SPOILER Having, in years past, seen Blacula, Blackenstein, and Scream Blacula, Scream!, it was inevitable that I would get to this. It's the story of Dr. Pride (Wait! I thought it was Dr. Black. Maybe Dr. Black-Pride?), brilliant research scientist by day, and also by day, a volunteer at the Watts Free Clinic & Thrift Shop. Yes, you read that right. You can't make up the Seventies...When one of his serums turns a blackish rat white and makes it so violent that it attacks and kills the other rats in the cage, the good doctor takes it as a sign that this may just be the cure for psoriasis of the liver. Oh, did I mention that he's looking for a cure for psoriasis of the liver? Yep, he's looking for a cure for psoriasis of the liver. Anyways (that's for you, Debbie), Doc BP decides he needs to try it out on humans to get real, useful data...rules, regulations, and ethics be damned. So he tries it out on a patient that's been brought in for liver failure and is not expected to live out the night. She turns white, lunges at him, and promptly dies.This leaves the doctor with no choice but to try it on himself, which is strange, because he's never mentioned that he's even got psoriasis of the liver. Nope, not even an inkling that he's got psoriasis of the liver. This, of course, turns him into an angry white man with incredible strength, who decimates any brotha who stands in his way. Oh, and he also kills hookers because.....well.....um....psoriasis of the liver!!! Bernie Casey is actually pretty good (probably because he's an excellent actor) and the whole thing is a lot of fun. There's a really cool stunt involving him throwing a store clerk through several rows of vegetable bins--no CGI, and all done in a single take, and a bravura finale in which the evil Mr. White...er, Hyde (never called that) climbs the Watts Towers.For some reason.Oh, just go with it!

Blacksploitation classic tells the story of Dr. Henry Pryde (Bernie Casey) who is working tirelessly to find a cure for liver disease. He develops a serum that shows potential but, he can't perfect it without human experimentation. After a failed test on a dying woman, Henry decides to test the serum on himself. The result transforms the valiant doctor into a super strong, violent tempered… white man. Directed by Blacula's William Crain, this 70s horror treats it's story with respect despite how silly it is and Crain, as with Blacula, gets good performances out of his cast that also includes Rosalind Cash (The Omega Man) and Marie O'Henry as Pryde's love interest, a local hooker named Linda. Sadly, Larry LeBron's script from an idea by Lawrence Woolner doesn't nearly make as much use of the classic story it's based on as did Blacula, nor is Crain able to give this film the Gothic flavor and style he did with that film. It's pretty much a generic monster movie with Mr. Hyde stalking and killing Linda's fellow hookers and their pimps and the police trying to find and stop the killer. The obvious blaxploitation elements are present but, seem a bit forced here as opposed to Blacula where they were just part of the characters and their life at that point in time. Still the film does have that 70s nostalgia and is worth a look for those interested in the blaxploitation era of filmmaking. Also noteworthy as, the Mr. Hyde make-up effects on Bernie Casey are by the legendary Stan Winston.

This film got little coverage in horror books or magazines I collected growing up, and I only became aware of its availability in the internet age. The premise was intriguing, although I assumed it to be more of a comedy and probably cheaply made. As a fan of Crain's Blacula I was pleasantly surprised to discover his involvement-even more so when "Big Skillet" Ji-Tu Cumbuka shows up--playing a straight talking police detective who reminds one of Samuel Jackson. The film does appear cheaper than Blacula and has less dramatic tension--on the other hand it manages to give its central character a bit more depth than one would expect from the Jekyll and Hyde story having been done so many times previously. The scene where Casey tells the prostitute about his childhood and mother is poignant, and makes his request to her all the more chilling since we realize he has some sincere reason to do his research and wont take no for an answer. A mad scientist with a twist.The makeup by future fx star Stan Winston who had worked with Casey on the TV movie Gargoyles isn't a big deal by today's standards and despite the title he doesn't really look caucasian but more like a Haitian voodoo zombie. Whether Winston was hampered by budget or it was a conscious decision to make him more of a ghoul is an open question.There are some story lapses and the ending seems rather abrupt and too basic for a story that had established such a dramatic impetus for the main character--but it has a few amusing lines and is probably worth a look for people seeking an alternative drive-in horror film. 6 1/2 out of 10.

