As I began watching the movie, it seemed to have a Saturday matinée feel to it-- not that I know entirely what that is, but I'll take the idea and run with it. Filmed with the studio's Trucolor process, it overflows with bright green, blue, red and orange. The script is very sharply written, and we learn a lot about what makes these sailors behave as they do. We're given the backstory of MacMurray's character, how he ascended the ranks and was given a ship of his own; how it led to the sea near Java. He meets Ralston's character as the movies gets underway, and he frees her from slavery. Yes, it is one of those kinds of love stories. Several things impress me about FAIR WIND TO JAVA. First, the supporting cast couldn't be better-- Victor McLaglen, Claude Jarman Jr. and John Russell are all men under MacMurray's command; while Robert Douglas plays a rival treasure seeker. Also, the music is grand-- sweeping and romantic each time it comes up on the soundtrack. So much that honestly one can't tell if the sea is supposed to be just as romantic in this tale as the relationship between MacMurray and Ralston. And then there is all the boisterous action.What's a good swashbuckler adventure story without rousing fights on board the ship, or a hunt for diamonds on land that is soon obscured by debris from a very active volcano? And speaking of the volcanic eruption that occurs near the end (perhaps symbolizing the passion shared by the main characters), Herbert Yates-- Republic's boss and Miss Ralston's husband- - has gone all out to present the most spectacular special effects you could ever imagine. Yes. It's worth more than all the diamonds in Java.

In reading a book about Fred MacMurray that came out last year I learned that he considered this the worst of his films. While I don't think it's as bad as all that the main weakness of Fair Wind To Java is the casting of Fred MacMurray in a part that was originally intended for John Wayne.The same author who wrote the novel this film is based on wrote Wake Of The Red Witch which I consider one of John Wayne's best films and certainly his most romantic. After The Quiet Man came out Wayne decided to terminate his relationship with Republic Pictures and Herbert J. Yates. Republic and Yates made most of their money peddling John Wayne to the major studios with him occasionally doing a film for Republic over the years. Try as he might MacMurray does not cut it as a swashbuckling captain of the China trade. Worse for him was the fact that his leading lady Vera Hruba Ralston was not what he was used to working with. He who made some of the best comedies around with people Irene Dunne, Claudette Colbert, Carole Lombard, Katharine Hepburn etc. found Ralston's lack of talent and professionalism too much.The villain of the story is Robert Douglas an Australian merchant who also goes around as a Malay pirate with a Lone Ranger mask. This was a true comic book villain I just couldn't take seriously.The climax is the eruption of Krakatoa where a cache of fabled diamonds are hidden in a temple. That's what MacMurray and Douglas and their respective crews are after. Now considering this is Republic Pictures and not one of the major studios the special effects aren't bad. And the color cinematography is nice.But if you're beyond the age of 12 it's hard to take Fair Wind To Java all that seriously.

Capt. Boll (Fred MacMurray) is sailing in the Dutch East Indies in search of diamonds. A slave girl Kim Kim (Vera Ralston) that he buys holds the key to the whereabouts of the diamonds and she becomes the target of pirates, led by Pulo (Robert Douglas) who are also after the same thing. The film is a race between Boll and Pulo to find the diamonds which are located on Krakatoa. As it happens, this all takes place at the same time as the volcano erupts.Its crap. I challenge the viewer to stay with it without wandering off and daydreaming about better things. There is no interest, drama, tension - its a straightforward plodding adventure. Its slow moving and the acting is terrible. Vera Ralston puts on a terrible accent - I mean, imagine pronouncing the word "volcano" as "volcarno" - that is an accent from nowhere! Also extremely irritating is Wilson (Paul Fix) as a pirate. Why have these false, unfunny comedy characters in stories? They are not needed and they provide no humour. Boll has a troop of comedy pirates with Wilson as the worst offender. He wears a ridiculous ear-ring as well. I'd have pushed him overboard.Robert Taylor's mask is quite effective when we first see it, and the volcano wakes you up in the last 10 minutes, but the film is just a waste of time. The sets are so obviously fake (the speed at which the water moves in the background is so laughably unnatural), the sound quality is poor and the model ships are pushed along at speeds that defy belief. At the end of the film you will be drained and just want to go to bed because you have been so bored for the last hour and a half.

A sort of mini-De Mille picture from Republic studios, A Fair Wind To Java is a fast-moving adventure story set in the south seas. Fred MacMurray is excellent as the hero, really quite at home in the sort of costume picture role one wouldn't expect to find him in. What absurdities there are in the story are offset to a large degree by the actor's surprising moral authority as the humane captain. Vera Ralston is lovely if unexceptional as the heroine. The supporting cast is fine and energetic. As always, the Lydecker brothers provide superb special effects on a limited budget. Overall, a watchable, old-fashioned movie, if a tad anachronistic for the fifties. The ending provides genuine spectacle, and is well worth the wait.