A basket head fights a gang and it's Lo Lieh. Then we have an arranged marriage set up. Next the prince is taken to a rendezvous but it is a trap. Basket head to the rescue and the prince escapes. The fiancée and bride to be go to a temple and encounter the prince and return him to her father. Father gives her a message to take to a general (who likes like a guy fishing by a stream). Basket head saves her from an attack. Goldilocks, the head bad guy, offers Lo Lieh money to kill Basket Head but he refuses. It goes on with more sequences where people are in jeopardy and basket head is there to save the day. I mean he literally had to be standing there one inch away totally unnoticed.The movie is an interesting attempt at creativity that likely ended up on the cutting room floor. About half way through there are suddenly two basket head characters. One tells the other to quit impersonating me yet that never happened, the double just showed up unannounced. Looking at the brief run time of one hour seventeen minutes I suspect scenes are missing, It was either in the original edit or the VHS tape came damaged and had to be cut and spliced. Another possibility is they ran out of money. I base that possibility on the slow motion fight scenes that seem to be just extending the run time. One thing is certain, no one will ever know.Ironically the dream sequence mentioned in the other review came across to me as the best action sequence. The fights are spinning kicks and hook kicks that you can see coming a mile away and only end up falling about half a mile short. There are many ways to rate this movie. As a South Korean movie that doesn't totally stink like every South Korean movie from the 1970s this movie is actually above average. As a martial arts movie in general from the 1970s it just falls a tad below average and I can only recommend it for the hard core fan who has plenty of beer in reach.

DYNAMITE SHAOLIN HEROES begins with a meeting of the black-hooded members of an anti-Ming gang led by the red-haired Viceroy Wang. They're searching for a list of Ming supporters reputed to be making the rounds. When they subsequently attack lone Ming supporters, the mysterious "Lotus Man" intervenes and rescues the would-be victims (always leaving behind his calling card, a dart with a lotus blossom affixed). Cowardly Chang is betrothed to the daughter of Old Kang, the lovely Miss Chung (at least, that's what it SOUNDED like on the VHS dub I saw). Old Kang is kidnapped. The Lotus Man tells Miss Chung: "A woman's beauty is not in her face, but in her mind." Chang then rescues Kang by taking out Wang and his men- but it was all a fantasy of Miss Chung's! A second real-life Lotus Man appears and we now have one Lotus Man who is willing to kill and another who will not. Who's who...? There's good action throughout, and it's constant enough to keep things moving. Not bad at all.

Of course, kung fu movies are an acquired taste and tastes may vary, but as second-rate chop-socky movies go, this one was definitely not bad. It's interesting how 1978 is a turning point year for kung fu movies. In 1978 we have fabulous classics like 36th Chamber of Shaolin, 7 Grandmasters and Last Hurrah For Chivalry, and the genre really topped around that time. Because after 1978, most kung fu movies become formulaic and insufferably derivative; repeating the same ideas over and over, ending up as an entire category of movies pandering to an undiscerning action movie audience. It becomes boring, to put it mildly.Note however that Dynamite Shaolin Heroes is from 1977 - it came along just before the era of exploitation really started. And it shows. While the movie starts out slowly, it becomes better and better as the story progresses. Genuine suspense and excitement are built up, and the tale becomes engrossing enough to make you forget the cheesiness. Remarkably, - and unlike so many of the obscure kung fu movies -, the plot here is actually clear and easy to follow (!!!). Thankfully, there are no annoying attempts at comic relief; the story is played straight, unless one counts the very funny hat that the two dynamite shaolin heroes are wearing! :-) Well, actually one might say that the movie is quite aware of its own cheesiness, and constantly hovers on the edge of self-irony, yet maintains a straight face. Which is a good thing.OK, a few words on the story. The good guys are the people who're trying to restore the Ming Dynasty. This is not clear in the beginning, which helps establish some suspense. As so often in these movies, it's all about protecting "The List!" That is, the list of the names of the sympathizers-slash-patriots-slash-revolutionaries whose identities must be protected in order for the good guys' cause to succeed. But in this movie we have several concurrent plot lines, making the story quite complex. For instance, the prince who's heir to the Ming Dynasty throne has a significant role. More importantly, though, one of the main characters has a daughter, who is to be married to a son of a family friend. But she is loved by a reformed assassin (and kung fu master) who keeps begging her to choose him instead of her "fool of a fiancé". Meanwhile, a heroic kung fu master who calls himself "Lotus Man" appears at all the right times and places to protect the main characters from their myriad enemies. The viewer is kept in suspense as to Lotus Man's true identity. Soon, it becomes clear that there are *two* Lotus Men, one who kills and one who doesn't. The viewer can't help speculating about what the deal is. The action is very successfully entertaining; you really want to know what happens next, and who these Lotus Men are. Matters get further complicated when there is a dream sequence (which is presented as real at first) where the girl fantasizes about her "fool fiancé" really being Lotus Man...! I shouldn't reveal any more; suffice it to say that the viewer is thrown for a loop more than once in this smart and classic kung fu adventure.I give it a rating of 7 out of 10. While it is most certainly one of the better examples of what can be done with the traditional kung fu formula, it also remains an unspectacular B-movie. It does its thing very well, but doesn't break new ground.