Encounters at the End of the World
Encounters at the End of the World
G | 01 September 2007 (USA)
Encounters at the End of the World Trailers

Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent's unique locations. Herzog's voiceover narration explains that his film will not be a typical Antarctica film about "fluffy penguins", but will explore the dreams of the people and the landscape.

Reviews
seanjenson

A Werner Herzog film is fascinating regardless of the subject and Encounters is no exception. Featuring great shots of Antarctica, much like every Herzog film this one touches you in ways you cannot really express. (Great Herzog film)

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tao902

A documentary about Antarctica and its inhabitants, especially humans. Herzog located himself at McMurdo station to investigate the base's activities and it purposes.The film contains stunning footage of the wildlife, the landscapes and seascapes. We are also provided with a number of interesting interviews. However, despite comic moments and some amusing narration Werner Herzog's cynicism about some of the workers occasionally becomes tiresome. He would have been better to let the viewers interpret what they see and hear rather than trying to guide our interpretations.

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white_water

Encounters at the End of the World is a powerful, haunting and inspiring documentary from the master himself, Werner Herzog. At this point it's really just amusing that either Herzog's fictional feature or documentaries haven't been awarded with an Oscar since in my opinion all of his documentaries are Oscar worthy.Encounters at the End of the World is the only Herzog documentary to even be nominated.The movie is essentially a look into Antarctica stringed together with a bunch of interviews of the various people Herzog meets on his journey. All of them have something truly interesting to say and Herzog himself provides once again his narration for the documentary.Encounters at the End of the World has a scene which is perhaps the most powerful image I've ever seen on film. A lonely, deranged penguin heading towards the mountains alone, towards a certain death.

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Yashesh Joshi

Cinematographer: Peter Zeitlinger Dedicated to late Roger Ebert, Encounters at the End of the World is another avant-garde documentary piece by Hergoz. Along with his cameraman (Zeitlinger), this time he ventures to southmost point of the planet—Antarctica, South Pole.Ebert is clearly all enamored by the film, praising it highly, and rightly so.Hergoz's largely extempore interviews with scientist and travelers in various Antarctican base camps form the base material of the film. He eventually uses these casual interactions to explicate an underlying script for the film.The footage beautifully captures the exotic Antarctica—loony penguins running wild, astounding seal-calls, luminescent jelly fish, under-surface tunnel leading right below the South Pole—leaving you simply bewitched. Mesmerizing underwater footage gives you a feel of the nether regions. Personally, I would have preferred the dead-silence of the sea bottom. However, realizing that the silent period would be little too long, Hergoz substituted it with cathedral-like music.Making this film seem so natural was no mean feat, and wouldn't have been possible for any other, even capable, director. Due to his reputation, Hergoz was allowed exclusive access to some publicly inaccessible areas and personnel. An excerpt from film Wikipedia page: "The film was shot in Antarctica as part of the National Science Foundation's Antarctic Artists and Writers Program. The entire film crew consisted of Herzog, who recorded all production sound, and cinematographer Peter Zeitlinger. The two went to Antarctica without any opportunity to plan filming locations or interview subjects, and had only seven weeks to conceive and shoot their footage. Herzog often met his interview subjects only minutes before he began shooting them.Filming in Antarctica is usually overseen by the National Science Foundation's media office, which approves and supervises all film productions. Because of Herzog's grant from the Artists and Writers Program, he was allowed to film with no minders or oversight from the NSF. This allowed them to film the "seal-bagging" footage, which is not typically deemed suitable for public release." Of course, you can read more in the wiki-page itself.Peter Zeitlinger's astonishing behind-the-lens work deserves a special mention here. As always, he measures up to the vision and eccentricities of Herzog every time—exploring ice caves forged by fumaroles (volcanic steam and gas) on the slope of an active volcano is the best example of it.Through this film, Hergoz is basically asking a question about Earth and mankind's distant future.8.2/10

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