Desperately trying to own a fabled flat in a high-rise apartment in Hong Kong, a woman begins a deadly rampage against those that try to keep it from her and try to make her fantasy come true of living in the building.This ended up being quite a genuinely enjoyable effort with a lot to like about it. Supposedly a horror-comedy but frankly none of the scenes here were funny and it's mostly played straight anyway, making the labeling even more puzzling especially during the last half where it feels more like a drama with the subplot about the dying family member and the care given, which is mixed in with the back-story about a troubled childhood and the struggles between them, which makes it feel all the more like a true horror instead of a mixture. The stalking scenes in the rampages are a lot of a fun anyway, really making for some great gore set-ups, a series of bloody murders and a lot of action within to make for some real highlight moments, especially at the stoner's loft where there's a huge rampage against the inhabitants which is just a total blast. The motive for the rampage is somewhat weak and the finale is a little tame, but it's still a lot of fun when it gets down to what it wants to do.Rated Unrated/R: Graphic Language, Graphic Violence, Nudity, several sex scenes and drug use.

A second viewing of this slasher / drama. The combination of the two elements aforementioned still don't work perfectly to my taste, but I enjoyed it more than the first time. It helped that the storyline, with all its shifting back and forth in time, became clearer to me this time, and thusly had a greater impact.Josie Ho is a fine actress and knows how to underplay a definite psycho. The background of her character is worked out well, based on true facts of the practice of rich people forcing out home owners in Hong Kong in the '80s. The moment when she lets her grandfather die, partly because he betrayed her trust, is a pivotal moment to somehow stay on her side as a viewer - although it should not be missed that there is a lot of awfully dark humour in here, as well. And that humour makes it so that the gore (very well worked out, but not easy to stomach - pun intended?) has its rightful place here, too. Altogether, this is a weird one, and it will certainly not be for everyone. It may never be a favorite of mine, either, but the ingredients are separately very effective in any case.From 6 to 7 out of 10.

I sort of see Dream Home as a thinking man's slasher. What I mean by that is that it's a slasher film with a point, as it contains all the outlandishly kills from famous slashers like Friday the 13th (it probably goes further actually) but all the excessive blood and violence has a point, and a very valid point about the current house market in Hong Kong. Dream Home is also supposedly based on true events, I don't know how many of the events are true but I'm guessing not that many! Still, it illustrates the point of the film further as the age old issue of money has seriously taken its toll!Dream Home has an interesting structure which I don't know if it entirely worked. You see it cross cuts from her current murder spree to her past, including early childhood, right up to the events that led her to do it. In its favour it did add a nice layer of mystery to the film, and also helped to balance out the drama-heavy scenes with the horror-heavy scenes, allowing us to take a break from the last gruesome massacre and look forward to how it's all going to pan out! However, I can't help but wonder if the film would've been stronger having the events be shown in chronological order. It may have built the suspense and the final killing spree would've been doubly intense! It certainly worked for May, although the characters were much stronger in that than they are here. It's an interesting thought, but I'm satisfied with the unusual cross-cuts.Now horror fans are not going to be disappointed with the horror-heavy scenes! Dream Home showcases some of the most inventive kills I've seen on screen for a long time. Some of them are also quite heavy to watch, by that I mean distressing, which makes us feel less empathy for the character, making her well rounded. However, I think there could've been more evidence of her snappy psychological state in the past as she doesn't appear violent until she suddenly snaps. It does seem a bit over the top, but I suppose we can forgive it. There's plenty of blood and not only that, some scenes were actually quite suspenseful and thrilling rather than just a simple slash and dash.The drama-heavy scenes are also not as boring as I've labelled them. I found it really interesting to find out how she got so fixated on that apartment she wanted, and her journey getting her. They really help to flesh out the character further so we can feel for her and her motives (occasionally). However, I also think that a little background on her victims could've been nice as well, so we get to see them as humans too rather than just prey to feed off! The film is also beautifully shot and directed which I didn't expect. There's some lovely cinematography of the high-rise buildings which could also be metaphorical as it seems so out of her reach!Dream Home is a highly successful slasher and one that I'd be happy to revisit again. It doesn't hold back and also brings up various themes which have a place in today's society. I really enjoyed its entertaining violence and strong character build-up. You do care what happens to her in the end and it also makes a refreshing change to have a slasher film from the killer's point of view. I'd definitely go and check this one out as it doesn't seem that a lot have!

This is pretty awesome for what it is. Remember CATIII films from some twenty years ago? The most gruesome violence, a seamy social underbelly, usually a plot involving revenge and some terrible crime spree; bleak, nihilistic, amoral affairs of a world abandoned to the most deviant whims and sexual appetites. On at least the matter of violence, this one is a slick return to splatterfests of yore. There is no body part that isn't horribly mangled in some way. The pregnant woman isn't spared. Police don't save the day when they show up. There is no safe moral center to pivot around. This part works, is senselessly brutal and exciting. But every now and then we veer off into extensive childhood flashbacks meant to contextualize and explain. Backstory is gradually pieced together from that direction that allows us to discern pattern in yawning madness, minutely calculated obsession. Every wild stabbing of the knife is gradually imbued with purpose.The idea on the part of the filmmakers was probably that this was drama and human interest that would trouble how we handled violence from our end. The shift in tone would unsettle: here is a perfectly innocent young girl, and on the other end a raging psychopath.This would grace the whole with some complexity, even respectability. The film would not be easy to dismiss but would recast aimless slaughter as greater social consequence. We learn for example that government and land proprietor thugs are ousting poor tenants from their shabby apartment blocks, in order to flatten them and build luxurious high-rise towers in their place. Prices artificially skyrocket. This is brought full circle in the end with the first news as of '08 of the coming global economic crisis. The problem is this is not handled in terribly interesting ways. It's shoe-horned at the end of a bloodbath for some weight but only drags the superficial pleasures down.So we just learn stuff someone presumed we would need to know. The whole is tied into something someone presumed would be relevant to us all. It is but I'd rather get this part from a newspaper. A newspaper doesn't have excellent gore. So every minute spent away from cartoonish carnage and into hamfisted drama and social commentary is a minute lost for me.Being from Hong Kong, the makers perhaps felt it was their part to address all this. Perhaps the ire is honest and comes from experience. But as far as a horror film goes, I'm surprised they allowed the lesson of A L'Interieur go wasted: brutality even more sharpened by complete awareness of the present moment.Still, it's pretty awesome for what it is. It just means we'll have to concentrate on what was clearly poured into the most effort; the slick, ultraviolent slasher film.