Free Samples
Free Samples
R | 31 May 2013 (USA)
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A Stanford law-school dropout named Jillian escapes to the anonymity of Los Angeles to figure out what she wants to do with her life, and on the day of her college boyfriend's birthday, she finds herself stuck running an ice cream truck fending off locals and oddball friends alike. This one day spent in a truck on the streets of Los Angeles will wake Jillian from her aimless daze and make her see that life doesn't stop just because you want it to.

Reviews
jahhdog

I wanted to like this movie. I am a fan of many of the actors in the film but the problem wasn't them but the characters they were portraying...I couldn't find anything to like about any of them... The characters all seemed like whiners to me... Oh my Dad is a big bad lawyer, my brother is an addict, I'm in a crappy band... I got a crappy cowboy hat! Why would you bother with the main character at all? Sure she is cute but she is also a mean bitch... She treats everyone like crap and then runs crying to someone else when she gets some bad news...Stay away... Time waster...5 howls outta 10...ArrOOoo!

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Hellmant

'FREE SAMPLES': Two Stars (Out of Five)Pointless and annoying indie comedy film about a law student dropout who goes back home to Los Angeles to 'find herself' and runs her friend's ice cream truck for a day. The film was written by first time feature film writer Jim Beggarly and directed by first time feature film director Jay Gammill. It stars Jess Weixler and features cameos by Jesse Eisenberg, Jason Ritter, Matt Walsh, Whitney Able, Halley Feiffer and Tippi Hedren. The supporting cast is the film's one saving grace but I found Weixler's character (which is in every scene of the movie) to be highly annoying and depressing.Weixler plays Jillian, a Stanford law-school dropout who moves back home to Los Angeles to figure out what she wants in life. The film takes place all in one 24-hour period and begins with Jillian getting wasted at a bar one evening (while hanging out with her friends). She's been on a six-month break from her boyfriend and meets a young man, she calls Tex (Eisenberg), who asks her out on a date (but forgets him when she's sober). The next morning she agrees to fill in for her friend Nancy (Feiffer) at her job, running an ice cream truck for the day, so Nancy can go to a family drug intervention for her brother. Jillian spends the day dealing with crazy customers and old friends as she argues with everyone and feels sorry for herself. I like character driven movies (where nothing really eventful happens) but I have to care about the characters in some way. Jillian here is way too negative and antagonistic (to everyone she meets). While filling in for her friend she probably ruined her business and scared away all the customers! Why should I care what happens to her? In the end she of course comes to some kind of a revelation and seems like she might change but it isn't very convincing and seems tacked on. Her overwhelming cynicism makes the whole movie seem cynical but most of all it's just annoying. I couldn't stand the main character. Eisenberg, Ritter and a few others are likable in the film but their parts are way too brief and underdeveloped. Most of all the movie felt like a film for trolls (all about how trolls live and torment others). I don't want to see a movie like that.Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=6JDL6l-UAwQ

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Katherine Talley

This is one of those indie type films I'm actually glad I watched. It's very quirky, and had those moments that made you stop and think. When it started, I had my doubts, but Jesse Eisenberg helped pull me into the story. It's also got some 'laugh out Ioud' moments and some 'laugh out loud about a minute later' moments when you actually process the hilarity of some of the dialogue. The cast is cool.I love the emergence of Jason Ritter, I think he's more talented than people give him credit for. I enjoyed seeing Jesse Eisenberg in a different type role and seeing Tippi Hedren in it was pretty cool too. There was one scene where I thought the comedy didn't work very well, but that's typical of most movies, I guess. Gammill and Beggarly make a good team, not sure if they're working on other stuff together, but there's definitely a market for these types of movies.

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CWadeLA

I saw this film at the Newport Film Festival; and I found it quite entertaining and enjoyable. The film takes place over the course of one day and follows Jillian (Jess Weixler) as she works in an ice cream truck in order to help out a friend. Jillian is in a place of transition in her life and in a dark place of uncertainty. After dropping out of law school, she is coming to a crossroads that she is not expecting. She discovers the truth about her fiancé, which ultimately leads her to discover the truth about herself.Although Jillian may not be the most pleasant character in a film, I found her to be someone I can relate to. Everyone goes through times of uncertainty and doubt, but many people try to hide those tough times and Jillian does not. She is an honest character and tells it as it is from her perspective, which I have to respect. She is not concerned about the consequences and has a quiet boldness about her. As time progresses, she begins to open up and connect with some the customers that cross her path. Jess Weixler does a great job capturing the frustration and uncertainty of Jillian without being irritating. Weixler is definitely someone I will be keeping my eye on as she continues in her acting career. It was also nice to see Jesse Eisenberg play the confident love interest, which just demonstrates his versatility as an actor. The appearance of Jason Ritter, Halley Feiffer and Tippi Hedren add more dimension to the film. The small roles by Jordan Davis and Wendy Shapero caught my special attention.In addition to the acting, I greatly enjoyed the music which was scored by Eric Elbogen of "Say Hi". It was simple and not overdone which matched the overall tone of film. And it was enough to be noticed, but balanced enough not take anything away from the film. The camera-work by Reed Morano is very well done and the direction by newcomer Jay Gammill should also be applauded.

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