Hey – you! Yes, you: reader. Are you so jaded already that you consider "Salo – 120 Days of Sodom" a feel-good movie and the Marquis De Sade a decent chap? Do you think yourself as an animal-friendly and philanthropic because you enjoyed watching "Cannibal Holocaust"? Think yourself as the sickest of all sick-puppies and consider the term "depraved sadist" an honorary title? Yes? Well, then you've come to the right place. Unless you count snuff-films and the hardest, most illegal forms of pornography cinematic art, films don't come lower or sicker than this. In the 1970s, "exploitation" was the word of the day and film-makers were ever hard-pressed to find ways to cater to a rapidly jading audience. From the "Zombie"- and "Cannibal"-genres to "Witch hunter"- and "raped nuns"-sub genres, the "Nazi-exploitation"-films were more or less the logic conclusion. As such we could imagine the dialog between a C-movie producer and his underling in the 1970s, possibly somewhere in an office by the outskirts of Rome: Underling: "Boss, the sales of Rape-the-nun-films have gone down 40 percent last month." Producer: "Well, then film the butcher of some animals and splice the scenes in between the rape scenes". Underling: "No animals left in the back-lot and the zoo refuses to sell us any more turtles."Producer thinks for a few moments, taking a deep drag from his hashish-laced cigarette. Producer: "I've got it! Dress the nun up as a concentration-camp prisoner and put the rapists in some SS-uniforms. Then get filming." Underling: "But you really think our audience will consider SS-prison-guards as bad guys?" Producer (after another moment ofthoughts): "Then film a scene where the protagonists dine on "pot roast of unborn Jew", that should do the trick." Underling: "We still have some footage of incest and coprophilia, shouldn't we use them before the negatives start to fade?" Producer: "Make it so and be quick about it. I want to distribute the film next Friday."Think of "Schindler's List" being crossbred with "Caligula" by a psychopathic director (indeed, this movie has alternatively and aptly been named "Caligula reborn as Hitler") and you'll get the picture. In terms of exploitation-films I'd give it 10/10 points – compared to anything else, I'd simply call it dirt. Oh, by the way, if the answer to the question above is a distinct "no" and still find the strength to push the "play"-button (perhaps being a psychologist or have an interest in anthropology), keep a stack of barf-bags nearby.

Lise Cohen is taken to a special Nazi camp for Jewish women,a camp run as a bordello where the most depraved sexual fantasies can become sensual reality.The camp is run by sadistic Commandant Starker and his revolting minion Alma.Starker becomes frustrated when Lise demonstrates no fear,so he subjects her to torture and sexual humiliation."Gestapo's Last Orgy" is a sleazy Nazisploitation flick with enough torture and depravity to satisfy any self-respecting smut-peddler.The banquet sequence with 'pot roast of unborn Jew' is especially memorable as is the sequence of Lise being tied up naked,by her feet over a glass container of rats.If you are into depraved 70's Italian exploitation cinema "Gestapo's Last Orgy" is one to watch.8 out of 10.

If it's a bad film you're after, then I recommend seeing anything from the abysmal Nazisploitation sub-genre, as unless I'm missing something; they're all terrible! Never has there been a film type so moronic and redundant, and The Gestapo's Last Orgy doesn't do anything to make me reconsider that notion. I suppose in fairness; it has to be said that this isn't as bad as the completely crap SS Experiment Camp, but it really isn't too far off. My only reason for bothering with this film is because of the fact that it was a part of the DPP's Video Nasty list back in the eighties, and I'm pleased to say that now I've seen three of the four Nazisploitation flicks on the list, I only have one left to go (the almost certainly mind numbing Love Camp 7). The Gestapo's Last Orgy is slightly more epic than most of the rest of the sub-genre, but that's not a good thing as it only means that it's even more boring. The plot has something to do with a prisoner of war whom various sick Nazi's see fit to experiment on, only for her to start playing her own game with them...or something. The storyline is too meandering to be satisfying, and most of the film is caught up in showing how sick the Nazi's were - like we need a film to show us that! I'm a big fan of cult cinema, and almost all the sub-genres have some decent films among them - that is, except Nazisploitation. Overall, I have to say that unless you're working your way through the Video Nasty list - this is one to avoid!

It takes something special to shock those of us who chew popcorn through Hong Kong gore movies and watch the bulldozer decapitation scene from "Island Of Death" to cheer ourselves up. Blood and guts won't do it: if you've ever seen a movie like "Flower Of Flesh And Blood", you hardly blink at a badly-acted torture scene or two. Nastiness isn't enough: those who've sat through the rape scene in "I Spit On Your Grave" won't find any of the sexual violence in "Gestapo's Last Orgy" remotely disturbing. So why is this strange, strange movie more unsettling than any of the other obscure trash/gore/exploitation flicks some of us love so much?Unlike "SS Experiment Camp" or "The Beast In Heat", "The Gestapo's Last Orgy" isn't quite ridiculous enough to be camp...unlike "Ilsa, She Wolf Of The SS", it's not an outrageous bad-taste romp for whooping drive-in punters. Influenced more by "The Night Porter" than anything else, this unsavoury bucket of softcore death-camp swill actually thinks it's A Proper Movie.Director Cesare Canavari has a ball ripping off Fellini, Godard, Pasolini and Tinto Brass on a college-project budget, while the script attempts to explore Sadeian themes with some level of seriousness. Uniquely among the Nazisploitation films, the movie specifically refers to the prisoners as Jewish. But this is a movie in which Nazis sit round a dinner table saying "there's nothing better than a pot-roast of unborn Jew!" - in a "dramatic" boat scene, a technician can be seen kneeling in the back of the boat. It's a cheapo, badly-made schlock shocker just like all the others! Its pretentions are what make it so mindbogglingly shocking - what the hell were these people thinking?