I have been trying to emulate for some time Alexander Solzhenitsyn and his documentary "Gulag Archipelago". But firstly let me say few words about "Gulag" (1985), based on the reviews from IMDb. The film was obviously shot in Norway and I as a referent from former Socialist Eastern Europe had grasp of it only recently. This movie was even more censored than "Caligula" with the same actor (British star Malcolm McDowell) which was pure pornography. Unlike Erotic Cinema and being it's little sister, Underground Cinema and Political Art are fake. Not many Directors and Actors dare reveal the whole truth and only the truth.This movie is an attempt to be as much convincing as "Midnight Express" (1978) - which is about an Englishman trying to escape from Turkish Prison System. While America and it's West Europe partners have been favoring Turkey's membership in NATO for very long time, it is nowadays that the system backfire. See, there is a new Soviet Union that now encompass Russia, Turkey and their satellites. Consider what would happen if those New Soviets (never mind whether Communist or Islamist) get hold of modern warfare technology blueprints. Enough is enough.Secondly, about that man Solzhenitsyn and his secret dossier with both KGB and FBI. Obviously, he was another loud mouth and both double and triple agent. Consider his troubled life both in the Soviet Union and as exile in Vermont, USA. He looks like a semi-deranged hermit and never appears in public unless specifically prearranged. His "questions-and-answers" interviews are structured beforehand and even after several corrected proofs are difficult to read. Solzhenitsyn never learned proper English and always used translators. Thus, a book titled "Gulag Archipelago 1918-1956" appeared for the Western public in the period 1973-1978. Personally, I don't know how many people both from Russia and abroad contributed for this book. The number of upliftings is considerable and catharsis is enormous. But tribute goes to Alexander Solzhenitsyn!Get more insights for modern barbed wire and forced labor from the bestsellers of Hedrick Smith - "Russians" (1976) and "New Russians" (1991). They are indispensable. Enjoy it!

Did you notice that the guards, or some of them, were paratroopers? They had the sky blue shoulder boards and berets. That's not right. People in the Gulag, or whatever it's called now, would be guarded by the Ministry of the Interior troops. They are called Vnutrennie Voiska, or Interior Army. Their shoulder boards are a dark red. They also don't wear berets. Paratroopers, in that time, would probably all have been in Afghanistan. For me, otherwise, this was enjoyable, in that I was a teenager during the 1980s Cold War, and as with any teenager, I wanted to kick butt. Plus, I've always liked Malcolm McDowell, and I liked him in this.

Honestly, do Americans know how much we rubbish their blind devotion to the Good Ol' U. S. of A.? Highly strung anti-Soviet drama with Malcolm McDowell once again showing us how nasty the Brits can be. The scrumptious David Keith is starry-eyed but tasty as ever...he's the only reason I watched it anyway!

Having watched the very first scene (where Russians were singing "Kalinka" and dancing at the bar), I felt sick. I immediately thought, "Oh, one more idiotic film by ignorant ones who know nothing about Russia but any stupid cliches". Some scenes are indeed idiotic. Honestly, I laughed at them alot (for example, the episode where the main character, Mike, was taken to the jail full of water). However, there are some of quite good episodes. In fact, many scenes in a camp ( in 80s those camps weren't called Gulag, btw. Gulag existed in Stalinistic period before early 50s) are reliable.I guess, this film was made with very clear intention. Typical anti-Soviet propaganda. If you want to get knowledges about Russia (or Soviet Union of that time), don't see this film. There are many stupidities in this film.The best thing about this film is that all the actors played guards were Russians as they have spoken Russian without terrible accent. Very rare (and pleasant) thing. As for the characters, the only attractive one was Jewish professor Matvei (David Suchet). He was played with great power.This characters imbodies this horror and sadness of being prisoner. The only character I will be keeping in mind for a long time after watching this film.