Loosely based on the Famed Mutiny on the Bounty, Damn the Defiant is a strong Napoleonic era period piece, and also an above average naval drama. But above all it is a study of two very different men and their contest of wills. Alec Guinness's Captain Crawford is a humane, fair officer who knows the value of discipline and efficiency but also understands the importance of a crew's morale and well being. His opposite in nearly every matter is first lieutenant Scott-Padget (Dirk Bogarde). Bright, ambitious, needlessly harsh and often insubordinate, Scott-Padget is a firm believer in the lash who cares only for his own advancement and is used to getting his way. A dangerous combination, and one that drives the Defiant over the edge.Both leads put on very good performances. Guinness brings Captain Crawford's empathy and resoluteness fully to life. Although he would loathe the comparison, at times he does seem rather like a certain desert hermit in his kindly, aged wisdom. And for his part Bogarde is the epitome of a jerk. With his displays of anger, pettiness, and entitlement he makes himself very easy to hate. The production values are good, with fairly authentic costumes, sets, and other period touches. The naval battles are also quite rousing impressive, with good swordplay and effects that have stood up well considering their age.The film's main shortcoming is that it never treats the mutiny with any serious depth. It's true that a great deal of time is dedicated to the conditions on the Defiant, and to the build-up of discontent that lead to the mutiny. It's also clear that the men have very real grievances, mostly relating to Lieutenant Scott-Padget. But no time is taken to dwell on whether their actions were justified in a time of war, or any soul searching by the men themselves. The ending leaves me inclined to agree with Captain Crawford's lenient position, yet it stills feels like too easy an answer. But perhaps I'm asking too much from what's intended as a fun war movie.All in all, Damn the Defiant may not equal the classic Billy Bud or some of the better adaptations of Horatio Hornblower, but with good acting and good action it's a worthwhile voyage for all ages.

During the Napoleonic War Captain Crawford is given command of the Royal Navy ship HMS Defiant . A new crew are press ganged in to service . These unwilling recruits must be turned in to sailors but very quickly the practical Captain Crawford finds himself clashing with First Officer Scott Padget The QUATERMASS trilogy of the 1950s made Nigel Kneale a household name . Unfortunately Kneale didn't like this name or to be pigeonholed as a science fiction writer and spent all his energies trying to escape this albatross around his neck . He adapted the film versions of LOOK BACK IN ANGER and THE ENTERTAINER and adapted the novel Mutiny by Frank Tilsley in to this film DAMN THE DEFIANT and what a nice little gem of a film it is too . He wouldn't thank me for saying this but if you enjoyed the personality clash between Breen and Quatermass in QUATERMASS AND THE PIT you'll enjoy this movie too Two things Kneale was outstanding at was both character interaction and dialogue . There's a golden rule of scriptwriting of " Show don't tell " and Kneale never breaks this rule but the dialogue is flowing with exposition and character even if there's not much action happening on screen . At the heart of the story is the conflict between Crawford and Scott Padgett on the methods used on getting the best out of the crew . Crawford is experienced and though he's no soft touch he's aware sailors are only human and they're not sailors through their own free will so walking along the thin divide of what is needed to be done and not overstepping the line is his paramount concern . Scott Padget's view is entirely different and rules through a brutal iron fist . The crew however don't care who is running the ship and are going to mutiny regardless This film might seem a little bit old fashioned and stagy compared to something we might get today but nowadays directors like to wave the camera about trying to show off how much money the studio spent on the production . Nowadays the going rates for stars are also a bit too high for my liking and how many so called " stars " nowadays have the presence of a Guinness or a Bogarde as seen here . Even the actors in relatively small roles such as Tom Bell and Murray Melvin impress in a tightly plotted story that is the best of British

"Damn the Defiant." a 1962 film directed by Lewis Gilbert, is based on an actual incident, known as the Spithead Mutiny which took place during the 1797 war with France.The ship is led by Captain Crawford (Alec Guinness), a fair man who is afraid to rattle the cage of his next in command, the sadistic Lieutenant Scott-Padget (Dirk Bogarde), who is well-connected and has ruined the careers of previous captains. The ambitious Scott-Padget, however, is determined to take over the ship and wants things his way. To this end, he brutalizes Crawford's young son, who is on board as a midshipman, knowing that the principled Crawford will not interfere.However, there are mutineers on board, led by Vizard (Anthony Quayle) who have written a petition for better food and more money. They hate Scott-Padget, and if they take control, he's in big trouble.This is a very good film with suspense as well as excitement, dominated by the acting of Guinness and Bogarde. Guinness is brilliant - you can see him making an effort to control his anger, and one also sees his great pain. When he at last asserts himself, he is very noble. Director Gilbert had to fight for Bogarde, so devalued was he by Hollywood, but Guinness spoke up for the actor as well, and he was cast. He does a great job - handsome, outwardly polite, and mean as dirt. Anthony Quayle is excellent as Vizard, who, in leading his men, demands patience.Absorbing and entertaining, even if movies on the high seas aren't your thing.

Dirk Bogarde is a villain in this movie just like in "Libel" and The Singer not the Song" and he is good at it as the cruel executive officer of the Defiant blithely dispensing floggings at the yardarm at the slightest or even imagined infractions. Nothing gets my goat as much as handsome evildoers in positions of power. What's their excuse? Alec Guiness does well as the kindly captain who nevertheless must deal with the impressed (meaning forcibly recruited) sailors according to the rules and customs of the day.Both actors were already well known to us in the Philippines so the one who really caught our attention was Anthony Quayle as the leader of the mutineers out to petition the Crown for more humane treatment of His Majesty's rank-and-file sailing men.I remember these scenes very well: A sailor harassed to the limit by Padget (Bogarde) gestures as if to strike him or tried to strike him but missed. In those days, that called for capital punishment. But when called to account for it, the sailor replied: "Impulse of anger, Sir. Instantly regretted." So he got a severe flogging to an inch of his life instead, thank you. That made the Captain realize that the recruits had been drilled and that they were up to something.The crew did take over the ship but gave up the mutiny and conformed to their officers' orders when they sighted French enemy ships. Sea battle ensues between the two forces and in a dramatic moment, the Captain (Guiness) whispers in the ear of the dying Vizard (Quayle), the commendations of the admiralty to the Defiant and its crew "for swift and effective action."If there are any errors in my recollection of these scenes, it is because I saw it precisely on its initial release when I was in Grade 6.