I was very surprised when I saw this film. After all, by the time they made "Gold", South Africa was already being roundly condemned by many nations for its apartheid policies. In fact, soon film projects in the country would be a thing of the past and the fact that American and British actors appeared in the film and that much of it was filmed in South Africa surprised me. Perheps, however, they studio chose such a project because it really made the mine operators look like scum...and thereby was a criticism, indirectly, of apartheid.The bosses at a gold mine in South Africa have a reprehensible scheme. They know that an underground lake is very close to one of their mines. And, if they accidentally drill too close, it will flood the mine and kill a lot of workers. BUT, it will also make the price of gold shoot to the moon...making them even richer! The problem is that the General Manager of the mine is killed in a mining accident and they trust that the new GM, Rod Slater (Roger Moore) will play along with their scheme. As for Slater, what he seems mostly interested in during most of the film is stupping the boss' wife (Susannah York).To me, a major defect in the picture is spending so much time on the affair. First, it really didn't make a lot of sense. Second, it really had little to do with the plot. Third, it just seemed like a lot of padding. And, fourth, you really don't care about these two...other than, perhaps, seeing it as a chance for Slater to do to his boss' wife what the boss plans on doing to everyone else!Overall, a rather pedestrian handling of material that could have been a lot better. Not a bad film...but not a very good one either.By the way, I have been to South Africa twice--spending about a month there. One thing I loved about the country were the lovely accents...none of which I heard during the course of "Gold"!

With the 50th anniversary of the James Bond 007 film series approaching, and being a big fan of the third actor to have played the role, I decided to familiarise myself with some of his other film and television work, and I knew about this film he made just after Live and Let Die, from director Peter Hunt (On Her Majesty's Secret Service). Basically at the Sonderditch mine in South Africa a tunnel has collapsed, and underground manager Rod Slater (Sir Roger Moore) and his best friend and chief miner Big King (Simon Sabela) go to rescue those injured, the two are friends despite some of the white miners disregarding the black workers. The collapse is identified as not being an accident, there is a plot by a criminal syndicate in London to destroy the mine to profit from the share dealing, with regards to the gold supply distributed, and the mine owner's son-in-law Manfred Steyner (Bradford Dillman) is involved with the plan to flood the mine drilling through the underground dike and releasing the water from the reservoir. Killed in the collapse was the mine's original general manager, and there is a vacancy to be the new one, and Steyner interviews Slater as he knows he has the best qualifications, but he has another candidate in mind, and during the meeting Slater meets Steyner's wife Terry (Superman's Susannah York), who does not return his attraction interests. Slater and Terry meet again so that she may influence the decision for the general manager position to mine owner and her grandfather Hurry Hirschfeld (Ray Milland), and as a result she and he start an affair, Steyner is not happy he becomes general manager, but Slater only continues drilling work after placing a new safety system in the mine, that will block the tunnel in case a flood does happen. Slater has no idea of the plot by the crime syndicate, and aware that his wife is having an affair with him Steyner decides to let this go ahead so that he will be distracted while the mine is collapsed, and soon enough the dike is destroyed and a flood breaks, trapping thousands of workers below. Luckilly though the story is reported on the radio news and Slater hears it while holidaying with Terry, and she is a pilot, so agrees to fly him immediately to the mine to defuse the situation, while Steyner is watching from a hill far and above the scene watching to see the disaster unfold according to plan. Going down the mine shaft and climbing through the flooding tunnels, Slater and Big King struggle against the raging waters and slowly falling rocks, the safety charge is connected and ready to blow and stop the flooding, but Big King sacrifices himself having to detonate the charge. Steyner is murdered by his accomplice Stephen Marais (Tony Beckley) after hearing on the radio that the mine disaster has been averted and their plan has failed, but he also ends up killing himself when the car he uses goes flying off the cliff and blows up, and the end sees a badly injured Slater taken away to hospital with Terry by his side. Also starring Sir John Gielgud as Farrell, Bernard Horsfall as Dave Kowalski, Marc Smith as Tex Kiernan, Norman Coombes as Lemmer, John Hussey as Plummer and a very young Patsy Kensit as Little Girl at Christmas Party. I admit that Moore is a bit wooden in this film, but I can't imagine anyone else in his role, and he assisted by a good cast of stars, even though they don't necessarily do as much, Dillman though is a great choice for the manipulative villain, the story has unnecessary scenes, but the mine scenes just about exciting, especially towards the end, and the title song by Jimmy Helms is catchy, it may look and feel old fashioned, and you don't see much gold, LOL, but it is an alright adventure. It was nominated the Oscar for Best Song for "Wherever Love Takes Me" , and it was nominated the BAFTA for Best Sound Track. Worth watching!

