BBC Entertainment cable channel lauded the presentation of this show recently so with some anticipation I viewed it. What a big mistake and what a waste of time. To borrow from just a few of the other reviewers here "pointless self indulgent" drivel. The story is all over the place and the writer appears to be making it up as he goes along. Apart from the daughter the two main characters come across as selfish uninteresting individuals who look and portray themselves as old: very old which in fact they are not.The story in brief:A father is obsessed with what he believes to be his "love" for his daughter, and meets a woman who has lost a child in a road accident and can't get over it. The father and the woman have an exceedingly boring love affair. Thats' it.Add all sorts of unnecessary pretentious and phony sub plots. Beyond belief that this film won some awards. Proves can fool some of the people all of the time.Lucky to get:2/10.

I have now seen 'Gideon's Daughter' twice and still don't quite know how the man does it, whilst in it's glow you think it the most beautiful and spellbinding story and one wishes that it would never end. But once it does and you stand back, you realise it is actually about nothing at all, weak on story and overly sentimental and abusing the clichéd rules of scriptwriting (no telephone conversations, no narration, no flashbacks etc) with aloof disregard. You suddenly understand that a work of such quality does not have to follow antiquated misguidance, but can exist outside the usual trends and survive purely on it's own merits, characters, dialogue and empathy reign! SEE IT!

I saw this and thought it would be excellent as I am a great fan of Miranda Richardson, Bill Nighy and Stephen Poliakoff, and contrary to the total slating some people have given it, I thought it was great! The only thing is, I reckon you have to be ready to look deeply into what is actually happening because I (being a drama/English Lit student) thought it was brilliant, but my less creative friends thought it was dull. So you have to be kind of out there, looking deeper into the relationships formed and how the dynamics work blah blah. Excellent performances by Nighy and Richardson (goes without saying - the "video camera" scene in the car is really natural!)and some beautiful cinematography. Gideon's Daughter is a complete contrast to the also excellent The Lost Prince, another Poliakoff/Richardson formula which was probably more successful because it was on a "real" level.

There's always a lot to enjoy in any Stephen Polliakoff film: striking use of images and music, an interest in big questions, and the director's lack of fear of letting things run at a slow pace where this makes the story, and atmosphere, more absorbing. But there's also always a journey into a stylised world, and a tendency to set up a false dichotomy between an overly-schematised, and fake, business world, and an overly romanticised (and arguably no less fake) real world. Even when my sympathies lie with Polliakoff, I'm always frustrated by his failure to give our own side a sufficiently hard time. 'Gideon's Daughter' is not his most interesting film, largely because its central characters (a jaded spin doctor and his almost supernaturally beautiful, talented and serene daughter) are fundamentally quite dull. A moment towards the end of the film illustrates the problem succinctly: we see the main characters disappearing from a beautiful Edinburgh street, a street that it the real world in permanently busy with traffic and people but which here is shown devoid of cars and pedestrians alike: and while a director should be forgiven occasional moments of dramatic licence, when the entire drama is framed through such a distorted lens, though big questions may be asked, they're not really answered. This is a wonderfully crafted little film; but also a film that has very little relevance to the messiness of real lives.