LOVED IT!!!!!!! Australia/England/New Zealand are learning from their euro/Asian counterparts how to make horror these days. This film is downright terror. We have the usual ingredients on board like strangers going into an inbred local bar/ meet weirdos/ violence ensues and the calamity begins. This film sort of incorporates backwoods/torture porn/cabin fever style horror and blends it all in and explodes out with its own kind of identity. Not as good as Wolf Creek and Storm Warning but just as alarming. For all of those who enjoyed The Hills have Eyes and the torture porn flicks, I think this one will stick with you long after the credits roll.
... View MoreInbred and hungry cannibals... Out of their element young folks... Yeah, it's safe to say we've all seen it a dozen times before and "Dying Breed" is more of the same.Director Jody Dwyer brings this familiar story to Tasmania with most of the same repercussions. However, the cinematography is stunning and the acting is well above most in the genre. Cliché? Absolutely... You pretty much know exactly what is about to(and does) happen through-out the film. The gore is admirable, yet the individual performances by the all-Aussie cast is the movie's saving grace.Certainly worth a viewing, if for nothing more then the great acting and the wonderful scenery.
... View More"Dying Breed" is a largely derivative and predictable Aussie horror flick that nevertheless benefices from a handful of marvelous elements, like a fascinating historical plot outline (albeit not at all accurate), breathtaking filming locations & scenery and a few unyielding shock sequences. The pivot character in "Dying Breed", even though he only briefly appears during the opening sequence, is Alexander Pearce a.k.a. "The Pieman". He was a cannibalistic murderer of Irish descent who got exiled to Tasmania to pay for the crimes he committed. Back in the early eighteen hundreds, when the whole of Australia was still a British prison colony and Tasmania an island where the heaviest cases were shipped off to, Alexander "Pieman" Pearce was the only convict how managed to escape and flee into the impenetrable Tasmanian forests. Obviously this plot outline isn't entirely accurate, as the real Pieman was in fact the nickname of a completely different prisoner and the real Alexander Pearce died at the gallows in 1824, but hey, it's a horror movie so everything goes. After the introduction of Pearce and the Tasmanian region, the plot resumes in present day Tasmania with the arrival of four twenty-something adventurers. Nina is a zoologist and wishes to continue the research of her sister who died here eight years ago whilst looking for last remaining species of the Tasmanian Tiger. She and her friends quickly discover that her sister didn't just drown, but fell victim to the bewildered and horribly inbred descendants of Alexander Pearce. They have only one goal in their miserable existence and that is to keep the bloodline alive. At the festival where I watched this movie, "Dying Breed" was exaggeratedly promoted like an Aussie interpretation of "The Texas Chainsaw Massacre" and "The Hills Have Eyes". Perhaps this is a fairly apt comparison, but stating something like that inevitably raises high expectations that "Dying Breed" can't possible fill in. Director Jody Dwyer does a reasonably good job, but he/she (?) yet doesn't succeed in generating an atmosphere of despair and sheer terror. It also takes slightly too long before the suspense and nastiness truly breaks loose. The first half of the film is overly stuffed with typical inbred jokes and stereotypical tourist behavior. There are a handful of downright disgusting sequences, notably a gruesome bear trap death sequence and a few close ups of pick-axes-in-the-head moments, which will undoubtedly appeal to the bloodhounds among us. The nature and wildlife images are dreamy to stare at and the acting performances are surprisingly above average. One of the lead actors is Leigh Whannell who, along with James Wan, created the original concept of "Saw".
... View MoreJust saw Jody Dwyer's Dying Breed. What an excellent Australian Horror flick it is! It could well be one of my favourite Australian Films of the year.Four young cryptozoologists go to check out Western Tasmania in search of ye ol' Tasmanian Tiger. Little do they know they are stumbling upon the ancestors of Alexander Pearce, the famous Australian ex-convict, bush ranger and sometime cannibal known as the 'Pieman'. Suffice to say fine dining is loosed on the Pieman River as a group of Deliverance style in bred Tassie freaks hunt down our hapless Tiger hunters. Dying Breed is well cast with Leigh Whannell (Saw) giving us a great version of the metro-sexual out of his league in the wilds of Western Tasmania and Nathan Phillips (Wolf Creek) as a roustabout larrikin hunter. Whannel is an excellent leading man and should branch out from horror and do other serious work. The two girls Sally MacDonald and Melanie Vallejo are good too. Especially the later, when she is strung up and dismembered Cannibal Holocaust style out the back of the Pieman's shed. I'm sure Leigh Whannell must have been showing the director Cannibal Holocaust, as this scene certainly bears the imprint of that classic film and the Dying Breed scene is very well done in its brutality. The film has various very effective set pieces in a cave, at night in the bush, out the back of the killer's shed, on a bridge at dawn, etc. All shot effectively and scored very nicely. The ominous Tasmanian landscape evokes a darkness akin to what DH Lawrence said about the great primordial emptiness of the Australian bush. The film should travel well as the Aussie accents aren't too harsh, and one is a Irish accent. The family of inbred freaks are memorable and varied in their motivations and actions.Dying Breed is a great edgy genre piece that is one of the first to appear in the new wave of horror cannibal films, so its ahead of the game world wide, also. I would have to rate it right up there with Rogue from last year and Acolytes, Horseman and Rats and Cats.Why did they not enter it in MUFF? It would have won some awards! Check out the posters. I like the stylish one, while the second one with a gory pie will entice the teen market.Stylish new Ozploitation is on display, that gives hope to the future of the Australian Film Industry!
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