Just before Paul Muni got his chance to play the titled doctor in The Story of Louis Pasteur (1935), the role which earned him his Best Actor Academy Award, he played the title role in this crime drama, as Dr. Lee Cardwell. William Dieterle directed both films; their other two collaborations were also titled roles for the actor: in the Oscar winning Best Picture The Life of Emile Zola (1937) and as Juarez (1939).This film's story was written by W.R. Burnett, who'd provided continuity for an earlier Muni title role, Scarface (1932); Mary McCall Jr. adapted it and Robert Lord, who provided the story for Muni's Bordertown (1935), wrote the screenplay.Dr. Cardwell (Muni) now lives in Big Ben, "the biggest small town" in an Ohio county, because as a big city surgeon he'd lost his nerve when he couldn't save his fiancée's life; she'd been critically injured in an automobile accident after a fight with him. Despite the urging of two of his former colleagues (one played by Samuel Hinds), he refuses to return to his practice, instead continuing to "hide out" in a small town community "run" by another gregarious doctor named Ginder (Robert Barrat), making it difficult for moody Cardwell to find patients. Dr. Ginder has dubbed him Dr. Socrates because his nose is always in books written by foreign scholars. Cardwell lives with Ma Ganson (Helen Lowell), who treats him like a son and allows his rent to be overdue.The action really begins when a local boy now big city gangster Red Bastian (Barton MacLane) returns home to hide out, and have Cardwell treat his bullet wound. Though Cardwell refuses payment, Red leaves him a C note ($100) which, because of his desperate financial condition - especially with the grocer, Cardwell deposits. Banker Ben Suggs (Raymond Brown) doesn't particularly like Ginder and befriends Cardwell, who agrees to visit Suggs's hypochondriac daughter Caroline (Grace Stafford) and helps to "cure" her.While Red and his gang are on their way to another job, they pick up a hitchhiker named Josephine 'Jo' Gray (Ann Dvorak), but she escapes during the holdup making some think she was a moll even though Red had shot her in the shoulder after she'd run. Cardwell helps her and takes her to his office to treat her wound against Ginder's protestations. Later, when Jo is cleared by the Sheriff et al, Cardwell asks her to stay because he's formed an affection for her, one which is mutual.When Red's arm that had been shot starts to hurt again per an infection, he has his gang kidnap the doctor and bring him blindfolded to their hideout. Afterwards though, Cardwell sees Bob Catlett (Olin Howland), and vice versa, and figures out where he's been. This is important because Red in turn has Jo kidnapped such that Cardwell decides that he must save her (from the fate of becoming a moll and) for himself. This happens at virtually the same time that G-man Greer (Henry O'Neill) et al have arrived in town to find and apprehend, or kill while trying, Red and his gang.Ma pleads with Greer to wait until 1 AM to rush the Catlett place; meanwhile, Cardwell is inside because he'd convinced Red that the Feds were after him per the C note from Red they'd traced to him. Because Catlett had questioned him about typhoid fever per one of his neighbor's earlier, Cardwell persuades Red and his gang to submit to an injection which is ostensibly a vaccine but will really put them to sleep for 12 hours.Of course there's a last minute raid and gun battle with the G-men. Red is killed in the shootout whereas Jo and Cardwell survive so that they can be together in the end; Ginder and the rest of the town sing "For He's a Jolly Good Fellow" to Cardwell.Hobart Cavanaugh plays a busybody pharmacist-soda jerk and Mayo Methot plays Red's moll Muggsy; Dick Elliot and Grady Sutton, as a grocery clerk, appear uncredited as does Marc Lawrence, as the gangster named Lefty.

I was hesitant to watch this film because I feared it was just another of the boringly similar gangster films that Warner Brothers churned out in the 1930s. And while this film does have a gangster connection, it avoids becoming cliché."Dr. Socrates" (as he is called; Muni's character) is a young physician rather out of place in the small town in which he resides. He has few paying patients. As a result, a gangster (Barton MacLane) targets Muni as the right doctor to take care of any injuries that befall him or his gang. Meanwhile, MacLane picks up a female hitchhiker on the way to a bank robbery; she gets shot and is suspected of being a moll since she was in the getaway car. Muni takes her in, and they fall in love (naturally). Meanwhile, MacLane wants her back, and in a rather clever turn, Muni subdues the gang through drugs and saves the girl...just as the G-Men sweep in. Dr. Scorates is soon a hero instead of an outcast, and it appears that he and his lady will live happily ever after.Although there are some issues with the plot (for example, would a gangster really pick up a hitchhiker on the way to a bank robbery?), overall it works pretty well, and is a relatively unique story.Paul Muni is brilliant here. It's only in the past few days -- as TCM had a mini-film festival -- that I began to watch Muni flicks. I'm impressed. In each one he looks so different that one might not recognize them as the same actor.Ann Dvorak is very good as the hitchhiker.But, a mistake was made with Barton MacLane here as the head gangster. You'd almost think he was acting while on meth! I'm no fan of MacLane's anyway, but even less than normal in this picture.Helen Lowell is pleasant as the cleaning lady. And note Mayo Methot as a moll; she had a knock-down/drag-out marriage with Humphrey Bogart beginning 3 years after this film was made. You'll recognize several other character actors in the cast; they all do nicely.This is an entertaining film!

Paul Muni has never made a bad movie or given a poor performance. He didn't crank out movie after movie like so many stars in that era, he carefully picked his roles. This is a terrific picture, Muni plays a doctor who has become a gangster's physician, but not by choice. The gangster is played with gusto by Barton MacLane. A woman who is kidnapped by the gang (Ann Dvorak) is injured and brought to Muni. She and the doctor soon fall in love. But, the gangster wants her, because she could testify against him since she knows what he looks like. Great cinematography but it's Muni's picture all the way. Helen Lowell provides fine support as "Ma".

Muni was just biding his time between "important" roles when Warners made a deal with him to do this little crime melodrama, after which they would let him do one of his pet projects. So here he is as the man whose constant reading of books causes the townspeople to label him "Dr. Socrates," a name that seems to fit the soft-spoken, easy going doctor that Muni plays in a minor key.Instead of overwhelming the screen in his usual manner, he lets BARTON MacLANE give a vivid, scene-stealing performance as Big Red, a criminal wounded in a bank holdup who needs the doc's care and promises to send him more customers if he'll put a lid on treating him, instead of reporting him to the police. Fortunately, MacLane has some of the best lines in the script and ends up being the most interesting character in the whole story.ANN DVORAK is young and pretty as the hitch-hiking woman who accepts a ride from MacLane's gang and ends up being suspected of being a gang member when the gang pulls a bank robbery and she's seen fleeing from the scene. When she's hurt, she ends up in Muni's care and the rest of the story is rather predictable but entertaining.As the N.Y. Times said: "A pleasant enough melodrama" about a doctor who unwittingly gets mixed up with the mob. It's a trifle with a better than average script and some nice performances from the Warner contract players.