The soundtrack audio CD for the movie "Follow Me" by John Barry was just released on March 2, 2009. You will note from all the reviews how viewers were impacted by the beautiful music score ever since they saw the movie. And this happened in spite of the fact that the viewer may have only seen the movie only once, perhaps decades ago. It is rare that a movie score would have such impact. But considering that the composer is John Barry who composed the first three decades of James Bond scores, and who also set the record for the most Oscars for motion picture scores, this makes sense. The same thing happened with another of John Barry's scores: "Somewhere In Time." That movie only had a fleeting appearance at the movie theaters. However, the score went on to become a classic. So did the movie after it was released on video. Do not wait to buy the CD soundtrack, it may go out of print soon.

I am looking to "borrow" a copy of this film...been looking for years now! Anyone with information please message me, I'd very much appreciate it.I have not seen this little gem in many years, but it had a haunting quality, with many good life lessons, on appreciating the good things in your life, and not taking love for granted. An old theme but played differently here. A romantic movie for sure. Good one for couples, young and old to see...problem is, finding it, unless you are lucky enough to see it on late night TV.A rare film to find, despite the level of the cast and crew, and a brilliant sound track.

Right from the start, I wish to say that this is a wonderful film. I caught it on cable television here in Tokyo several years back. Like so many others remarked in their own circumstances, the film just "accidentally" presented itself. Willing to give it a chance, I kept it on for a few minutes. When I heard Michael Jayston's comically sarcastic comments in the opening scene, and the magical Topol "hiding" in his office, I was certainly hooked. Hal Wallis produced, Carol Reed directed. If that weren't good enough for most film buffs, add John Barry to the list of those involved in this gem of a film. That's right, the same Barry who scored all of the great Bond films. You can hear his signature strings and brass right from the panoramic opening title sequence of London from the air. "Everything's got to be earned."The story is laid out as an explanation, a highlighting of the history of a couple to a private eye hired to investigate an alleged infidelity. Very cleverly done. "Who's Aldous Huxley?"The film touches on those precious difficulties couples face when both partners stem from different backgrounds. As an American living here in Tokyo for many years, I can deeply empathize with the situation portrayed in the film. "I don't much care for Tuesdays."Mia Farrow is captivating as the young American living in London. Michael Jayston is marvelous as the upright British accountant. As the "Public Eye", Topol is as addictive to the viewer as his character is to macaroons."He who locks his door locks his heart."London is featured in all its bygone glory. I was impressed with the raw freshness of the street scenes. These are slightly reminiscent of the work of Richard Lester and his "mod" style of filming actual Londoners in action, such as in "The Knack" or "Help". Here, Barry's scoring of "The Public Eye" made these whimsical scenes a pure treat. Nothing less than soul moving cinematic moments are in store for you.There is a charming, nice touch thrown in: a tip of the hat to Peter Cushing and Christopher Lee and their work in Hammer Films. I understand it is difficult to get a copy of this film. The fact that it was shown on Japanese television at least, means that good prints exist and are out there. Luckily, I was able to record it when it was shown again in that same week. "The Public Eye" or as it is also known, "Follow Me", is a truly marvelous film. See it.Addendum: A little bird told me the above version, recorded from Japanese TV, is online at Google Video.

This film is no big name blockbuster, but it's undeniably my fourth most favorite flick of all times. The picture's whimsical feeling and dreamy musical score make it a must see for any B movie buff. Liberal Belinda's (Mia Farrow) growing impatience towards Charles' (Michael Jayston) stuffy attitude towards marriage's expectations set the scene for a delightfully entertaining comedy-drama. Julian Cristoforou (Topal) delivers a hilarious look at an impartial party's view on troubled life in the home place. I was fortunate enough to videotape the feature from television years ago in anticipation of it never making it to manufacturers release. I always had a soft spot in my heart for the underdog films, and in my opinion this one never garnered the kudos it rightly deserves. A definite 10 out of 10 !!