Fool for Love
Fool for Love
R | 06 December 1985 (USA)
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A woman is waiting in a motel for her boyfriend, when an old flame turns up and tries to take her back to the life she is trying to leave behind.

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Reviews
Red-125

Fool for Love (1985) was directed by Robert Altman. It's based on a Sam Shepard play. Sam Shepard did the screenplay. Sam Shepard also stars as Eddie, a rodeo rider who drives up to an end-of-nowhere motel, and starts causing trouble within the first 60 seconds.I'm amazed that this movie is so bad. Shepard is a good actor, and so are the other leads: Kim Basinger as May, and Harry Dean Stanton as "Old Man." Randy Quaid has the unenviable supporting role as a "normal" guy who arrives at the motel to take May out on a date, and ends up enmeshed in the bizarre triangle. It's hard to believe that a brilliant director, working with such skilled actors, could end up with a movie this bad. Nothing works, except that Eddie is a menacing presence throughout. It's obvious from the first minutes of the movie that bad things are going to happen, and they do throughout the film.It's also obvious that Altman needed to open up the play so that he could turn it into a movie, and he did. He didn't do it all that well, but he did it. It's clear that people didn't like the film. At the time I'm writing this review, the IMDb rating is a horrific 5.9. (I actually helped improve the rating when I gave the film a 6. That must be a first.)The movie will work well enough on DVD, which is how I saw it. It would probably work better on the large screen, because you'd get even more of a sense of the total isolation of the motel location. However, my advice is to pick another movie. Fool for Love just isn't worth the time spent watching it.

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gavin6942

May (Kim Basinger) is waiting for her boyfriend (Sam Shepard) in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.When a film is an expansion on a play, such as this is, you have to be true to the source while also going beyond. Altman succeeds, casting Harry Dean Stanton as a one-man Greek chorus and bringing a fuller vision to the story than could be shown within one room.Roger Ebert said that Altman "has succeeded on two levels that seem opposed to each other. He has made a melodrama, almost a soap opera, in which the characters achieve a kind of nobility." These are kin words and not without merit.

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craigbaker

The film seems to beg for a less literally interpreted comment than those posted here (Where I looked hoping to find someone who could explain the darn thing).Usually when people methodically destroy a motel, or start SHOOTING GUNS, the manager comes out and asks them to stop. For some reason that never happens in this movie. Hmm.It seemed to me that The Old Man and the Old Trailer in the Old Junkyard are the only real things in the story, and The Old Motel with its' crackling neon lights, complete lack of window coverings, and grotesquely stained mattresses a symbolic tableau for his daily reliving of past events in his life and possible present day scenarios. Ghosts from the past appear and wander hazily around the courtyard, even interacting with each other while the old man looks on and listens with varying degrees of emotion, amusement and curiosity, interrupted periodically by his desire for alcohol which plays a large part in the imagined world he inhabits - a world where he is "married to Barbara Mandrel".The characters suddenly depart as the whole scene bursts into allegorical flames, and the Old Man retreats defeated again to his Old Trailer amid the conflagration. Presumably the nightmare will be repeated on the morrow, like so many Twilight Zone episodes which this movie so closely resembles except with better dialog.CB

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eisucks

After reading Fool For Love in a Drama class of mine, I was looking forward to seeing how Sam Shepard's wonderful play would be translated to the screen. Much to my dismay, it was nowhere near as entertaining as the play. The film seemed to drag, the music was inappropriate for the tone of the movie, and all the raw energy of the play seemed to have been sucked out of this film version. It's a shame to see this come out this way even with Shepard's involvement, playing the role of Eddie. Do yourselves a favor...see the play next time it's being performed in your area or simply read the book instead.

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