies of romance. There's also plenty of hair spray, horny chickens, a good soundtrack, smoking, and the genital stimulation of frogs. Rudeness, surreality and extremes of physical contortion appear again as part and parcel of the plymptonesque world - which this time includes nods to such disparate films as REBEL WITHOUT A CAUSE, NIGHT OF THE HUNTER and THE CASTLE OF CAGLIOSTRO. HAIR HIGH is voiced by such talent as Keith and David Carradine, Ed Begley Jnr and Matt Groening. Ostensibly a moralistic tale of 50's high school love that ends in comi-tragedy, HAIR HIGH actually engages as a characteristic free wheeling fantasy, allowing the animator to indulge in all sorts of off the wall scenes and images propelling the narrative forward. For those better used to the tight pencil work and plot construction of more regularly exposed animation studios Plympton's work, which leaps more immediately from the artist's bizarre subconscious, often comes as a wake up call. In its attempt to drag cartoons out of the juvenile closet Plympton's longer work has been blazing a trail for years. With not a cuddly, wise-cracking animal in sight and a hands-off view with regards to any computer generated figures, HAIR HIGH is a must for admirers of Plympton. Since this film Plympton has completed two other features, including SHUT EYE HOTEL and, most intriguingly, TOKYO ONLYMPIC, which at 137 mins is slated at his longest yet, double that of the present title.

I viewed HIGH HAIR today in Los Angeles -- perhaps three years after it was originally screened. Comments on IMDb said it was a retro 50's style high school story line which drew my attention.I am a child of such an era having graduated in 1959 (at the cusp of the next decade of the 50's) from high school.I entered the theater with an invited friend. I was a bit anxious whether my experience would be the same as another person's opinion as we left the screening and talked. We both had the same movie experience: It took about 20 minutes to get into it and at one moment in time, there was a hook that carried the film into its conclusion and enjoyment. I suppose this is a cult film, but it works well with those who were in high school in the era of the film despite the fact that this was not my own experience.My enjoyment was the fusion of Japanese anime into contemporary American animation as a borrowed skill with a true technique honed by Bill Plimpton.He pulled it off without a finger print of evidence that would tie him to such a cinematic crime of imitating Japanese Anime and not his own invention.It worked. Just fine. Pure fusion.

This story is in the same mode as Rod Serling's original "Twilight Zone," except with much more heart and soul, and less Old Testament style revenge. You learn to love the characters, even the ones you initially think are cruel.After all the overproduced and overhyped animated films, that promise wonders but give us the same old thing - THIS is the reason we come back to watch animation. I've seen several of Plympton's short films, but they didn't prepare me for the beautiful characters, the simple and clear story, and (most amazingly) the 50's - 60's style teen music.See it in the theatres AND buy it on DVD when it comes out. Be aware, though; there's some violence and messy stuff that very little kids probably shouldn't see. Kids above age 12 should be able to handle it, though.