I wasn't really sure if watching another Wally Brown/Alan Carney vehicle so soon after ZOMBIES ON Broadway (1945) was a good idea, but this comedy-thriller actually works better than expected: there are a handful of genuinely funny one-liners and the chief villain (Lionel Atwill) utilizes a couple of clever ruses to escape detention when cornered - though his posing as an old lady in a wheelchair with a bearded Bela Lugosi (here relegated to the supporting role of Atwill's all-purpose henchman) in tow is a genuine camp moment; just as unflattering is the sight of Lugosi donning a bowler hat, not to mention his being on the receiving end in a couple of pratfall situations (I would also contend the absurdity of giving such a heavily-accented actor American names for his characters, in this case Stone, though this didn't happen often!).The narrative incorporates several well-worn elements from contemporary horror films and thrillers: a mysterious and seemingly invincible criminal mastermind, radio detective heroes, a renowned criminologist brought in to assist the investigation, a wax museum, torture/execution devices - and, for the climax, even reserves a few perilous stunts on the ledge of a building a' la the films of Harold Lloyd! As was the case with ZOMBIES ON Broadway, the film utilizes cast and crew members who also worked on the contemporaneous Val Lewton cycle of classic horror films - cinematographer Robert De Grasse had served in the same capacity on THE BODY SNATCHER (1945; also featuring Lugosi), while Marc Cramer had co-starred in ISLE OF THE DEAD (1945). In the end, I'd say that the film marginally edges ZOMBIES - even the Brown/Carney team seems to be more at ease with the material and, consequently, comes off as more sympathetic here.

Jealous of the success of Abbott and Costello at Universal Studios, RKO decided to create their own version of the team in the form of Carney and Brown. While the duo didn't bear much physical similarity to the other team, the writing for their films often seemed identical to those who wrote for Abbott and Costello.This film is rather reminiscent of the Abbott and Costello film WHO DONE IT? Both are about the duo working on a radio detective show and they actually get tangled up in a REAL crime--which they then solve on the air. However, since WHO DONE IT? came out four years earlier and featured the original comedy team, you are left wondering "why not just watch the original?". The bottom line is that this is a very competently written rip-off of the other film.Along with Carney and Brown, the film stars Anne Jeffreys and Bela Lugosi (who both starred with the team in ZOMBIES ON Broadway) as well as Lionel Atwill. Atwill comes off pretty good as the main villain, but Lugosi fans will no doubt be disappointed that Bela is given a subordinate and rather dull role in the film.

In a remake of Jack Oakie's "Super Sleuth", the alleged comedy team of Wally Brown and Alan Carney play radio actors Jerry and Mike who are re-creating the crimes of a killer who calls himself "The Cobra". The Cobra's true identity is the famed criminologist, Marsh (Lionel Atwill),who kills for the fun of it. Marsh and his assistant, Stone (Bela Lugosi).attempt to kill the two saps and frame their boss and head-writer, Ellen (Anne Jefferys). Brown and Carney are simply awful and fortunately this is the last movie they would make together. Unfortunately this was also Lionel Atwill's last movie, too. Atwill is always worth watching, but Lugosi is really wasted here and the plot's so familiar you can almost hear the lines before they're spoken. The only challenge is staying awake for 61 minutes.

First some background - this was Lionel Atwill's final film. He shot half a serial "Lost City of the Jungle" after this and then passed away. This was Lugosi's final studio film other than "Abbott and Costello Meet Frankenstein". This was also, I believe, their 7th teaming together. Usually red herrings, or one good and one evil, this is the only real film they did together when they were both the bad guys from beginning to end (also Ghost of Frankenstein).That all being said, this is really a comedy from a weak team of comics Brown and Carney. The comedy is not terrible and is on par with the lesser Abbott and Costellos from the period. The best part is watching Atwill play the master criminal, "The Cobra", with Lugosi as his dedicated sidekick, Stone.It was really great to see the both of them ham it up. They have some great moments toying with the comics, Atwill in particular jawing one of them on to shoot through his robe to embellish the accolades for catching him. Lugosi gets to be just as menacing throwing knives and chloroforming the nosy female lead, and well, being Lugosi.It's a fun little flick that's definitely worth the 61 minutes for any fans of either Atwill and Lugosi. Being a fan of both, it was great to see them work together for the bad of mankind, which is what they always did best.