On the whole, I enjoyed this film. It starts out with a series of nice, gruesome post-mortem and death scenes, and carries the creepy ambiance most of the way through. Unfortunately, as the twists begin to unravel, so does the quality of the film.For the sake of those who haven't seen the film, I won't spoil any of the myriad twists, but I will say that you better pay very close attention to this film or you'll miss some illuminating plot points, as I did.Unfortunately, this has to do with the number of suspects/characters in the film, and the difficulty an American viewer will have keeping all the names separate. Characters are often referred to by name without being on screen (as is the nature of a police thriller), and I found myself, more often than not, seeing said names and thinking, "wait, which one is he?" Still, I doubt I'd have had the problem if the characters in question were more than just your standard serial murder movie cutouts. I watch a lot of Korean cinema, and this is the first time I've ever had this problem.This speaks to the general quality of the film which, while engaging, is certainly not going to stun most viewers with its artistry. The acting is passable (at best), the writing is sparse and convoluted (though not devoid of entertainment value, to be sure), and the editing is flat-out terrible. That's not something that usually stands out for me in a film, but in this case it was a flagrant issue with the film. You'll find yourselves following the characters to a raid on a suspect's house only to forget why this guy was a suspect in the first place, and random cuts to side characters doing sweet F.A. don't do much to ease the difficulty of following the bouncing (murder)ball.There are two kinds of "end of the movie twists" out there. There's the "Oh my god, I didn't see that coming, but I should've" twists, and then there are the "uh...what?" twists. Sadly, the final revelation of this film is one of the latter. I've seen debate on the message boards regarding the supposed "final, final twist," but I have to say that it's a pretty loose interpretation to call the final moments of the film yet another twist. It's more of a "book-end," and effective as such.Where this film fails most is in the expectations it builds. It's an excellent concept for a serial murderer flick, and they spend a lot of time building an interesting emotional landscape that's inevitably forsaken for gimmicky plot devices that, while not wholly unbelievable (though highly improbable), are pretty much just plain silly. Had they stuck with the emotional and psychological themes and forsaken the twists, this would be an excellent film.As it stands, it is not excellent, but it's certainly not terrible. If you're a fan of Asian thrillers, you could do worse than this one.-J

When I found this at the video store I thought this looked & sounded amazing. Oh what a disappointment. The film starts off, with a young girl's body being found in a garbage heap along with her newborn baby. From there, you are lead on a journey that looks promising but fails miserably. The Hannibal-Esq character is unconvincing & has no emotion. He spouts Nietzche/ German-Esq philosophy, meaning he speaks in hidden meanings. The film take forever to get "started" and by the time the all too expected plot twist happen, you don't care about any of the characters & just want the movie to end.*SPOILER You find in the end, that the Hannibal-Esq character has used hypnosis to force people to copycat his killings. Even thought, it makes no sense. Yeah, don't bother.

I could go on about the slow pace, bad acting, moodiness, implausibility, contrived and generally ridiculous plot line but suffice to say that I wish it was me getting a bullet in my head at the end of the movie.The movie was dreadful. I'd recommend almost any other Korean movie over this. The sheer number of times I found myself scoffing at the actions of the characters, the plot "twists" or the character "dialogue" were too numerous to count.Any deeper reading about the supposed message of the movie only serves to obscure the fact that this was one horrible flick.The only positive comment I can make (as someone on the message boards noted) was some of the very interesting artwork; I quite liked it.

"H" tells the story of two cops who encounter a series of gruesome murders. The victims were pregnant women - which leads the duo to a young killer who awaits his death penalty. Is another killer copying his crimes? Did the guy order someone to to it?There are many clues that connect the film to "Silence of the Lambs" (imprisoned killer, cops hoping for help from the killer), but as the story progresses, there are more connections to "Seven": It's gritty, it has a serial killer who has some John-Doe-mannerisms. The female cop is the Morgan Freeman character, the impulsive male cop is Brad Pitt. Even the ending (no spoiler!) fits this line of thinking because of what happens to the "Pitt"-cop. This is vague enough so it won't spoil anything for you.Because this ending is not what you might expect. The final reel of the film leaves the path of its American predecessors and follows an Asian film I'll mention below. Before that, I'll conclude that "H" is a suspenseful, gory, gritty, well acted thriller which is strongly directed by newcomer Jong-hyuk Lee. It steals a lot from other movies but better well stolen than badly invented.My rating: 8/10And now some spoiler: The film in the end resembles the Japanese thriller "The Hypnosist" - this also explains that the "H" of the title doesn't stand for heroin or something else you might have expected, but for hypnosis. The end credits even see the "H" move to the left and reveal the "full title". It's a nice twist for a nice film. But again: This ain't new, "The Hypnosist" or Kiyoshi Kurosawas "Cure" come to mind.