Paula Powers and Sam Freeman (Ron Howard) shock her rich parents with news of their engagement. Her father Bigby Powers is running for governor and they forbid it. She sneaks out from her room and steals the family Rolls-Royce driving off for Vegas. Her mother informs unrequited suitor Collins Hedgeworth who goes on the chase. After a couple of crashes, Collins offers a reward over the radio and the mad chase go into high gear.This is Ron Howard's full length directorial debut. He's calling in plenty of favors including Marion Ross. The plot is only an excuse to put on a cross-country car chase like "It's a Mad, Mad, Mad, Mad World". The female lead Nancy Morgan is sufficient but nothing special. It's all about the car action. There are lots of crashes and destruction. Howard is doing a few good camera shots but it's nothing revolutionary. For a first time effort, this movie shows his professionalism and excellence before his years. It also shows that action is not going to be his forte. He can have some fun but he's not changing the way car chases are done.

Headstrong rich gal Paula Powers (a winningly spunky portrayal by the fetching Nancy Morgan) steals the family Rolls Royce and heads off to Las Vegas to marry her amiable working class boyfriend Sam Freeman (a likable turn by Ron Howard, who also made his directorial debut with this film). A motley slew of folks give chase. Director Howard, who also co-wrote the simple script with his dad Rance, tells the entertaining story at a zippy pace, maintains an engaging light-hearted and good-natured tone throughout, and stages the assorted wild'n'wacky vehicular carnage with considerable go-for-it brio. Moreover, this picture benefits tremendously from being so straightforward and unpretentious: After a few initial minutes of basic plot set-up, the rest is essentially one lengthy car chase that culminates in one hysterical doozy of a demolition derby climax. Better yet, the enthusiastic cast attack the material with infectious aplomb, with especially energetic contributions from Marion Ross as the disapproving Vivian Hedgeworth, Peter Isacksen and Clint Howard as a pair of loony hot-rodders, Rance Howard as no-no0nsense private eye Ned Slinker, Paul Linke as pompous preppy Collins, Don Steele as obnoxious disc jockey Curly Q. Brown, and Barry Cahill as huffy millionaire Bigby Powers. The jaunty score by Peter Ivers hits the stirring spot. The always dependable Gary Graver does his usual ace job with the glossy cinematography. An immensely fun flick.

I've never considered Howard much of a director - and I only rented this, his debut feature, because I've been on a 'grindhouse' kick ever since I watched the recent Robert Rodriguez/Quentin Tarantino homage! Made for Roger Corman's low-budget outfit (he explains how it all came about in the accompanying interview), this road movie on the lines of VANISHING POINT (1971) and THE SUGARLAND EXPRESS (1974) evolves into one uninterrupted chase along the American midwest. It's undeniably enjoyable on a non-think level, relying on an endless stream of energetic stunts (mostly gratuitous car crashes and explosions) to carry its thin plot as far as it can go. Howard also took the lead role and co-wrote the script with his father Rance; fellow cast members from Howard's popular HAPPY DAYS TV series also put in appearances…and there's even a cameo by director Paul Bartel! The technical crew holds some surprise: Allan Arkush (who later helmed the Corman-produced ROCK 'N' ROLL HIGH SCHOOL [1979]) served as second-unit director, Gary Graver (best-known for his collaborations with Orson Welles) was the cinematographer, and Joe Dante (even after having started his own directorial career) edited the film!

Before Ron Howard made his most famous movies, he started with this ultra-wacky car chase story. Sam Freeman (Howard) and Paula Powers (Nancy Morgan) try to announce their marriage plans to her parents', but the latter refuse to accept it. So, Sam and Paula run away in a car. As the story progresses, the whole situation snowballs. That is, more and more people get drug in. And of course, a bunch of cars get wrecked. Much like in "It's a Mad, Mad, Mad, Mad World", everyone drives in every direction at top speed, damn the peripheral consequences.One thing that really caught my eye was that Marion Ross starred in "Grand Theft Auto". You may remember her as Marion Cunningham on "Happy Days". I guess that you could say that Richie decided to cast his mom. Maybe it would look like this:Marion: "Now Richard, always remember to be careful behind the wheel."(Richie zooms off.) Marion: "He always took after Howard when it came to driving."***Either way, the movie's outlandish (in fact, it's done like a B-movie), but it's impossible not to like.