Director: NATHAN JURAN. Screenplay: John K. Butler, Lawrence Roman. Story: John K. Butler. Photographed in Technicolor by Harold Lipstein. Film editor: Virgil Vogel. Art directors: Bernard Herzbrun and Richard H. Riedel. Set decorators: Russell A. Gausman and Julia Heron. Costumes: Jay Morley. Make-up: Bud Westmore. Hair styles: Joan St Oegger. Assistant director: Tom Shaw. Sound recording: Leslie I. Carey and Richard DeWeese. Producer: Melville Tucker. Copyright 11 May 1954 by Universal Pictures Co, inc. A Universal- International picture. No New York opening. U.S. release: 1 June 1954. U.K. release through G.F.D. on the lower half of a double bill: 2 October 1954. Australian release: 10 December 1954. 6,913 feet. 77 minutes. SYNOPSIS: A villainous white man tries to stir up an Indian war for his own commercial advantage.COMMENT: Very attractively photographed. The studio night scenes particularly appeal. The camera-work reveals a dramatic depth of creative composition not usually associated with the work of Nathan Juran (though the man is a former art director after all). A few other inventive touches like the track ahead to the tree stump and the constantly clever use of pans in establishing shots, lend Mr Juran's direction even added luster and style. The exteriors are equally impressive. In fact, production values generally — even though lumbered with one or two obvious stock shots — are of an unusually high order.Unfortunately, the script and most of the players are something else again. The story is almost an entry in the unusual alliances cycle, except that this device is not over-emphasized in the manner of many later movies. Lyle Bettger, as usual, shines as the smiling heavy. It's also great to find Bob Steele in a meaty role as a bad-favored henchman. But Lisa Gaye makes a ridiculous if well-proportioned heroine, whilst Mara Corday is only slightly more credible as Bettger's moll. Still, neither girl has much of a part."Drums Across the River" boasts enough action to satisfy the fans, even if the doubles do all the work.

"Drums Across the River" is another of the excellent 80 minute Audie Murphy westerns turned out by Universal in the 1950s. This one has a fine supporting cast filled with recognizable faces.The story in brief has all of the gold mines around Crown City Colorado being played out and the only way to save the town is to cross the river into Ute Indian lands and mine the gold found there. Gary Brannon (Murphy) is conned into helping unscrupulous townsman Frank Walker (Lyle Bettger) convince the town elders to support a trek across the river into Indian lands. Gary's father Sam (Walter Brennan) tries to prevent him.After the group crosses the river Walker along with his two brothers (James Anderson, George Wallace) and the Costa brothers (Bob Steele, Lane Bradford) incite an attack on the Indians sent to stop them. Townsman Nathan Marlowe (Emil Meyer) is captured by the Utes. An Indian brave is also captured by Gary and an exchange is arranged. Sam having been wounded allows Gary to go in his place to the Indian village.Meanwhile Frank Walker sends for all in black gunman Morgan (Hugh O'Brian) to assist him. Later, Walker stages an "Indian attack" on the stage where a gold shipment is stolen. Gary gets blamed for the resulting deaths and ends up being tried for murder. In bargaining for his life, Gary agrees to lead the bad guys to the gold but..............Others appearing in the cast include Lisa Gaye as the good girl, Mara Corday as the bad girl, Morris Ankrum as the dying Chief, Chief Yowlachie as the Ute Medicine Man, Howard McNear as townsman Stillwell, Regis Toomey as the town Sheriff and Robert Bray and Edmund Cobb in other roles.Audie Murphy was a better actor than most give him credit for. His portrayal of the prejudiced Gary is quite good. Brennan has a few good moments in the early part of the film but is tied up for most of the second half. Lyle Bettger was one of the best of the smooth talking villains of the 50s. He would appear with Murphy again in "Destry" the following year. Bob Steele and Lane Bradford, veterans of the "B" westerns of the 40s have hardly any lines although Steele gets to work Brennan over and has a campfire fight with Murphy.One of the better Murphy westerns.

Crown City, Colorado was born and built on gold, but by 1880 the town was tapped out, with the only remaining mineral left to mine located in the San Juan Mountains, right in the middle of Ute Indian Territory. Gary Brannon (Audie Murphy) is on the side of the miners, and wants to see his town survive along with it's citizens. But father Sam (Walter Brennan) has been able to maintain an uneasy peace with the Utes and their Chief Ouray (Morris Ankrum), even after the death of his wife at the hands of a drunken Ute brave. Gary finds it harder to forgive and forget, and would rather consider all Indians his enemy based on the actions of a few.Heavy Frank Walker (Lyle Bettger) leads the mining faction and insists on creating havoc with the Indians, finding ways to undo the truce established with the Utes by the elder Brannon. He brings in a black clad gunman named Morgan, enthusiastically portrayed by Hugh O'Brian in an uncharacteristic role. The future TV Wyatt Earp plays his part with gusto until brought down by Gary.Ouray's son Taos (Jay Silverheels) becomes Chief when the elder Indian dies, setting the stage for what will figure in the movie's finale. With young Brannon present for the Chief's burial on sacred ground, Taos warns him never to return at the risk of death. Knowing this, and having been framed for murder by Walker, Brannon leads Walker and his men into the sacred mountain area to be ambushed by the Utes, thereby risking his own neck in order to save it.In 1954, Jay Silverheels was still in the middle of his co-starring role as Tonto in the Lone Ranger Television Series. In this film though, he's brought to more regal bearing as the Indian Chief Taos, and looks particularly impressive in full war bonnet. For his part, the young Audie Murphy looks a bit out of his element among the heavies of the film, though he manages to prevail against every henchman presented. The film ends with the Utes and the Crown City citizens exchanging mining rights for hunting privileges on each other's side of the mountains, a reasonable enough compromise that probably could have been worked out without the bloodshed, but then, there wouldn't have been a story.

This unheralded western is a solid yarn about a familiar plot of greedy whites scheming to mine rich gold deposits on Indian land. Audie Murphy's role as an Indian-hating cowboy is a bit out of character for him but he's okay in spite of his clean-cut, easygoing manner. Walter Brennan, a surprise member of the cast, is great in the role of Murphy's father and friend of the Indians. There are nice battles between the cowboys and Indians and the scenery is terrific. Lyle Bettger is the heavy and gives his usual fine performance. Jay Silverheels figures prominently in the picture and is stern but dignified as an Indian chief. Morris Ankrum and Mara Corday are also good in limited roles.