Saw this movie and thought it was fantastic. Just not your ordinary western but a realistic look at some of the trappings of living in the "old west". If you are into movies...particularly westerns you will love this movie. The scene with the Indian store keeper shooting arrows at our hero is all too real. The scenery and the locale is part of this wonderful movie. The heroine was low key and for her first movie she did a good job. I had to look up everyone involved with the making of this movies so to see the hands behind a work of art. I highly recommend it. Make sure you see it with some one who enjoys these new realistic look at the west. Not some Hollywood set but out in the open wilderness.

Whoever gave this the low ratings to make the overall rating on here such a low rating have done this movie a dis service. This is not a 4.9-5 movie it is IMO at least a 6.I have long been a big fan of Westerns, with Clint Eastwood and Henry Fonda's movies being up there as the best of them all.This one is not up to their standard but it does a good job of entertaining.I hadn't seen or heard of Cohen Holloway or Inge Rademeyer who were the main actors and they did a very good job in their respective roles, hopefully they will get further work, well worth watching out for.I loved the gunfight in the river, that and the general antics of the posse had me in stitches quite a few times.The music and cinematography of the film is first rate, up there with the best, I had trouble believing that the movie was shot in New Zealand.I gave it a 7 out of 10.

Isabella (Inge Rademeyer) comes from England to the US to stay at her uncle's ranch. She is kidnapped by The Man (Cohen Holloway) who is interested in her for a poke, but his ED prevails and he searches for a cure dragging her along. Because he doesn't know what is happening to him he tells a doctor that his "d**k is broke" and wants help. I saw the DVD cover and saw The Man who looked a lot like Lee Van Cleef, with those piercing eyes, from the Spaghetti Westerns with Clint Eastwood back in the day, and, I figured I was in for a good time. Well, this is a different kind of western, but I stayed with it. There was almost no dialogue for the longest time. It took me a while to figure out what was going on and when his clumsy attempt at a "poke" didn't happen, it all made sense and he seeks help from a doctor in the next town. Long story short: The Man keeps getting advice that leads him to the Chinese and the Indians who may be able to help. All the while Isabella is tied up and taken along so she cannot get away. The posse is hot on their trail with instructions to shoot the woman they labeled the "whore" on sight as they believe she helped The Man when he shot the Sheriff and bonuses will be paid.When the posse catches up with The Man and his "whore" everything changes and there will be surprises for you to ponder. The ending is perfect. I believe that if this movie had better music more people would know about it and an instant classic would be launched because all is good, the acting, dialogues and the tension that pervades everything. The chemistry between Isabella and The Man is truly something to watch as the relationship evolves. The cinematography is simply outstanding. Of course, as you go along with this, you will know why the title is what it is, but for you this is good for something, a different kind of western that you will enjoy. (7/10)Violence: Yes. Sex: No. Attempted rape: Yes. Nudity: No. Slang term for genitals: Yes, only mentioned once in the beginning. Language: No.

Good For Nothing stands out as one of the most enjoyable Westerns from the past thirty years. In tone and spirit its close to the classic Sergio Leone-Clint Eastwood Spaghetti westerns. Director/Writer Mike Wallis has done a great job staying true to the genre while delivering an entertaining story full of unique twists to all of the classic scenes. Cohen Holloway plays the classic western anti-hero perfectly, with the added problem of dealing with erectile dysfunction - well his character anyway. Inge Rademeyer breaks the mold of the 'damsel in distress', bringing a complexity and substance with her performance to a role that traditionally has little to offer. Her and the director have built the role into a real-world character. Western fans should definitely seek this one out, its well worth it.