Fiza
Fiza
| 08 September 2000 (USA)
Fiza Trailers

In 1993 Fiza's brother disappears during the riots in Mumbai. In 1999 Fiza is tired of waiting and goes looking for him.

Reviews
silvan-desouza

Hrithik suddenly became a superstar after Kaho Naa Pyaar Hai in 2000, we all know about that. Fiza was his second film after KNPH naturally people were overexcited but the film let people down. First of all it was an offbeat film something people were shocked about. It had Hrithik paired with Karisma but she playing his elder sisterThis was Khalid's debut as a director, Khalid Mohammed was a film critic and he turned director with this film. The film starts off well, Karisma's search for her brother is well handled, the flashback portions too are well handled but in the second half after Hrithik comes home, the plot stagnates. Suddenly we have a song in a nightclub where Karisma who wears modest clothes suddenly wears fashionable outfits? Perhaps to keep the distributors and chawani crowd searching for glamour happy? Also some scenes seem integrated after KNPH to satisfy Hrithik fans. There are several flaws in the second half, Manoj Bajpai's character seems sketchy, Also towards the end the script gets lose and the climax which seems straight from VAASTAV doesn't seem satisfying.Direction is mixed bag, good in several portions of the first half but weak in parts Music by Anu Malik was good, Mehboob Mere by Sunidhi Chauhan became a rage, Aaja Mahiya too is a good number, Tu Hawa Hai is superb but seems forced in the screenplay.Hrithik Roshan showed that he was capable to carry off an authorbacked role and does a good job in this role as well, In just his second film he proved he was here to stay. Karisma who normally played the bimbette in Govinda films suddenly shifted to strong roles, here she proves she has more then just her screeching annoying weeping, she plays her role perfectly Bikram Saluja has a small role and is okay Jaya Bachchan is good, Neha is okay Manoj Bajpai who is her husband in real life does well but his role could be better, rest are okay

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Peter Young

Kahalid Mohamed's Fiza is one gem of a movie. This is a realistic portrayal of the consequences of war, violence, hatred, and the dehumanisation of people at times of a war. Families losing people, parents losing sons, sisters losing brothers and vice versa. This film is about Fiza, a smart, intelligent and strong young woman who lost her brother Aman seven years ago during the 1993 Mumbai riots. He disappeared and no one knows where he is. Meanwhile, she and her suffering mother live a poor and ordinary lifestyle. Fiza decides to go in search of her brother and is well determined to find him in any way possible. She meets different people in her way and finally meets her brother, just to find out that he is not the simple young man he used to be.The film is so brilliantly narrated, so greatly pictured, so authentically and naturally portrayed and acted that you can feel a real relation to the story, to the characters and to the different situations. The dialogues are well-written and enduringly interesting. The people Fiza meets in her way represent the variety of people in our society: the bad, the good, the deceived, the corrupted, the ugly and the generous. The story changes drastically when Aman enters the picture, it becomes lighter, nicer and does lend some relief after the more intense first half. But it's just for a little while. The film soon becomes far more dramatic and intense with a shocking story development. These proceedings are heart-breaking and powerful. Karisma Kapoor delivers one of the finest performances the Hindi screen has seen. What a magnificent performance. She is natural, sincere, beautiful, charismatic, charming, and performs with great nerve, depth and conviction in every frame. She makes the feisty Fiza an unforgettable woman. One particular scene that must be noted is the one in which Fiza breaks down and starts mourning post a very tragic incident (see the film to understand). It is an extremely powerful and heart-rending moment of real pain and despair.Jaya Bachchan, in one of her best performances, is amazingly compelling and moving as the hurt yet vivacious and lively Nishatbi. She displays maternal pain and later helplessness and despair with amazing depth and pathos. Hrithik Roshan is excellent. His role is very complex and he plays it with complete ease. It's a very impressive performance, though he does not create the same kind of impact as his female co-stars. Other cast members, including Asha Sachdev, Manoj Bajpai and Neha, support very well. Asha Sachdev in particular stands out in a relatively small role. She provides great comic relief with her natural sense of humour. There is also a funny sequence with Johnny Lever imitating different Indian stars.The music is fantastic and helps to relieve the extremely serious proceedings. Sushmita Sen's number "Mehboob Mere" was effective, but the one I liked the most is Karisma's "Aankh Milaoongi" dance number. She danced very well and I found the song relevant and nice. "Aaja Mahiya" and "Tu Fiza Hai" are very melodious and romantic.Khalid Mohammed, a well-known film critic, apparently was fed up of all the crap around and decided to show filmmakers how to make a real and artistic film. This is a wonderfully made film in all aspects. It is authentic, it is not one-sided, it conveys emotion, fun, entertainment, tears, pain, without going to any extremes of unnecessary drama, and above-all, it has a very important message. The story is engaging and interesting, and combined with the excellent acting, never gets boring or repulsive. The cinematography is fantastic, the action is not overdone, and the background score is also exceptional. The ending is shocking and unclear but adds some mystery and lets the viewer make his own conclusions. This film is a must-watch for all those who love Bollywood films, or realistic films, or just films that make sense.

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urtousetomyhoney

This movie was excellent. Before I watched this film, I haven't heard of anyone who had seen it. It came on one afternoon, and I almost passed over it. I'm glad I didn't. Jaya, Hrithic, and Karishma especially were outstanding. The music was horrible, but this is a film to watch for the great acting.Aside from the great performances by the three main characters, I thought the plot was clever. Karishma plays a devoted sister, looking for her brother after he disappears during the riots. Jaya plays the hopeful mother. Although she is told regularly that her son is dead, she never gives up hope that her son will return. Hrithic, of course, plays the son. I don't want to give away the plot, but I have to recommend this movie to all. It is very emotional. It is the type of film that will move you to tears long after it has ended.

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Herag Halli

Some of the poignant scenes and music in the movie are etched in my mind. The jarring note of the funeral and the subtlety of Karisma kapoor's acting. Being the grand daughter of the greatest Indian Film Maker-Raj Kapoor, she has certainly inhertited the genes. Now the much ballyhood actor of recent times- Hrithik Roshan, This guy is so chisseled and handsome that he almost looks like a funny looking kid. Can he act? yes,sometimes; but it is almost painful to watch him. With a V-shaped body, a biceps as big as the state of Montana,and a good disposition towards the opposite sex he will make a good Indian Bond, if only some producer could catch on to this. The problem with the so called "stars" of the 80' generation is that they count on the looks so much they forget they are actors first. If you watched the Movie Monsoon Wedding there is this charecter "P.k. Dubey" done by an actor called Vijay Raaz,who no one in right mind accuse him of being handsome,but he churned a great performance and he repeated the feat in some small roles in"Road" and "Shakti".Frankly I rather watch him or Morgan Freeman in Shanshank Redemtion. The looks draw the audience initially but to sustain thereon you need a talent like Anil Kapoor or Amitab Bachchan. Sorry Kiddo you are not going to cut it. I loved the music including the prayer song, the duet, and the very aesthetic and sexy number by Sushmita Sen so much so she made it to the cover of a Hollywood Film Magazine. Some of the best "Bollywood" dances in the recent years were in "Om Jai Jagdish" and "Humraaz". Suffice to say that I have seen the above movies just for the Song and dance numbers and if done well they could be highly entertaining.

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