Personal tastes can affect the way you watch a movie or decide what it is you will watch. But it's also nice to extend yourself past the sort of movies you favor to see what else is out there. Such was the case when I received my copy of FOREVER AMBER. In reading the synopsis I could tell it wasn't my normal type of film to enjoy. But I watched it anyone determined to see if I would enjoy it or not. The end result was a mixed bag.The movie is based on the best-selling novel, considered scandalous at the time it was released and banned in several cities. It tells the story of a young woman named Amber St. Clair (Linda Darnell), raised by puritans, who leaves her home behind after meeting an adventurer named Bruce Carlton (Cornel Wilde). Carlton romances Amber but then leaves her behind to go off to the new world. He leaves her with some money but she is soon taken advantage of and thrown into prison.Unfortunately for Amber she discovers she is pregnant with Bruce's child. She meets a highwayman when the prison guards pimp out the female prisoners who helps her escape and sets her up in his place. But as the movie moves forward you begin to see that a pattern develops with Amber. This new beau is killed during a scam the pair have concocted and she ends up with another man who wants to marry her, never realizing she continues to pine for Bruce with the intent to marry him.Bruce continues to come and go into Amber's life. Her son grows from infant to child. And eventually she finds herself in the King's favor, King Charles II (George Sanders). But even when she finally achieves the status and social position she thinks will win her the favor of Carlton she brings ruin to her plans. It isn't until the end of the film that you discover if she succeeds or not. And even that is left up in the air when you learn that the company that released the film changed the ending.The movie runs longer than one would think at over 2 hours, long for a movie that was released in 1947. And to be honest it felt like it ran long too. That isn't to say it isn't a good movie or that the story doesn't keep you watching, but it feels repetitious at times. The acting is superb with both Darnell and Wilde giving it their all. Sanders dry way of playing the king also is worth noting.Fans of night time soaps or costume dramas will find this film to their liking. Others will be able to enjoy it but won't make an effort to seek it out. On the whole it was a nice movie with an interesting story but for me the melodrama became a bit much. Then again I'd just finished watching WUTHERING HEIGHTS before putting this one in so that may not have helped.Twilight Time has provided the cleanest version of the film to ever be offered but what would one expect from them by now? They always do a tremendous job an don't fail to do so here. Extras include an isolated music track, a featurette entitled LINDA DARNELL: HOLLYWOOD'S FALLEN ANGEL and writings by film historian Julie Kirgo. As with all Twilight Time titles this one is limited to just 3,000 copies so if interested pick yours up before they're gone.

Overlong, overwrought romantic epic that lacks chemistry between the leads. Linda Darnell is passable as Amber -- if not stunningly talented, then at least gifted with screen presence. But Cornell Wilde is as flat as a wet blanket, dousing the fire out of every scene where it might possibly have ignited. Most errors in movies of this type can be overlooked if the attraction between the two lovers is palpable. Sadly, there is no indication that Wilde's Carlton even likes Amber, let alone finds her alluring. Production code aside, there were plenty of movies of this period that portrayed believable epic love, and this isn't one of them.The real highlight here is George Sanders as the licentious Charles II, a part he was born to play. I have no doubt that Vincent Price, considered for the role, could have done well (he gave the best performance of his career in another Preminger movie, "Laura"), but Sanders brings so much dripping wit and irony to everything he does that he makes every scene he's in come alive. He's not in it much, however.The production itself is pretty good, some great costumes and sets. The swordfighting scene (with thankfully little dialogue) was excellent and far too short. The story itself is a little choppy. The first scene was a non-sequitur, promising a potentially interesting plot device that never came. And the ending was a complete disaster - abrupt, unresolved, unbalanced, and worst of all, unsatisfying. Overall, the movie leaves a sour taste in the mouth, as if the decadence that was portrayed somehow got hold of the people making it and caused them to focus more on the image than on the story.

"You've done very well for yourself, Amber."With this line, Cornell Wilde's character shows himself a master of understatement. It is delivered coldly, with neither criticism nor respect.FOREVER AMBER is the portrait of a peasant girl who refused to be destroyed by her poverty and the hopeless prospects awaiting her. She used her sexuality and her brains to become the King's consort.This film presents a vivid portrait of life in England before the Cromwellian revolution. It was an amoral, extremely cynical, heartlessly cruel society.Linda Darnell's performance is a tour de force. She manages to play the strumpet, while letting the audience see her strength of character shining through all the while. Her love for the fickle Bruce Carlton/Cornell Wilde is too deep for him to ever understand.One of the most haunting episodes in classic films is the depiction of London in the grip of the Black Plague. Amber risks her life by staying at Bruce's side through his delirium and personally performing the surgery that saves him.Amber's tragedy is one that every woman who has ever had to fight for herself in this world can recognize. The movie is far more than a period soap opera. In fact, with David Raksin's incredible orchestral score, the production could have provided the framework for the composition of a real opera.... La Boheme, move over!

Kathleen Windsor's racy best-seller lost some of its punch in transition to the screen--mainly because censorship restrictions forced a complete whitewash of Amber St. Clair's exploits in bed-hopping. What is left is mild compared to today's graphic depiction of sex--but since the story unfolds against an interesting historical background in London during the reign of Charles II, it is worth viewing. Linda Darnell was not the first choice for Amber--Peggy Cummins began the role but after filming several scenes was dismissed as being too immature. Linda makes a voluptuous, willful Amber. Cornel Wilde is excellent as Bruce Carlton, her true love--although an unrequited one by the film's end. George Sanders does a terrific job as Charles II, spouting some of the film's wittiest dialogue and clever in his cat-and-mouse game with Amber. Richard Haydn as the Earl of Radcliffe gives perhaps the most interesting performance in the entire film, particularly during the fire sequences. The London fire is staged with authority, as are the scenes involving the Black Plague. David Raksin's musical background is a sumptuous, richly textured score (now available on CD from Marco Polo records). A film full of rich details under Otto Preminger's direction--but not as strong because of censorship restrictions and the inability to tell the story the way Windsor wrote it. The ending is entirely too abrupt in the video print with the original lengthier ending missing for some reason. Fans of Linda Darnell and Cornel Wilde will especially like this one.