George is a little worn out here, in my opinion. Tired material. Started out OK, really not a good concert. He used to be great. This was lacking. So, IMD notifies me as I attempt to post this that I do not have enough lines. Lol. Just wanted to make a short critique. The funny thing is, this monologue of this is about dead, or elderly people and he is in the category now. Long live the "hippy-dippy weatherman". Rip.

My brother got me hooked on Carlin back in the 70s. I always loved his observational humor. That is, looking at every day things and finding the humor in it, like asking the question,"Have you ever tried to throw away an old waste basket? You can't do it! They keep bringing back to you!" And asking questions like why is the word kill more acceptable then the "F" word, while making prefect sense with the discussion.However, during the 90s his stuff was less funny, and more angry. What he seemed to be doing was holding a mirror to society's face and say 'take a look!' At this point, his shows were less of a comedy show, and more of a gripe session. But in all fairness he always made a tremendous amount of sense. He really made you think.Here was Carlin old and new. He starts out about the fun one could have by getting old, and later slamming the the state of the world. Again making perfect sense.This was his best since "Jammin' in New York", and as it turns out his last.I think what 'The Shootist' was to John Wayne, or 'A Prairie Home Companion' to Robert Altman, 'It's Bad For Ya' is to George Carlin. A fond farewell to a true great icon. Love him, or hate him, I think he will be remembered.

This is unfortunately Carlin's last recorded HBO concert, from a series that lasted over 30 years. Though this may not be his "best" work, it is excellent, funny, and thought provoking. This recording is also a bit different from most of his other concerts that it is a bit lengthier than most of his other concerts.Throughout his long, prolific, and influential career, Carlin has moved from the more observational humor and fart jokes, towards a more 'humanitarian' viewpoint of society and culture. His focus on the English Language and euphemisms increased throughout the years, and culminates in this performance. Though, I would argue that his audio book "When Will Jesus Bring the Pork Chops?" best displays his vast wit with regards to language, euphemisms, and the breakdown of our values. It's Bad For Ya is quite indicative of his long transformation from a comedian to a writer.If you are offended by foul language or the disparagement of the church, you will probably not like any of Carlin's stand up material. However, if you enjoy being mentally stimulated and can tolerate the language and blasphemy, you would probably greatly enjoy this concert.

George Carlin is probably my favorite comedian. I have seen so many of his specials and even had the opportunity to see him perform live. He had a certain cynicism that always appealed to me. His last 2 specials (Life is Worth Losing especially and Complaints and Grievances) have lacked a certain spirit and content. George appeared overweight, old and tired (not to mention coming out of rehab). "I SAID NOT TO MENTION IT"! Anyway. Life is Worth Losing was especially tragic as he was overweight, disgruntled, coming off of rehab (there we go again...) and extremely unfunny. If there was a way to feel sorry for a comedian without heckling him off stage, George achieved it with Life is Worth Losing. It is as if the New Millennium and Post 9/11 America was trampling George's spirit. The bs had become too large to manage.The comeback is partially successful with It's Bad for Ya! This special is the transmutation completed. George is no longer trying to rekindle his glory days. He is in full acceptance of his age, being old and dealing with the looming prospects of death. He has accepted being a crusty old SOB and is relishing in it. This is better than his previous specials, yet far from Jammin' in New York. It is a little tragic. His observations are not cutting edge anymore and seem more Andy Rooney than Lenny Bruce. George isn't George anymore. He is no longer criticizing us but is the man in the high castle pointing out how things were and how dissimilar modern life is. This is an improvement over the previous two specials, but George does not, as of yet, recoup his old glory (if ever). He has been reduced from critical social and political stinging commentary to mostly personal peeves. When he goes political, he still has something to say. It is heavily derived (especially if you have seen any of his previous work), but it still works somehow, as opposed to his random rantings which lack a certain relevance outside of the baby boom generation. The last 25 minutes is the best this special has to offer.For now I will worship the Sun and pray to Joe Pesci that George can recreate himself as a cutting edge septuagenarian. It's a 50/50 chance. Life seems to have become more tedious for George and his "art" is now his life. This is a step in the right direction from his previous 2 specials, but is far from his old self. Where does he go from here? He may never recoup but maybe he can further metamorphosing/refine this new ornery old man routine. Heres to hoping for 7 more words you can't say on TV or at least a windmill he can handle.