This is a movie about Civil War vampires. Or maybe they were Civil War zombies. The filmmakers never seemed clear on what particular breed of undead horror they were dealing with, but that confusion is about the least wrong thing with Grey Knight.After Union soldiers are found massacred, some crucified upside down, Captain John Harling (Adrian Pasdar) is assigned to ferret out the forces responsible. Signs point to an infamous Confederate squad known as the Alabama 51st but those men were reported killed, with only their commanding officer Colonel Nehemiah Strayn (Corbin Bernsen) surviving. Harling, a student of Strayn's at West Point, gets his old instructor out of military prison to join the search. Teamed up with the extremely theatrical Colonel Thalman (Ray Wise) and a deaf-mute voodoo priestess named Rebecca (Cynda Williams), Harling and Strayn discover that the people responsible for the Union massacre and other killing sprees of both federal and rebel troops are a group of vampires. Or maybe they're zombies. I'm still not sure. After getting the backstory on the vampire/zombies, the backstory on Strayn and his original squad, the backstory on Harling and Strayn, Strayn sort-of-but-not-really becoming a vampire/zombie and a whole lot of extremely lame camera work, we finally get to the standard climactic battle between the forces of good and evil. Can you figure out who wins?Grey Knight is thoroughly crappy overall, but the very poor direction of the movie deserves its own notice. Think of the most uninteresting, unimaginative, boring and clichéd images and scenes you've ever seen in any film. You'll recognize all the same stuff here. George Hickenlooper doesn't appear to have had the slightest idea what did and didn't look good on screen when he made this. He uses a wide shot when he should use a close up. He uses a close up when he should use a wide shot. The camera is always either too close or too far away from what's going on and virtually none of the action is ever properly centered. Everything's in focus and you never see a boom mic slip into the shot but other than that, it's like the person directing this had never given any thought to how he was filming his story.There's also a plethora of bad performances on display here. Virtually every actor, except maybe Martin Sheen, has at least one scene where he goes completely off the rails. Billy Bob Thornton spouts much of his dialog in one of the least professional manners you'll ever witness. Watching him, you'd swear he got his role because he was the prop guy's cousin or something. Adrian Pasdar whispers most of his lines like a guy with a hearing aid that's been turned up way too loud. Cynda Williams has no dialog in the film and just repeats the same glare over and over at various characters. Corbin Bernsen, looking like he's been trapped on a desert island for 3 years, apparently thought adopting a bad Southern drawl was all the acting he needed to do. Matt LeBlanc has no lines and is only on screen for a few seconds as a crucified soldier, but he may have done the best job of anyone in the cast.There are two other things I have to note. First, the soundtrack of Grey Knight is absolutely, I-can't-believe-what-I'm-hearing horrible. The music played in the opening scenes as the slaughtered Union soldiers are discovered is arrestingly terrible, sounding like a bad rip-off of some of the theme music from Friday the 13th: The Television Series. Second, the vampire/zombies don't have fangs. They don't actually drink blood. In fact, there's nothing that distinguishes them as undead, except that they paint their faces red and white. I think the face paint is supposed to evoke primitive tribalism, but I imagine most people would think they were vampire/zombie clowns. For my part, I thought they resembled nothing so much as the Freebirds when they would paint their faces with the Confederate flag for their matches with the Road Warriors. That's a pro wrestling reference and don't worry, most of today's wrestling fans won't get it either.The version of this film that I watched was called Grey Knight: The Director's Cut. There's another, blessedly shorter version alternatively titled The Killing Box or Ghost Brigade. But as a rose, by any other name, still smells sweet...this movie, by any name, sucks ass.

The version I saw of this film, was called "The Killing Box" and this film had a whole damn lot of potential, but sadly isn't as great as it could've been. A civil-war movie mixed with a supernatural theme and a most peculiar cast (Adrian Pasdar, Corbin Bernsen, Ray Wise, Billy Bob Thornton, Martin Sheen, David Arquette, Matt LeBlanc,...). It really is a challenge spotting all of them. It's also hard to pinpoint where exactly the movie comes short. The flaws are there, I just can't really pinpoint them. Apparently a lot of the movie ended on the cutting room floor in post-production, so that could explain quite a bit. But there seems to be a director's cut with a much longer running time out there, under the name "Ghost Brigade". In this version the main characters have a lot more depth and should be more interesting. Even the unstoppable ghost brigade should have much more screen time and background-story in this longer version. So someone release this director's cut version on DVD, and I just might pick it up.

I saw auteur George Hickenlooper's director's cut of this movie under the title "Grey Knight". Spooky, world-class, polished performances delivered by Cynda Williams (tremendous in "One False Move" and an ex-Mrs. Billy Bob Thornton), David Arquette (Buffy the Vampire Slayer, 8 Legged Freaks), Roger Wilson (Vampire Recruiter Extraodinaire), Matt LeBlanc ("Monsters: "Shave and a Haircut, Two Bites", "Showdown", "Lost in Space") and Martin Sheen ("The West Wing", "The Departed"), with Adrian Pasdar ("Near Dark", "Desperate Houswives") and Corbin Bersen ("Star Trek: the Next Generation", "Tales from the Hood") at each other's throats. Intelligent treatment, killer script, eerie atmosphere, and eye candy actors. Encore!

Set during the American civil war, The Killing Box tells the tale of a Union expedition sent to discover the fate of a group of Union soldiers slaughtered in bizarre circumstances. As the film progresses, it becomes evident that this slaughter isn't just an isolated incident, but rather a series of mass murders of both Union and Confederate soldiers. To complicate the expedition, the Union soldiers have to rely on the aid of a captured Union defector to help investigate the incident. Who or what can be responsible for these grizzly deaths? The Killing Box takes a fairly well-worn horror/supernatural concept, but turns the concept around by putting the film in the unique setting of the American civil war. The film and its concept had me hooked for the first fifteen minutes, although my attention began to slip away a bit from that point on once the "enemy" was revealed. Quite frankly, the "enemy" were very hokey, and didn't instill any real fear or suspense into the story. I've seen actors at a horror-themed dinner theatre inspire more terror than what the Union soldiers faced in The Killing Box.Overall The Killing Box tried to be an interesting war/horror hybrid, but fell short of the mark.5/10