"Dr. Black and Mr. Hyde" is cursed by the same affliction as its protagonist/villain: it is a good movie that constantly morphs into a bad movie, until finally it's nothing more than a bad movie.The plot starts off well, and is very intriguing at first. Dr. Pryde (Bernie Casey) is working with female colleague Billie Worth (Rosalind Cash) on a way to regenerate damaged liver tissue. He donates medical care to patients of a clinic in the Watts projects. There is some interesting tension in the movie's early scenes, as Dr. Pryde speaks frankly with one of his clinic patients, a prostitute named Linda (Marie O'Henry) that he's treating for hepatitis. Linda is an interesting character in the film, as the first time we see her, she's sitting nude on an examination table. A bold introduction for a character, especially a major one, and I don't remember many films where the director has made a move like this. Linda is very sympathetic, and Pryde seems to truly respect her, despite how some may look down on her profession.The attitude toward prostitution in the film is very matter-of-fact, which was fairly daring for a movie made in the early 70s, and it even proves to be a pivotal plot element. Dr. Pryde has an emotional discussion with Linda about how his mother passed away, which he blames on the inhabitants of a whorehouse who refused to help her. The main three actors here (Casey, Cash, and O'Henry) are all in very good form, which helps give the movie an unusual lift in quality.It's in the details that the film starts to go wrong. If the early scenes with Casey had not been so good, it might have been easier to accept that he descends into a dual personality after taking some of his own liver serum, which of course turns him into a rampaging beast. But considering that Pryde shows so much real interest and respect for Linda at the outset, it's impossible to understand why he would betray her the way he does. After taking a single injection of the serum himself, he then decides to woo Linda on a date, lays a big line on her about not wanting her "professional services" and simply wanting her company, and then he reveals that it was all because he wants her to allow him to inject her with the serum. We lose our sympathy for Pryde, and immediately the film unravels.The Mr. Hyde creature is a strange one. One of the characters in the film refers to it as a "haint", which I don't get. My grandmother was southern, and I know full well that a "haint" is a ghost. Mr. Hyde is just Casey with some contact lenses, facial molds, and white makeup. It's funny how the people in the film are so easily duped by the transformation; in one scene, Hyde rampages inside a seedy bar, gets cut, and bolts outside into the parking lot, where he reverts to Pryde. His pursuers don't recognize him at all, despite the fact that he's wearing the same clothes, bleeding, and all that's changed is his complexion. Hyde doesn't even really look "white", as the movie suggests, and it's hilarious that the black folks in the movie pretend to be fooled by it. Perhaps if the makeup had been more shockingly white, it would have been an effective contrast.It bears mentioning that the film's director also made "Blacula", a film that is eons better than this one. "Blacula" was pure silliness too, but it was very entertaining and it never betrayed its characters the way this one does. "Dr. Black and Mr. Hyde" also has a bigger problem: it has no thrills or chills. There is only one mild shock, when an old lady patient suddenly lunges at a nurse. There's also a fairly effective chase scene where Hyde goes after Linda in an abandoned warehouse.Unfortunately, the remaining parts of the movie are fair to awful. The supporting cast is mostly terrible, especially the policemen who are working on the Hyde case, and it seems as if this part of the script is really badly done. The situations in the film make no sense, including one scene where Mr. Hyde uses his car to run down a pimp in an alley, and the pimp takes out his knife and attempts to "stab" the grille of the car in self defense. Whatever! Maybe if he'd hit a vital belt or gasket, he would have had a chance.In a very strange ending, Hyde climbs the Watts towers and is shot down, just like King Kong. The image is surprisingly haunting, a human body inside the twisting metal of the tower, but it's not enough to make up for the gross sins that have come before it. It's worth mentioning that "Dr. Black and Mr. Hyde" is not nearly as bad as one of the other blaxploitation horror riffs, "Blackenstein"--but those of you who have actually SEEN "Blackenstein" will understand that this is not saying very much.