Technically, "Gold" is rather uneven at best. There are quite a number of underground scenes that are simply too dark. Another problem is scenes that go on far too long drag on the film. The whirlwind romance between Roger Moore and Susannah York takes up too much time and could have been tactfully trimmed, thus tightening the overlong run time of 120 minutes. On the plus side, is an interesting plot to flood a South African gold mine, which would cut world production by 30%, and drive up the price of gold. Moore's heroic attempt to save the flooding mine and save 1000 trapped men provides plenty of excitement. .................. - MERK

Wilbur Smith's bestselling novels haven't been viewed by film-maker's as a good source of screen material. In spite of the fact that Smith has spent forty years writing one acclaimed novel after another, only a handful of his books have been adapted for the big screen – and of those films, none have been hugely successful. Gold is based on one of the author's shortest novels, originally entitled Gold Mine, and features a very attractive cast including the then-Bond Roger Moore, the luscious Susannah York, archetypal villainous actors Bradford Dillman and Tony Beckley, and old stalwarts Ray Milland and John Gielgud. Much of the film was shot in South Africa, amidst a volatile environment of political controversy, while the more dangerous-looking underground action sequences were done on an impressive studio stage back in the UK. On the whole the film is highly watchable and polished, though it is never quite as absorbing or exciting as it was obviously meant to be.An accident at a South African gold mine results in the mine's general manager being trapped and crippled. The underground manager Rod Slater (Roger Moore) tries his best to save his superior, but his efforts fail and the general manager dies. Later, it transpires that the managing director of the mine, Manfred Steyner (Bradford Dillman), is actually a member of a secret syndicate that is deliberately trying to destroy the mine in order to increase the value of their own gold stocks. Steyner has had his workers drilling in a highly dangerous area close to a water dyke, insisting that they are close to a precious gold strike when in reality they are metres away from flooding and destroying their own mine. Steyner is the grandson-in-law of the mega-rich gold entrepreneur Hurry Hirschfield, and is married to Hurry's grand-daughter Terry (Susannah York). However, Terry is having an affair with Slater, so Steyner's plan is to fulfil his act of sabotage for his syndicate whilst simultaneously exacting revenge on his cheating wife by ruining her family business. Eventually the dyke is breached and the mine is on the verge of catastrophic flooding, with Slater the only man brave (and foolish) enough to go underground and trigger an explosion to seal off the flooded areas before it is too late.Gold begins and ends with two very powerful and convincing underground sequences that are extremely well put together. In between, the plot unfolds rather slowly and laboriously, seeming to take a long time to reach its conclusion, though certain scenes along the way are quite well handled. Moore plays the hero fairly well, even though it is a much grittier role than his Bond persona. York is even better as the deceitful wife, while Dillman and Beckley provide thoroughly ugly baddies. Elmer Bernstein's very-70s music score adds a sense of drama to the proceedings, in spite of its dated sound. Peter Hunt (formerly a Bond editor and director) directs the film competently without doing anything out of the ordinary with his material. At 124 minutes, Gold is a pretty exhausting movie – certainly worth one, maybe even two, viewings but beyond that it doesn't particularly endear itself to repeat screenings. Still, if you like big, old-fashioned adventure flicks or are a fan of the stars, this movie is worth catching.