A typically offbeat British National production produced by the ill-fated Louis H. Jackson (the company went bankrupt the following year) and directed by the mysterious Alfred Travers with a plot that feels like a silent continental melodrama. James Wilson's low keyed photography suits the drab, sordid nature of the story as well as enhancing the believable interaction throughout the film of twin brothers both played by Herbert Lom; achieved with the aid of nimble use of a stand-in, skillful editing and the occasional unostentatious use of trick photography.Lom's compelling portrayal of two identical but distinct twin brothers made him a star. Terence de Marney is such a skunk as he gets away with shameless daylight robbery (which the law predictably proves complacently powerless to redress) that I felt even the drastic reprisal taken against him let him off lightly. Holes can doubtless be picked in the plot, but it delivers powerful drama right up to the (very) bitter end.

This was a fine example of a British film, well acted and directed, an excellent storyline and no slip ups or confusion as sometimes arises in plots like this. Herbert Lom gives a spellbinding performance as the twins, and the rest of the cast are marvellous too. Everyone gives 100% and we enjoyed it very much. It should have got some awards. Please do watch it, if you get the chance. you wont be disappointed. A fine cast of actors doing a brilliant job with a first class director. Superb. I had not been aware of this director before and as he wrote the script too, (oh yes, I forgot to say excellent script) he has excelled himself. Why no proper recognition ? I had not even heard of this film before. It was shown at a quarter to three in the morning! The photography was well done and the matching was excellent too. This film should be acknowledged as a classic British film.

I remember seeing this film some forty years ago. I was still at school and found it curiously absorbing. In fact I could'not stop telling everybody about it for days afterwards. I recall the film creating an atmosphere at once dark and foreboding. There was an understated menace in the air much as in the opening pages of a story by H.P. Lovecraft. The plot was relatively straight forward but with a delicious twist at the end that has been likened to a tale by O. Henry. What carries the film is the sublime performance of Herbert Lom. Now there was an actor who played the archetypal smooth villain of his day. In fact I cannot think of any other actor who so consummately conveyed villainy with such effective "European" sophistication and grace. A role portrayed to perfection in "The Ringer" with Donald Wolfit, "the Golden Salamander" and later, "Northwest Passage" with Kenny More and Lauren Bacall. Shades of Conrad Veidt of an earlier generation. Herbert Lom was a busy actor who appeared in numerous film and theatre productions during the fifties and sixties. Few will remember that he took the lead role when "The King and I" first came to London at Drury Lane (I think) and that he was the natural choice for the Harry Lime role in the radio version of "The Third Man" (circa, 1951). His brooding "European" looks and deep and accented speech were instantly recognised by the audiences of his day and although never a major top-of-the-bill star, was a respected member of any cast (e.g. "and with Herbert Lom as Napoleon") and by todays standards would be considered an A-list celebrity.

A story of a twin trapeze act who fall out over a winning lottery ticket and a girl. A wonderful story and cast with an unusual and unpredictable end. This is my favourite film of all time and the brilliant Herbert Lom gives his best performance to date as Jules and Georges. I definitely recommend it.10/10