Black guy becomes rich white guy, and rich white guy seems to embrace hip-hop culture, and most of the "funny" moments of this film play off of this. The problem I have is that it doesn't work and almost never works.OK, so no one would expect Lance to grab a body like that and suddenly start acting like Charles Wellington. That would be too much to ask. I'll grant that. But at the same time, it goes too far the other direction. I'm supposed to imagine a rich white guy singing rap and completely upending things, playing like he's a bastion of hip-hop culture, and people just *accept* him? And what about Sontee, who falls in love with him *as a rich white guy*, even though she doesn't care about his money or power? This is so completely unbelievable it's not even funny.I just couldn't suspend disbelief and I couldn't finish the movie. I added one extra star because it did make me laugh, even hard, a couple of times. But I just couldn't get get past the whole "white guy doing hip hop" thing that has never been well done in any movie I've ever seen that tries it. This was no exception.

Chris Rock, apparently desperate for a cozy star-vehicle which would cross his appeal over to white and mainstream black audiences, updates the hit 1978 comedy "Heaven Can Wait" with an urban agenda. He plays a struggling comedian involved in a car accident who has his soul removed too soon from his body--consequently, his angels must find another body to place him in, and can only come up with that of a white businessman. Rewriting a movie as bland and sentimental as "Heaven Can Wait" only shows that Rock's eye was on the box-office (this was strictly a corporate move organized by the most mercenary of Hollywood players). Why not strive for something loftier or more memorable than a silly reincarnation comedy that culminates with an Evening at the Apollo? Terrific supporting cast (including the usually-reliable Regina King, the wonderful Mark Addy, Wanda Sykes, Eugene Levy, and terrific Frankie Faison) do what they can, but Rock seems awkward and unsure of himself throughout. *1/2 from ****

The main character Lance Barton gets killed and to heaven before his time. When heaven learns about the mistake he is given the body of just deceased rich old and white Mr. Wellington.A young black guy in a old white mans body still behaving like the young black man is maybe funny if you see it done by an old white actor. In this movie I ended up reminding myself several times: "Chris Rock is supposed to be an old white guy".The whole concept does not play as intended: The "illusion" is not transported well and the love story is not believable at all. The fact that all you see is Chris Rock playing a young black guy, because the old white person everyone is supposed to see is only shown in small scenes, is to much of a challenge for the viewers "suspension of disbelief".

this is one of the only films that i've actually left the cinema because it was so bad.the others were, just in case you're interested, the others were 1:"deep impact" - so boring i had to leave and 2:"dude, where's my car?" - you can only listen to "sweet","dude" for so long. and besides i dislike that guy from "that 70s show". chris rock is a one trick pony, while admittedly that trick can be funny, you cant base an entire film on it. (the whole black vs white thing). i think chris rock needs a partner in his films to rein in his ranting. well that's all i have to say but i'm being forced to finish this 10 lines rule. sorry ......... ............ ........... ............... ........ .......... ...... ......... ......... ........... ......... ...... ....