For the love of god, this film was not good. This film sucked. I know it was based on a true story and all, but the entire thing felt so melodramatic and fake. The acting was decent across the board and I wasn't pleasantly surprised at anything in the entire film. I guess it's about a man and his family coming to America in search of the American dream, which it doesn't feel like. The movie doesn't flow, it doesn't move forward, it feels like it's stuck in park. There is no logical progression of events, everything is disjointed and hard to follow. Like, really hard.It is a shameful dollar store knockoff of Goodfellas, which is amazing. This? No. Poor direction, poor writing, way melodramatic, not enough depth in characters, the lead has no personality, the ending is cliché and not concluded well, there are so many issues. I only watched it because of Edward Furlong, and he's only in the movie for like 5 minutes. Overall, bad movie. Why watch this when you can watch Goodfellas?

The description of this movie makes it sound lively and action-filled. In fact, it is slow, uneven, and devoid of character development. I kept wondering if the people in the film were actors. James Caan does a good job, but it isn't enough to save this. The ending is sappy. If you want entertainment, go someplace else. Don't even bother popping popcorn.

Those words that can put you off a movie entirely. Or if you didn't know at least realize during the movie, that they keep this from going places. While the fall of Edward Furlong is something happened a long time ago (climbing up, won't be easy and not achieved by movies like this) there are other great character actors in this, which make you wonder if the script or the overall idea sounded a lot better? Or maybe it was just the money/job opportunity they got from this.So James Caan and the others try to make this as respectable as possible, but the way things resolve is very anti-climactic. Maybe there are people out there that will like the approach and maybe this is as close to the true events as possible. It doesn't make for an enticing view though

Being caught up in the Tel Aviv underworld of 1973 teenager Izek decides to emigrate to Los Angeles . Howeer he soon finds that crime is a universal aspect of the human condition and that in the United States the stakes are much higher Reportedly based on a true story FOR THE LOVE OF MONEY is a film where you're constantly reminded of the style of Martin Scorsese . Take for example the early scenes featuring Ed Furlong playing violent foul mouthed psychotic Tommy . Was there anyone not reminded of Joe Pesci ? Likewise the constant use of a musical soundtrack and narration gives the impression director Ellie Kanner is trying to emulate Scorsese down to a tee but at the same time you're constantly reminded that you're most certainly not watching Scorsese I also had a slight problem with Izek who is maybe a little bit too stand up and self righteous to be taken seriously especially since he's supposed to be based on a real life character . Take for example the scene where he agrees to be a get away driver for two characters he knows are gangsters . They go round to someone's business to extort money , beat the victim to a pulp and when they go back to the car Izek remonstrates and leaves them . Let me get this straight , he knows they're violent criminals and he's upset they batter people half to death . It's not like the job description advertised " Driver for Mr Whippy's ice cream van required " . I think Izek is spinning himself as being a bit too innocent . That said it was the same in GOODFELLAS FOR THE LOVE OF MONEY isn't a a bad film just an over familiar one with a slightly cynical air where the big names such as James Caan and Paul Sorvino seem to be included for a marketing excises and Sorvino especially is confined to a blink and you'll miss it cameo . That said despite the flaws Ellie Kanner does bring a sense of time and place to the proceedings and it does genuinely look like a 1980s movie . Just a pity there isn't a more idiosyncratic flourish to the movie that feels to need to ape Scorsese in everything